Musings

Jun. 5th, 2019 04:24 pm
pjthompson: (musings)
My problem as a fantasy writer is that I'm too logically-minded for dragons. I swore I would never use them, but I went back on that promise to myself for one novel and it didn’t work out so well.

Someone suggested that it might be interesting to do a story from the POV of a very logical/intellectual dragon. I tried doing such a creature but reached the inevitable scene where someone needed to ride it and my mind rebelled against the usual scenario. It’s scientifically impossible for a human to ride on a dragon’s back. They'd be killed instantly, torn off the beast by wind velocity and g-forces. I couldn't suspend my own disbelief in that regard and the alternate solution I came up with was utterly ridiculous.

So, an otherwise good novel was ruined in the third act. Alas, I didn't have the heart for a complete rewrite at that point. And as time went on I realized there were other problems. (I tried to write a trilogy in one book, for one.) The dragon was just the most egregious.

Lesson learned: if you're going to pull the dragon trigger, you've got to go all in, suspend your disbelief and have humans ride them in defiance of all laws of physics. Or don't pull that trigger.

*

I hate it when a trilogy is just good enough that you need to keep going but not good enough to be enthusiastic about it.

*

It's always a toss-up whether the Science Channel is going to inform me or scare the crap out of me.

*

Maybe our alien overlords will impeach Trump. Then again, I don't think even they could get it through the GOP-controlled Senate.

*

Finally worked up enough nerve to open this box.



 

When in conversation I mention that I never really wanted children there is a certain species of woman who goes on about missing out on the miracle of birth and I want to say to them, "What a bunch of sexist crap." It's about choice, ladies, not about being brainwashed by social norms. I even had one tell me, "I'm sure you console yourself with that." Believe me, if I really wanted to get knocked up it’s the easiest thing in the world. I just didn't want it.

*

The crows around here get most of my table scraps and leftovers that are past their prime. There's one crow who sits atop the telephone pole near my house as a lookout. His job is to caw-caw-caw really loudly if I (or anyone else) throw things out into the yard. But before he does that he first comes down to help himself to a nice snack. Then he flies back to the telephone pole or the roof of my house and sends out the alert to the other crows. He ain't no crow's fool.

*

You know, even if you roast troll meat in olive oil and garlic with some fine herbes it still tastes like sweat and urine.

*

"Primitive" is such a Western-o-centric word, don't you think?
pjthompson: (Default)
So I've now reread and fussed with chapters 16-21 of my WIP, plus all the notes I scribbled along the way, and it's become even clearer to me that I've just about completed the second book in a trilogy. Merde. I've suspected this for some time, but stepping away from it for a month and a half really crystalized things.

It will be a standalone when it's done, with it's own independent story arc, but it still contains references to what happens in book one and book three. Difficult to cut them out without ruining the story arc of this book. Some of it's just clumsy first draft writing and I can probably smooth things out there, but other things are necessary.

How do I market it? Do I circle back and write the first one and leave this on the back burner, or do I market this by itself? I don't know. It's a contemporary story, as is book three, but book one takes place in the early nineteenth century. That would seem to make book one less marketable, but what do I know? I've thought that I could even leave the chronologically first book until last, or make that the second book. That might work. I guess the bottom line is that I need to finish what I'm working on now and figure out where I'm going once that's done.

The double merde aspect of this is that Venus is the third novel I've written in a row that's part of a trilogy. Apparently my imagination is incapable of plotting without S-W-E-E-P.

If I'm honest, all five of the novels I've completed, even the allegedly standalone ones, have been part of some grander schemata. Now here's a sixth. Triple merde.

The other thing? My title may have gone south on me, too. It sort of fits, but I'm realizing I'm going to have to gut many of the references earlier in the book. They just don't fit anymore. Quadruple merde.
pjthompson: (Default)
In case any of you missed this over on [livejournal.com profile] editorial_ass, it's some fine advice on whether to write the whole series/trilogy now or wait until you've sold the first book. Her advice matches up with what my instincts have always told me: don't write the sequel unless and until you've sold the first novel, because...well, read what she says.

I am definitely planning out subsequent novels in my trilogy—a sensible precaution, I believe, when one is going to shop the first book in a proposed series and quite separate from the writing thereof. I've also been occupying myself with inventing a language, or rather reinventing. I'd used some fake language bits in the first draft confident I'd remember what the words meant, but by the second draft, I had only the vaguest clue. By the third, I was utterly lost.

So I decided to start from scratch and formally structure this language. The lovely and talented [livejournal.com profile] mnfaure mentioned a similar obsession for one of her works and recommended Holly Lisle's language clinic, so that's what I'm using.

In my spare time. :-) It satisfies my inner obsessive-compulsive nicley, I must say. I can wile away the hours...

And it's also helped with some of the worldbuilding. Coming up with grammar rules and distinctive sounds, et al., has already got me thinking things like, "How would that sound coming out of the mouth of a nonhuman?" All good questions to ask oneself when layering the worldbuilding.

If I should happen to write that sequel.
pjthompson: (Default)
Actually I was alternating between London Calling by the Clash and Shirley Horn, which is a strange combo to say the least, but I'm in an inclusive and expansive mood this evening, and the old and moldy stuff suited me fine.

And speaking of old and moldy, I rescued an old novel from the woodpile and decided to reacquaint myself with the research Bible I put together for it several years back.

Am I glad I had that notebook because I sure wouldn't want to read all those books again. They were interesting, but I'd rather press ahead with new books on the same subject. I'm studying Dark Ages Britain which I've been fascinated by ever since I read Rosemary Sutcliff's wonderful historical fiction when I was a kid.

I'm funny about research—if I'm dealing with a historical era, I want to get it as right as I can, even if I go off on fantastic plot tangents (as I usually do). So I will no doubt be obsessed about Dark Age Britain for awhile now. If anyone has any good books on the subject to recommend...

The old novel was one which stalled two novels ago, mainly because I realized my plot was not for a single novel but probably involved two or three—and I just did not want to do the trilogy thing at the time. I also realized certain plot points wouldn't work as conceptualized, but I'd done a ton of work on it. Hated to let that one go.

But as so often happens with me, the Backbrain Country worked on the story while the Forebrain Country worked on other things. The issues resolved themselves. And the novel would make am interesting follow on to the novel I'm currently marketing. Not a sequel, but taking one of the supporting players and making him the main focus. A rare foray into first person for me, but I couldn't see telling this story any other way. The character, Caius, seemed to demand it. I think I might even be up to doing a trilogy now. Have no idea how tough or not tough it will be to market such a thing, but by the time I finish writing the first novel the market could have changed several times anyway, so what the hell?

Besides, as I said to a friend lately, you can't chase the market. That's rather like a dog chasing its own tail.

And on a non-writing note, I got a clean bill of health yesterday on a medical test I've been dreading for months. It was a follow-up to a major illness I had some years ago. They like to do a scan every five years just to make sure it hasn't come back. Neither my doctor nor I thought it had—I felt good, my blood tests were good—but even so, it preys on my mind every time we do one of these scans. The what if mindset is not a good one to possess when it comes to such things. I had to go on a very restricted diet the last couple of weeks before the test so there wouldn't be any conflict with the test and the first week I was obsessing over that, getting irritated and cranky as hell as a way, I realize now, of not thinking about the test. But this last week running back and forth to the doctor for shots and doses of stuff, I realized it was the test I was fretting over. But all done! I'm good to go for another five years and have been celebrating with good food.

And getting back to work, of course.

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