pjthompson: (papyrus-lotus)

Edited to add: I hadn’t heard of the school shooting on this day when I posted this or I wouldn’t have been so cavalier about things.

These don’t really count towards my weekly total, but I’m on a roll and having fun. I adapted this first one from an older short poem (I was calling these day poems at the time) so it’s a rehab rather than new:

Driving
shadow-dappled
roads, the world unwinds,
my sighs release the chains that bind
my heart.

The second cinquain is by Adelaide Crapsey (an unfortunate name for a poet if ever there was one). Ms. Crapsey “invented” the American Cinquain back at the turn of the 20th century.  I really love this one:

November Wind

Listen…
With faint dry sound,
Like steps of passing ghosts,
The leaves, frost-crisp’d, break from the trees
And fall.

 

 

*For a definition of what constitutes haiku, tanka, and cinquains, and for an explanation of this poetry project, go here.

*To see all the poems in one place go here.

Mirrored from Better Than Dead.

pjthompson: (papyrus-lotus)

Edited to add: I hadn’t heard of the school shooting on this day when I posted this or I wouldn’t have been so cavalier about things.

These don’t really count towards my weekly total, but I’m on a roll and having fun. I adapted this first one from an older short poem (I was calling these day poems at the time) so it’s a rehab rather than new:

Driving
shadow-dappled
roads, the world unwinds,
my sighs release the chains that bind
my heart.

The second cinquain is by Adelaide Crapsey (an unfortunate name for a poet if ever there was one). Ms. Crapsey “invented” the American Cinquain back at the turn of the 20th century.  I really love this one:

November Wind

Listen…
With faint dry sound,
Like steps of passing ghosts,
The leaves, frost-crisp’d, break from the trees
And fall.

 

 


*For a definition of what constitutes haiku, tanka, and cinquains, and for an explanation of this poetry project, go here.

*To see all the poems in one place go here.

pjthompson: (papyrus-lotus)

 

The hawk
must also eat
but seeing bloody feathers
drifting down to earth rips up
my heart.
  
      

 

 

*For a definition of what constitutes haiku, tanka, and cinquains, and for an explanation of this poetry project, go here.

*To see all the poems in one place go here.


pjthompson: (papyrus-lotus)

 

The hawk
must also eat
but seeing bloody feathers
drifting down to earth rips up
my heart.

  

     

 

 

 

*For a definition of what constitutes haiku, tanka, and cinquains, and for an explanation of this poetry project, go here.

*To see all the poems in one place go here.

Mirrored from Better Than Dead.

pjthompson: (papyrus-lotus)

 

The Barber stuffed chicken breast box.

I’ve been struggling to come back online as an artist. I’ve been doing a found-paper box-folding project since June 1, 2017: one box a day for a year, little things, until May 31, 2018. Then I shall assemble them into something. Not quite sure what yet, although I have ideas.

But the writing…fits and starts, can’t keep going on anything, things bubbling below the surface, but they won’t come out. I need to write. I long for it so hard, so deep. I think I need to force my own hand, so I’m going to try doing little things with that, too. I remember a writing teacher many long yarns ago who made us do five weeks (out of 20) of nothing but haiku, tanka, and cinquains before he’d let us do any other kind of writing. We chafed at that, some dropped the class, but for those of us who stuck with it this discipline turned into an amazingly freeing exercise. So…

Haiku
Poems of 3 lines and 17 syllables:
Line 1, 5 syllables
Line 2, 7 syllables
Line 3, 5 syllables

Tanka
Poems of 5 lines, 31 syllables:
Line 1, 5 syllables
Line 2, 7 syllables
Line 3, 5 syllables
Line 4, 7 syllables
Line 4, 7 syllables

Cinquain
An American form in imitation of the Japanese forms above. (Some cheat and title these poems, allowing themselves an extra line.)
Poems of 5 lines with iambic accents:
Line 1, 1 accent
Line 2, 2 accents
Line 3, 3 accents
Line 4, 4 accents
Line 5, 1 accent

Can I keep up the discipline? What discipline should I set myself? One a day? One a week?

I’ll try one a day, but that may be ambitious. One a week seems too little. So maybe I’ll compromise. I have to do at least 3 a week. If I do more, that’s great, but at least those three. So, here we go.

Edited to add: I started this on a Thursday, so my week runs Thursday to Thursday.

Day One – Tanka (with a thanks to mountoregano and a side thanks to Billy Collins)

The daffodils hold,
their green ranks standing silent.
The peach tree, chafing
with impatience, holds forth in
full spring, laughing pink blossoms.

Mirrored from Better Than Dead.

pjthompson: (papyrus-lotus)

 

 

 

The Barber stuffed chicken breast box.


I’ve been struggling to come back online as an artist. I’ve been doing a found-paper box-folding project since June 1, 2017: one box a day for a year, little things, until May 31, 2018. Then I shall assemble them into something. Not quite sure what yet, although I have ideas.

But the writing…fits and starts, can’t keep going on anything, things bubbling below the surface, but they won’t come out. I need to write. I long for it so hard, so deep. I think I need to force my own hand, so I’m going to try doing little things with that, too. I remember a writing teacher many long yarns ago who made us do five weeks (out of 20) of nothing but haiku, tanka, and cinquains before he’d let us do any other kind of writing. We chafed at that, some dropped the class, but for those of us who stuck with it this discipline turned into an amazingly freeing exercise. So…

Haiku
Poems of 3 lines and 17 syllables:
Line 1, 5 syllables
Line 2, 7 syllables
Line 3, 5 syllables

Tanka
Poems of 5 lines, 31 syllables:
Line 1, 5 syllables
Line 2, 7 syllables
Line 3, 5 syllables
Line 4, 7 syllables
Line 4, 7 syllables

Cinquain
An American form in imitation of the Japanese forms above. (Some cheat and title these poems, allowing themselves an extra line.)
Poems of 5 lines with iambic accents:
Line 1, 1 accent
Line 2, 2 accents
Line 3, 3 accents
Line 4, 4 accents
Line 5, 1 accent

Can I keep up the discipline? What discipline should I set myself? One a day? One a week?

I’ll try one a day, but that may be ambitious. One a week seems too little. So maybe I’ll compromise. I have to do at least 3 a week. If I do more, that’s great, but at least those three. So, here we go.

Edited to add: I started this on a Thursday, so my week runs Thursday to Thursday.

Day One – Tanka (with a thanks to [profile] mountoregano and a side thanks to Billy Collins)

The daffodils hold,
their green ranks standing silent.
The peach tree, chafing
with impatience, holds forth in
full spring, laughing pink blossoms.

pjthompson: (Default)
HAIKU



Summer night stars, press
of fragrance. Even flowers
can seem eternal.



         My hands remember
what mind does not: just so my
         father planted beans.


A hemorrhaged sky
while below, black silhouettes:
people-ghost puppets.



   Strange: I at once can
be working at my desk, yet
      in my garden, too.


The clatter of wind
in leaves: ticking moments of
the world rushing by



   Blow soft and warmer,
wind: do not be so harsh to
 my autumn bean sprouts.


These seeds I scatter
in a row, already I
see the withered stalks.


CINQUAIN



In gray
silence they fall,
ashes on the wet earth
stuck in a shiny black sheen to
the leaves
pjthompson: (Default)
I was cleaning a filing cabinet and found some wonders, but mostly non-wonders. I found a file of old, lost poetry. For the most part, it should have stayed lost. I'll make an e-file of juvenilia, but I doubt most of the stuff there will see the light of day. Some of it was okay. For instance, I found a file of old haiku, tanka, and cinquains I'd written for a writing exercise in a writing class. It was all about condensing images. Some of those weren't too bad.

Technically, haiku is seventeen syllables in three lines divided 5, 7, 5—but I didn't always adhere to that and many Western haiku writers don't follow that pattern, it seems. Tanka are 31 syllables, five lines, divided 5, 7, 5, 7, 7; cinquain are 22 syllables, five lines, divided 2, 4, 6, 8, 2.

Haiku

White branches swaying
against a stormy sky:
bones in a riverbed

A green field and far
across it a cry—is it
dog or is it bird?


Summer evening,
honeysuckle, jasmine, and
a sky vast and dark.

Rain in bougainvillea,
voices murmuring.
What is it that they say?


Idol in the garden,
your niche is sifted over
with decay of leaves.

Tanka

In a dead woman’s
room everything is still and
silent as if here
her presence is need to
keep this world of things moving.


Cinquain

The birds
in the distance
hovering quite still I
saw after all were just a flock
of kites.

Woman
walking in the
rain I thought I knew, but
it cannot be unless she was
a ghost.

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