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pjthompson
Is there anyone who is a fan of folklore that hasn’t heard of the Cottingley Fairies, for good or ill? There may be a few, I suppose. I’ll give a brief explanation, by way of introducing a very charming film taken from The BBC Roadshow, featuring Frances Griffiths’s daughter and granddaughter.
Basically, two girls named Frances Griffith and Elsie Wright came home one day in 1917 and told their parents Frances had seen fairies by the brook near their village of Cottingley in Yorkshire. Their parents mocked them, which made them mad, so they set about creating photographic proof. They were so determined to come up with this proof that they cut out pictures of fairies from Edwardian books, mounted them on cardboard, and artfully arranged them in the foliage near the brook so they could interact with them. Everyone was amazed. The local theosophists got ahold of the story and ran with it, then the spiritualists, then (and this is what really condemned the girls to a life of lying) the great spiritualist himself, Sir Arthur Conan Doyle, who went so far as to write a book on the subject.
Do I believe in fairies?
Certainly not in cardboard cut out ones. A modern eye isn’t as easily fooled, I don’t think, as Edwardians. (But that could just be early 21st century hubris talking.) We look at these photos and think, “How could anyone be fooled by them?” But people wanted to believe, and in that time when photography was new, many accepted that the camera could not lie—and believed.
Do I believe Frances saw fairies that first day and that childish righteous indignation at being mocked for the truth led her and Elsie to a twisted path of lies?
I believe anything is possible, especially lies hiding a truth, and truths hiding a lie. I believe in the will to believe and the will to persuade. I believe that things unseen are not so easily reproduced upon command and the temptation to give nature a helping hand is sometimes overwhelming. I believe that is almost as tricksy an answer as the Cottingley Fairies themselves, who are often obstreperous and contrary creatures.
And so, the film. I love the little girl in pink standing next to the “expert appraiser.” Her expressions and body language are priceless, swinging between boredom and interest. A child of a different time than Frances and Elsie, to be sure, but no less fascinated.
Mirrored from Better Than Dead.