pjthompson: (Default)
2010-03-10 12:45 pm
Entry tags:

Deleted prologues

Sometimes it takes me awhile to roll into short stories, long stretches of moody writing that help me get into the feel of the story and the characters. Often over-written. It's as if I'm writing a prologue for a short story.

This is one of many reasons why I am not a successful short story writer. Because almost inevitably, at some draft along the road, I'll realize that I may really like that prologue, but it doesn't belong there. It starts the story too early. It needs to be cut. It's a liberating feeling when I reach the point of objectivity that allows me to see that. I feel like maybe, finally, I'm getting closer to the real story. Sometimes that happens in a shorter amount of time, sometimes it takes many drafts. Hopefully, I haven't already sent it out to every likely market on the planet by the time I realize that. Usually not.

I think these deleted prologues are another indicator that I am by nature a novelist. They almost always have a novelistic feel, not that tight, essential feel of stories.

Here's one it took me only six years to delete. I don't know what else to do with it at this point, but I know it doesn't belong to this story.

Deleted Prologue - Loose Dogs )
pjthompson: (Default)
2007-01-07 11:24 am

The year in writing review meme

I got this one from [livejournal.com profile] sosostris2012. It's a different take on the first line meme. This is everything I worked on in 2006, finished or not. (So, I cheated a little with some of these and put the opening paragraph down—but only on a few.)

If this had been a list of everything I finished in 2006, it would be a short list indeed: Night Warrior, a novel. I did a lot of revising this year, some of it quite extensive (Shivery Bones) and started some stories, but the only thing I actually finished was NW. That novel just about killed me, which seemed to be a theme for the year.

Behind a cut to reduce boredom. )
pjthompson: (Default)
2006-07-07 02:29 pm

The double chickenwing camel clutch

Quote of the day: (a classic)

"Substitute damn every time you're inclined to write very; your editor will delete it and the writing will be just as it should be."

—Mark Twain


Writing talk of the day: Very Damn well.

I've been engaged in a tough wrestling match with "Eudora's Song" all week, but I put her in a double chickenwing camel clutch and the match is over. I think . . . we both won. It's a stronger story for all the cutting and reworking. I streamlined the conflict, although it's still more about internal conflict than external. The essence of this story was always, for me, Eudora's struggle with herself, so I made that more evident—and more of a struggle, frankly. As always with my "shorts" I'd been trying to do too much, introducing too many novelistic currents and themes.

It's still not done. I'll have to weed more language and maybe cut some more content, but at least it's a lot farther along the path now, and I feel better about it.

Like "Loose Dogs," this story got some really meaty crits last time I ran it on the OWW. Those helped a great deal is allowing me to let go of some stuff. I let go of about 1000 words so now Eudora is a legitimate short story at 7200 words. Huzzah for moi.
pjthompson: (Default)
2006-06-10 03:46 pm

It's an ugly truth: I'm a novelist

Nothing to be done about it, I'm afraid.

I was looking through my folder of half-finished projects and ideas yesterday after finishing the rewrite of my story, "Loose Dogs." I felt a strong pull towards "The Heart of the Western Tide," a story that's been patiently waiting for me to get around to it. I conceived of it as a novella, but when I worked on it yesterday it started to get novelistic pretensions. I told it not to put on airs, not to get ahead of itself, but it stuck its tongue out at me and proceeded on its merry way. I still think it's a novella, but I'm going to let it have its head and see where we end up. That's can be dangerous, but often you get to see unexpected scenery.

This story has some powerful mojo. It was a dream, a powerful dream, and when I woke up from it I hurried right to the computer and wrote an opening and many pages of notes--about 1700 words in one sitting. I played with it for several days but I was deep in the heart of Night Warrior at the time and didn't want to stop long enough to work on it.

Yesterday, I'm glad to say, when I read through it I was able to recapture some of that remarkable feel and had a good time working on it.

I've managed to bore myself with Charged with Folly doing all that research reading. Probably a good sign that I've done enough reading for now, huh? I put down the books and I'll let that idea simmer. It'll come back into focus. And then maybe I won't have any more excuses not to write it.

I conceived a startling plan yesterday, inspired by the prolific [livejournal.com profile] jasperh: working on more than one novel at a time. I've always had several novels at various stages of development at any given time, but usually once one of them reaches a tipping point and decides to push for the finish, I become so obsessed I concentrate on nothing else. I suspect that will still be the case, but there's no harm in trying something else in the meantime, is there? It might allow me to advance some of those other projects quite a bit before I become transfixed by one and turn all my focus on it.
pjthompson: (Default)
2006-06-09 09:52 am

Wielding scissors

Quote of the day:

"I believe more in the scissors than I do in the pencil."

—Truman Capote


Today's quote cracked me the hell up when I pulled it out of the random file. That's because I spent the week working on an old novelette, "Loose Dogs." I cut 1500 words and it's still 9k. *sigh* At least it's tighter. I'm not sure if it's at that magic place of "I can't cut it anymore and do justice to the story" (I suspect it isn't), but I've exhausted the subjectivity of my current perspective. I'll probably slap it up on the OWW one of these days soon and take it from there.

And I'll probably work on more stories for awhile before tackling another long project. Try to catch up on some critiques. I'm creatively tired right now and just want to kick back. I feel pressure to jump right back into something big again, but I tell myself to ignore that man behind the curtain—for the time being anyway. I needs me some rest. And time to get over that bluesy feeling that hits after every big project is done.


In other news:

Lynn's birthday is coming up in July and to celebrate we're going on a tour of "the most famous and infamous sights of death, murder and scandal in Los Angeles." She picked that over the nighttime ghost tour of L.A. and the Queen Mary ghost tour. It should be a blast. :-)

http://www.dearlydepartedtours.com/DDT/index.html

You know, one of the things I really love about this town is how chock-full of good old fashion sordidity it is. Gotta love it.
pjthompson: (Default)
2005-06-17 03:28 pm

Splat

Having just finished chapter 22 of The Novel and having just posted chapter 14 to OWW, I decided to take a break from Night Warrior today and work on an old novelette I thought I could fix.  It was going great until I hit scene five and then splat.  You know, having many months perspective on this since I last worked on it, I can see the splattage point quite clearly.  I'm just not quite sure what to do about it.  Cut some stuff, obviously.  But what?  I always get so confused about what to cut and what to leave in my short stories.  I suck at short stories.

Synchronicity of the day (day being a 24-hour period and me having seen this as I was driving home last night after just posting about a tsunami):  A bright red convertible sports car with the license plate, TSUNAMI.  And when I got home, CBS news (which I don't usually watch) had a report on the Asian tsunami as well as the scare in Crescent City.

Interesing sight of the day:  The blue-gowned graduates waiting around outside the auditorium as I drove by my alma mater Venice High School last night.

My response:  To start whistling Pomp and Circumstance, of course.  Then I wondered if I had beans at home to go with my chicken, tortillas, and pico de gallo.  I continued to worry about beans and whistle Pomp and Circumstance all the way home although I really would rather not have.  (I didn't have beans, but it was delish anyway.  I made chicken-flavored rice to go with it.)

Alternate interesting sight of the day:  While driving in this morning, seeing some workmen pulling down a billboard sign.  I usually never see them in process—it's just something new when I drive by.  This one was like a giant plastic sheet which they unbolted and let drop whole.  Not like in the old timey cartoons and movies where they paste strips of paper up like giant wallpaper.

Things I thought of blogging about today: Cliches and how I use them as placeholders and don't necessarily clean them all out of my ms. until the second draft so as to just keep pushing forward and stop obsessing.  The purpose of the first draft is to get finished, not to be beautiful.

Why I didn't blog it: It seemed boring even to me.

Cliche of the day:  Or she had new eyes and could see for the first time.

Darling du jour:  The sky loomed behind the lantern of the moon, the stars washed out to a pale blur by lunar glow and the lights from the neighborhood.