pjthompson: (Default)
pjthompson ([personal profile] pjthompson) wrote2006-02-08 02:58 pm

Plotting by hogwash

Quote of the day:

"Most people's lives aren't made up of stories with easily perceived beginnings and endings. Most people have to just muddle through as best they can, coming in somewhere in the middle, leaving before the outcome's known, half the time not even aware that they're in a story."

—Charles De Lint, Trader

Writing talk of the day: So, do you ever get that feeling, when you reach a big moment in your story which for all the months that you've been aiming towards it has seemed like a perfectly rational and logical progression . . . that it's really the deepest hogwash?

No, me either. Must be something I imagined or dreamed.

I may cop to having an uneasy feeling that I have yet again succumbed to plotting by stupidity. But that's not my problem. That's the second draft's problem. I think I'll let the second draft fix it on its own.

On another note, chapter 30 is now up on OWW. Chapter 29 has been in the underreviewed list for about a week now. Hardly surprising. It's a late chapter and BIG. Chapter 30 is even bigger. I have low expectations for the crit rate on that beastie, too.

[identity profile] everyonesakitty.livejournal.com 2006-02-08 03:55 pm (UTC)(link)
I don't *quite* understand the quote, but I like it. *ponders* Does it mean the conflicts of our lives will have resolve but sometimes on a geological time-scale and sometimes without our knowledge? o.o

And, dude, your premise is not hogwash. *pets* Onward, dude. You will love it in a day or so. I swear!

[identity profile] merebrillante.livejournal.com 2006-02-08 04:15 pm (UTC)(link)
Try this one from Lawrence Block (frequently mis-attributed to Nancy Kress):

"Life is just one damn thing after another."

So are plots. It's okay, honey. If they ain't on Oprah, it's still like real life.

[identity profile] sollersuk.livejournal.com 2006-02-09 12:07 am (UTC)(link)
I took it as a nasty reminder that a story as told can never really reflect life, that all storytelling is selective and only has the structure we impose on it.

After a request from someone else, I'm still trying to find my list of the dozen basic plots (my current books is basically "Beauty and the Beast") but in writing we decide the beginning and the end, and the middle is what happens in the middle. And first drafts are for finding out what happens!