Mazing

Jun. 17th, 2016 10:00 am
pjthompson: quotes (quotei)

Random quote of the day:

“Life is a maze in which we take the wrong turning before we have learnt to walk.”

—Cyril Connolly, The Unquiet Grave

maze4WP@@@ 

Disclaimer: The views expressed in this random quote of the day do not necessarily reflect the views of the poster, her immediate family, Siegfried and Roy, Leonard Maltin, or the Mormon Tabernacle Choir. They do, however, sometimes reflect the views of the Cottingley Fairies.

 

Mirrored from Better Than Dead.

pjthompson: (Default)

glastonbury-tor-england-sm

Many (many) years ago, after being a gobshite, I visited Glastonbury Tor and had an epiphany. Such things are not unusual there, from what I understand, and many people go especially to seek out transitional moments. Although I’d read about the Tor for years and it was high on my list of places to visit in the West Country, I didn’t go specifically seeking a pivotal moment. I don’t think one can obtain them to order. It just worked out that way for me.

Perhaps it was because I drove around the West Country for eight days on my own, but I had a number of profound experiences on that trip. If I’d had companions, perhaps I wouldn’t have been as hungry, or as internal. Perhaps discussion and camaraderie would have diluted the experiences. I don’t know. I’m just glad I received these gifts—for certainly, transitional moments are gifts.

Back in those days I didn’t have to take a bus to the Tor. I parked my rental car on the road that runs behind it and walked up to it through the countryside. I’d read that some people believe the terraces ringing the Tor are the remains of an ancient three-dimensional labyrinth that pilgrims used to traverse to gain…Well, theories vary, and many discount the idea entirely. The terraces go round the Tor seven times, ending at the pinnacle where the remains of St. Michael’s church now stands. It resembles the Cretan labyrinth, so they say, and if the theories are correct, it’s part of a long continuum of ancient ritual. A search for enlightenment? The prelude to a sacrifice? A journey through the maze of the soul? Who knows? You can read a fascinating analysis of this by Geoffrey Ashe here.

I myself approached the top of the Tor mostly as a feckless tourist, partially as excited quester, blundering along the path that cuts through the “labyrinth” and heads straight to the top. I got disoriented at a certain point about halfway up, where a clump of bushes surrounded a bench with a sheep resting its head on the backrest. I no longer remember why I grew insecure about the path—it’s a fairly straight ascent, after all—but I did. I looked down the Tor to see if I could ask someone if I was “doing it right” and spotted a young man several terraces down walking crossways along the Tor. “Is this the right way up to the Tor?” I yelled. He stopped and gave me a “what kind of a gobshite are you?” look before nodding a continuing on his journey. It was only much later when I was off the Tor and back at the B&B that I realized I’d interrupted his journey through the maze. I’m not stupid, but sometimes I’m not smart. Perhaps my idiotic interruption was part of the tribulations the mazewalker had to go through to reach enlightenment? One can only hope.

I continued on in my gobshite way, reaching the tower on top of the Tor and for some reason was granted a moment of grace. Grace is always mysterious, and often goes to the underserving. It’s not just for Christians, either. I’ve noticed that even pagans are sometimes granted grace.

Or maybe it was just endorphins from the long climb. I say that as a nod to science, which I love and respect, but mostly I’m not inclined to look this gift horse too closely in the mouth. It was a moment of personal fulfillment and I am grateful for it.

Here’s part of what I wrote about the experience many long yarns ago:

It was another cold, gray day when I got to the tower, and not too many folks around. For the moment, I was alone at the top with the tower. There’s a doorway on both sides and in the middle a pit with evidence of a recent campfire. The inside of the tower is like a vast chimney because there’s no roof, and I had a strong sense of stepping away from the world.

And I was overcome by an odd, strong realization that I was at a crossroads. I remembered an image from a book I’d recently read about a doorway on a mountaintop, and I had the unshakeable conviction that if I stepped through one doorway of that tower and emerged on the other side, my life would never be the same. But I had to choose to step through, at that precise moment in time, in the full knowledge that I accepted and welcomed the change, agreeing to something new and different in my life. I hesitated, known devils being preferable to unknown ones, but for once my timidity didn’t win. I stepped through.

mountain

Alchemy: the Invisible Magical Mountain And the Treasure therein Contained

On the other side of the doorway, the Tor descended gradually towards a plain of green fields and hedgerows, and to the northeast lay the ruins of Glastonbury Abbey and the town itself. A group of four sheep grazed just below the crest, heads down and disappeared in shadow, backs like tight balls of cotton floating above the hill. In the distance, the sun broke through the clouds, a shaft of silver illuminating the sky and downslope lands, while the area around the Tor remained in shadow. All except the backs of those sheep, whose whiteness caught the sun and glowed white-gold against the dark, shadowy green. The moment pierced my heart with its beauty, and I felt . . . as if the bargain I’d struck with life had been accepted. I don’t know if it was magic, or plain old motivation, but my life really wasn’t the same after that. That year—that trip and the sense of empowerment it gave me—started a cycle of changes that set me on a new path.

I have a photograph of the moment when the sun illuminated the sheep. A pale echo of the experience, but thanks to Canon, Kodak, a good color lab—and maybe a bit of grace—the dramatic lighting on the backs of those sheep came through. Whenever I really look at that photo, I am right back there, in that place, having just concluded my bargain, and realizing (maybe for the first time) that my life really was what I made of it and that the only one I really had to answer to was myself.

glastonbury sheep

Mirrored from Better Than Dead.

pjthompson: (TheSiren)

glastonbury-tor-england-sm

Many (many) years ago, after being a gobshite, I visited Glastonbury Tor and had an epiphany. Such things are not unusual there, from what I understand, and many people go especially to seek out transitional moments. Although I’d read about the Tor for years and it was high on my list of places to visit in the West Country, I didn’t go specifically seeking a pivotal moment. I don’t think one can obtain them to order. It just worked out that way for me.

Perhaps it was because I drove around the West Country for eight days on my own, but I had a number of profound experiences on that trip. If I’d had companions, perhaps I wouldn’t have been as hungry, or as internal. Perhaps discussion and camaraderie would have diluted the experiences. I don’t know. I’m just glad I received these gifts—for certainly, transitional moments are gifts.

Back in those days I didn’t have to take a bus to the Tor. I parked my rental car on the road that runs behind it and walked up to it through the countryside. I’d read that some people believe the terraces ringing the Tor are the remains of an ancient three-dimensional labyrinth that pilgrims used to traverse to gain…Well, theories vary, and many discount the idea entirely. The terraces go round the Tor seven times, ending at the pinnacle where the remains of St. Michael’s church now stands. It resembles the Cretan labyrinth, so they say, and if the theories are correct, it’s part of a long continuum of ancient ritual. A search for enlightenment? The prelude to a sacrifice? A journey through the maze of the soul? Who knows? You can read a fascinating analysis of this by Geoffrey Ashe here.

I myself approached the top of the Tor mostly as a feckless tourist, partially as excited quester, blundering along the path that cuts through the “labyrinth” and heads straight to the top. I got disoriented at a certain point about halfway up, where a clump of bushes surrounded a bench with a sheep resting its head on the backrest. I no longer remember why I grew insecure about the path—it’s a fairly straight ascent, after all—but I did. I looked down the Tor to see if I could ask someone if I was “doing it right” and spotted a young man several terraces down walking crossways along the Tor. “Is this the right way up to the Tor?” I yelled. He stopped and gave me a “what kind of a gobshite are you?” look before nodding a continuing on his journey. It was only much later when I was off the Tor and back at the B&B that I realized I’d interrupted his journey through the maze. I’m not stupid, but sometimes I’m not smart. Perhaps my idiotic interruption was part of the tribulations the mazewalker had to go through to reach enlightenment? One can only hope.

I continued on in my gobshite way, reaching the tower on top of the Tor and for some reason was granted a moment of grace. Grace is always mysterious, and often goes to the underserving. It’s not just for Christians, either. I’ve noticed that even pagans are sometimes granted grace.

Or maybe it was just endorphins from the long climb. I say that as a nod to science, which I love and respect, but mostly I’m not inclined to look this gift horse too closely in the mouth. It was a moment of personal fulfillment and I am grateful for it.

Here’s part of what I wrote about the experience many long yarns ago:

It was another cold, gray day when I got to the tower, and not too many folks around. For the moment, I was alone at the top with the tower. There’s a doorway on both sides and in the middle a pit with evidence of a recent campfire. The inside of the tower is like a vast chimney because there’s no roof, and I had a strong sense of stepping away from the world.

And I was overcome by an odd, strong realization that I was at a crossroads. I remembered an image from a book I’d recently read about a doorway on a mountaintop, and I had the unshakeable conviction that if I stepped through one doorway of that tower and emerged on the other side, my life would never be the same. But I had to choose to step through, at that precise moment in time, in the full knowledge that I accepted and welcomed the change, agreeing to something new and different in my life. I hesitated, known devils being preferable to unknown ones, but for once my timidity didn’t win. I stepped through.

mountain

Alchemy: the Invisible Magical Mountain And the Treasure therein Contained

On the other side of the doorway, the Tor descended gradually towards a plain of green fields and hedgerows, and to the northeast lay the ruins of Glastonbury Abbey and the town itself. A group of four sheep grazed just below the crest, heads down and disappeared in shadow, backs like tight balls of cotton floating above the hill. In the distance, the sun broke through the clouds, a shaft of silver illuminating the sky and downslope lands, while the area around the Tor remained in shadow. All except the backs of those sheep, whose whiteness caught the sun and glowed white-gold against the dark, shadowy green. The moment pierced my heart with its beauty, and I felt . . . as if the bargain I’d struck with life had been accepted. I don’t know if it was magic, or plain old motivation, but my life really wasn’t the same after that. That year—that trip and the sense of empowerment it gave me—started a cycle of changes that set me on a new path.

I have a photograph of the moment when the sun illuminated the sheep. A pale echo of the experience, but thanks to Canon, Kodak, a good color lab—and maybe a bit of grace—the dramatic lighting on the backs of those sheep came through. Whenever I really look at that photo, I am right back there, in that place, having just concluded my bargain, and realizing (maybe for the first time) that my life really was what I made of it and that the only one I really had to answer to was myself.

glastonbury sheep

Mirrored from Better Than Dead.

Language

Jun. 13th, 2008 10:15 am
pjthompson: (Default)
Random quote of the day:


"Our language can be seen as an ancient city; a maze of little streets and squares, of old and new houses with additions from recent periods; and this surrounded by a multitude of new boroughs with straight streets and uniform houses."

—Ludwig Wittgenstein, Philosophical Investigations, Par. 18




Illustrated version. )
pjthompson: (Default)
Quote(s) of the day:

"Honest criticism is hard to take, particularly from a relative, a friend, an acquaintance or a stranger."

—Franklin P. Jones


"Children who tell adults everything are trying to make them as wise as they. Just as children who ask questions already know why the sky is blue and where the lost kitten has gone. What they need is the confirmation that the odd and frightening magic which has turned adults into giants has not completely addled their brains."

—Richard Bowes, "The Mask of the Rex"


Labyrinth of the day: Since labyrinths (not mazes) are a central metaphor in the next novel I hope to write, I've been wanting to walk one. Labyrinths are circular pathways with one way in, one way out; mazes are puzzles with twists and turns designed to confuse. Labyrinths are a way of getting away from left brain puzzle-solving, and bringing it in balance with the right brain; mazes are all about the left brain and trying to figure things out.

Read More )
pjthompson: (Default)
I'm in the midst of book packing frenzy and I'm still buying books. Not many, just a couple, but clearly, I have a mania. I ordered a book from Amazon because I realized in packing up that I had book 2 and 3 of the series but not 1--and I had to complete the set right now, didn't I?? I felt like going on to the next book in a series I've been reading in the hour before I collapse into bed at night, so I picked that up. I will probably be picking up the sequel to a book I finished last week. I wasn't sure I'd continue with the sequel because of problems with the first book—a slow and impressive build of world and character followed by a rushed and nearly passive action closer—but I find I can't stop thinking about a certain character and I thought I really should try to exorcise that private demon. And I ordered a book on labyrinths because I am researching them for a novel and because a friend and I are thinking of building one in her garden.

(Did you know most people have it wrong about labyrinths? They aren't the things where you wander around and get lost--those are mazes. Mazes are designed to fool and are left-brain puzzlers to be figured out; labyrinths have one way in and one way out and are a path meant to be walked for contemplation. The Minotaur was not actually in a labyrinth but in a maze. Labyrinths are places where you walk a sacred path to get into a meditative state--like they have at Chartres or Grace Cathedral in San Francisco or the Nazca lines or Celtic burials or . . . well, there are a bunch of them around the world, some ranging back millennia to pagan times. Christian and pagan, pretty much every religion or way of knowing has some form of the labyrinth. I will not be using labyrinths in the maze sense in my novel, but in the meditative sense.)

(But I digress.)

And speaking of rushed and passive action sequences...that next book in the series I've been reading had a similar problem in the opening pages. I couldn't help wondering if these sequences in the ending of one book and the beginning of another weren't a result of being forced to edit down a ms. from a larger size to one more acceptable to the present publishing climate? I suppose it could just be writers' fatigue and rushing to get things over with, but I've noticed that rushed, passive action thing happening in quite a few books lately. I can't decide if it's a symptom of the publishing environment or if I'm just noticing that sort of thing more these days. What really cheeses me off is that I think in both cases it would have been so easy to fix--just make the verbs more active, make the POV slightly more immersive. In the casing of the ending sequence it felt rather like coitus interruptus after that long, careful build. In the case of the opener, it just felt sloppy and tired.

You can't have everything, I guess.

And about all I'm doing these days is hunkering down to write and hunkering down to pack. I'll try to sneak in some crits when I can, but I have to focus my priorities on finishing Night Warrior and in getting moved.

Oh, and Night Warrior is probably going to be called Midnight Ragas in the second draft, for reasons which will become apparent...in the second draft. (It will take some twiddling which I don't have time for right now. Must. Finish.) For right now, it's staying Night Warrior.

And I can't help wondering if NW is going to have a rushed and passive action sequence in order to Get. This. F-er. Done. *sigh*

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