pjthompson: parker writing (dorothy)
This is an excerpt from my novel, Carmina, which I hope someday will be finished. Like the people in this story, however, I seem to be wandering in Faery and despair of ever finding my way out. First draft, and I wanted to suggest archaic speech without actually using too much of it.

*

A band of travelers through Faery come upon a man sitting beside a wandering path through the woods.

 

He held his head in his hands as if in despair. He was dressed in nothing but a nightshirt and a pair of highly embroidered red mules with leather soles. They looked comfortable but considerably the worse for wear. At the sound of their approach, he jumped to his feet with an excited and expectant look upon his face and cried out a great rush of speech that some of them had trouble understanding.

“Is he speaking English?” asked Bobo.

“Yes,” Jeremy answered, “a 17th century version with a thick Highland Scots accent. He says his name is Reverend Robert Kirk and he came here in 1692. I’m from 18th century London, so his accent is not such a stretch for me.

“Do you wish me to speak like an Englishman?” the Reverend asked in a peeved but more moderated accent.

Bobo gave an embarrassed laugh. “No offense. My American ears aren’t accustomed to the Scottish accent.”

The Reverend scratched the stubble on his head. “American? Are you from one of the colonies, then?”

“Things have changed somewhat in the world since you…departed,” Jeremy explained. “The colonies broke away from the English crown in 1776 and formed a new country, alternately called America and the United States of America.”

“Is it?” The Reverend looked quite startled, holding his hand over his heart as if it pained him. He seemed to rally and straightened his shoulders. “No blame can attend anyone for wanting to break away from the English crown.”

“What can we do for you?” asked Jeremy.

“I should dearly love a pair of breeks—or what passes for them in your time. Some smallclothes would also be appreciated.”

“Smallclothes?” asked Bobo.

“Underwear,” Carmina explained.

“Aye, indeed,” said the Reverend. “Under wear. I should be grateful for more sturdy shoes, as well, but do not wish to impose.”

They looked pointedly at Ramannes [an Elfin lord].

He sighed impatiently, but waved his hand and produced a pair of men’s drawers and some gabardine trousers which he handed to the Reverend. In his other hand was a pair of brown work boots and socks like Jeremy wore, which he also handed off.

“The pants have a thing called a zipper,” Jeremy explained. He turned away from Carmina and unzipped and zipped his pants several times to demonstrates. “Takes a little getting used to but it’s quite efficient. Only—” He laughed self-consciously. “Make sure you have your…personal bits out of the way of the zipper teeth. It can be quite painful.”

The Reverend raised his chin to look down his nose as much as he was able, considering how much shorter he was than Jeremy. “I shall endeavor to take care.”

He stepped back into the trees. They heard huffing and puffing and an occasional mutter of Noo jist haud on! or Keep the heid! Eventually he stepped back onto the path, his nightshirt tucked into the trousers and the trousers tucked into the work boots.

He held the mules in his hand. “I do not wish to discard these, worn as they may be, for they have personal meaning to me.”

Otto, who had been silent through all this conversation, looking more and more anxious as it went on, asked earnestly, “Did you go to sleep and awaken in this place?”

“Nae, not quite.”

“Tell us, please,” said Otto. “I wish very much to know how it was for you.”

“Well. I was home. At the manse. In Aberfoyle.” The Reverend drew in a large breath, his eyes losing their focus on the people around him. “It was a brisk night, but none sae bad, being May. The air was filled with that ineffable essence of spring that fills the heart with quiet joy. The knowe—” He stopped a moment to moisten his lips and looked away down the road. “The hill near my manse in Aberfoyle was covered in bluebells, a fair mad host of them crowding the knowe, seeming to have sprung up overnight.

“Sae beautiful they were when I looked out my window at twilight with the last of the sun on their tops, a sweet indigo glow. They called to me but I didna go then for I had other things which needed attending and as it was my habit to visit the hill at night before bed, I waited.

“It was two days away from the new moon and dark as pitch when I slipped into my mules for the walk, and took a wee lantern as I ascended the hill path. I was not afraid of the dark, mind, but sensible of not wanting to stumble and do myself some injury.”

His laugh was bitter. “Aye, wouldna have wanted to do myself an injury. But I had no mind of harm as I walked. The lantern made a beautiful glow on the bluebells and the trunks of the pines, and the air, as I said, was brisk but sweet. I couldna seem to draw enough of it into my lungs. I wanted more and more and more, sae sweet it was, and the bluebells danced in the light and up the path.

“Further up the knowe I heard a song thrush calling—my first of the year. ‘Here! Here!’ it seemed to say. ‘This way! This way! Night is calling! Only a fool would tarry!’ It quite led me on in joy.

“Behind me an owl called, hollow and haunting, but I thought nothing of it. The song thrush grew louder, pulling me onward and upward. The sweet perfume of the bluebells was overwhelming. Which should have struck me as odd, because their fragrance is usually reserved for the sunlight.

“But I carried on. I carried on.”

The Reverend rubbed his hand over his mouth, but still didn’t look at any of them, his eyes miles and centuries away. “I had gone quite further than I intended, quite further than my usual habit on these nightly walks. No matter how far up the knowe I traveled, the song thrush seemed just as far away. I stopped beside a stately old pine and leaned on it to catch my breath. The bark was rough against my hand, slightly damp and chill from the night air. The sharp pine scent mixed with the sweetness of the bluebells, but it was not a disharmonious mingling. It quite filled my head.

“Then suddenly, the song thrush was in the branches above my head, uncommonly loud. ‘Come along! Come along!’ it seemed to say.

“I blinked my eyes and there before me on the path lay a man in a nightshirt upon the ground, his lantern beside him, the candle inside quite extinguished sae I couldna see his face. But the light of my own lantern illuminated his mules, one of which was off his foot and tumbled into the path. It bore the same white and gold unicorn my wife had embroidered upon them.

“‘Come along! Come along!’ repeated the song thrush, and the pine tree upon which I leaned turned liquid. My hand sunk into it, and my person followed…into this place of eternal twilight.”

He turned to them then, eyes haunted. “I see by your clothes and your manners that some considerable span of time has passed between then and now.”

“Um, yes.” Jeremy scratched his chin. He knew this would be hard for Kirk to take in. “We ourselves came here from the Year of Our Lord Nineteen Hundred and Forty-Two.”

“19—” The Reverend choked, clutched his chest, and sat quite precipitously upon the ground.

Carmina kneeled beside him. “Are you all right, Reverend?”

“Not at all,” he wheezed.

She laid her hand upon his shoulder and his breathing eased a bit.

“Such a little time to me,” he said, “a matter of days. But I know well the ways of Faery and reckoned it must be longer. I thought perhaps one hundred years, though I hoped not sae much. But nearly three? Am I thus sae far from everything I knew?”

“I’m afraid so,” Carmina said gently. “Have you wandered in the woods all this time?”

“Not quite all this time. I heard laughter, wicked and cruel, quite sae soon as I came through to this place, and I knew then what had befallen me and where I had gone. The seelie wights brought me here. I tried to will myself back through that same pine, but it remained stubbornly solid. I reckoned then that the man I spied upon the ground of the pathway must be a changeling for myself, put there by the seelie wights sae none would know I lived still.

“I pictured in my mind my dwelling place and came there—not in body but in spirit. I saw my young wife…” He clutched his heart again and gave a great sigh. “She sat beside my coffin and lamented greatly. She was great with child, nae more than a month away, perhaps, of bringing forth my child. I could see that it would be another son. I wanted to tell her what had come to pass, to not be sae afraid nor downcast, but couldna break through her great sadness. It was the sturdiest of walls, preventing her from hearing me.

“But my cousin Graham was in the next room. He had a touch of the Sight, as I had myself, though not sae strong. I appeared to him and told him that when it came time to baptize my son, I would appear and he must throw his iron dagger over my head to free me or I would be doomed to stay in Faery ever more.”

The Reverend balled his fists. “But the clot-heid was sae startled when I appeared he failed to throw the knife. And I was gone forever, unable to look upon my family again, unable to do anything but wander these forests.”

He looked up with tears in his eyes. “And I have not seen another soul until now. I would hear voices betimes, or more of that wicked laughter, and direct myself towards it, but never caught it up, and then the sounds faded. I knew neither hunger nor thirst, just endless wandering through twisted forests.”

Ramannes, who had listened in silence until then, said coldly, “You peered too closely into what was none of your business. What else did you expect would happen?”

The Reverend nodded. “Aye. I should have known better, but the desire for mysteries was greater than my caution. To pierce the Veil and see the Other while still in the life of a man…that was my pursuit. And my folly.”

 
pjthompson: (crow)

crows

I love crows. Yes, I know. Crows are a hard sell to many people, but I am unrepentant. I’m fascinated by their intelligence, their creativity, and that look of presence when their eyes meet yours. So I was eager to read this book.

It surprised me when it arrived: a thin volume, only 113 pages including the index, but unusually weighty because it’s lavishly illustrated (every other page) on high-quality, heavy paper and beautifully put together. It takes great advantage of the space between the covers, cramming in so much information that the weightiness of the book seemed as much from the information as the heavy paper. Using it, I was able to verify that, yes, that exceptionally large dominant crow hanging around my house was indeed a crow and not a raven; and I was able to pick out the adolescent packs and understand their behavior better. Also what some of those screaming matches were about.

Their intelligence and resourcefulness make it easy to understand why crows have become such an integral part of so many mythologies, so much folklore. Their association with the trickster mythology is so ancient that it is shared in both Australian Aboriginal mythology and Native American. Considering how long these populations must have been isolated from each other and from the rest of the world, that’s rather impressive. There are trickster associations in European mythology as well.

But they aren’t just viewed as tricksters and evil omens. In some Buddhist traditions, they are regarded as protectors of the Dharma—cosmic law and order, among other things. In Hinduism, they are considered to be embodiments of the recently deceased, and to be messengers and information-givers. This echoes the Norse idea of Huginn and Muninn, the ravens who constantly brought information to Odin. And in some American Indian tribes, crows are considered not only tricksters, but creators of the world.

Ms. Savage covers various mythologies concerning crows, the latest scientific research, as well as keen observations of crow behavior throughout the ages. I guarantee you’ll have a different appreciation of these wise guys once you’ve read this book. I thoroughly enjoyed it.

Did you know—?

Crows are the only non-primates who make tools. Other critters use what they find around them as the occasional tool, but crows will actually take what they find and reshape it to accomplish tasks. They have complex social organizations and their own languages (topping 64,000 different calls). They love, they hate, they grieve, they practice deceit as well as bravery, they reason, are tender and harsh. They hit all the standards we declare are solely-human characteristics. They’re not only as amazing as I always suspected—they’re more amazing.

An excerpt:

[Avian researcher Carolee Caffrey] was observing a nest through a spotting scope when the breeding pair returned to feed their nestlings, only to discover that their nest had been raided by a raptor in their absence. “In all my life, I’ve never heard such horrible, bloodcurdling screams as the crows made at that nest. The male flew away after a minute or two, but the female stayed behind and, for the next four hours (until Caffrey reluctantly left), tended a surviving but injured nestling by nuzzling it, picking up its neck, and preening the side of its head. All the while, the crow uttered mournful-sounding oohs.

Another, more lighthearted one:

Scientists wanted to test the reasoning ability of some captive crows so they devised a complex series of boxes, some of which had bait inside, many that were empty.

[The crow named] Hugin figured out the rule on the first morning of the trials…His companion Munin, by contrast, couldn’t even be bothered to look. Instead, as the dominant bird in a group, he preferred to bide his time until Hugin found the food; then he would muscle in and gobble up one or more of the tasty tidbits….Socially subordinate though he was, Hugin was no pushover. On the first afternoon of the experiment, he came up with a countermove. When Munin began to press in on him, Hugin would interrupt his foraging, fly over to one of the unrewarded clusters, and start opening empty boxes. He kept at it, opening and opening, until Munin came to join him; then, as soon as he saw his rival nosing around the wrong cluster, Hugin would dash back to the rewarded boxes and take advantage of his head start to grab a few extra morsels.


Mirrored from Better Than Dead.

pjthompson: parker writing (dorothy)

The rules:


1. Go to page 77 (or 7th) of your current ms

2. Go to line 7

3. Copy down the next 7 lines – sentences or paragraphs – and post them as they’re written. No cheating.

The last time this was going around I was slowly, painfully working on Shivery Bones and I still am (sorry to say). I refuse to post the same excerpt, so I went back to the novel I was working on before that, Carmina. There’s no page 77, so here’s page 7. Carmina and Susan are speaking. Carmina is the one speaking that first line.

“Do you realize how rare it is for anyone to confront their own demons?”

“No. I confronted mine, and Jeremy confronted his, but I can’t speak for anyone else.”

“I can.” All humor drained from her voice and face. “I don’t just make them see and feel what they’d rather not when I sing, you know. I see and feel it along with them.”

“How awful!” Susan had been an empath all her life, buffeted by the unguarded emotions of others, and sometimes their thoughts. “Why do you keep singing?”

Carmina’s vivid eyes grew bleak, her face exhausted. “I can’t help myself, darling. I am compelled whether I wish it or not.”

Mirrored from Better Than Dead.

pjthompson: (reading)

On the nature of nature spirits, where the idea might have come from of tiny invisible beings responsible for the growth of plants, et al.

W. Y. Evans Wentz, The Fairy Faith in Celtic Countries:

In the positive doctrines of mediaeval alchemists and mystics, e.g. Paracelsus and the Rosicrucians, as well as their modern followers, the ancient metaphysical ideas of Egypt, Greece, and Rome find a new expression; and these doctrines raise the final problem—if there are any scientific grounds for believing in such pygmy nature-spirits as these remarkable thinkers of the Middle Ages claim to have studied as being actually existing in nature….

These mediaeval metaphysicians, inheritors of pre-Platonic, Platonic, and neo-Platonic teachings, purposely obscured their doctrines under a covering of alchemical terms, so as to safeguard themselves against persecution, open discussion of occultism not being safe during the Middle Ages, as it was among the ancients and happily is now again in our own generation….

All these Elementals, who procreate after the manner of men, are said to have bodies of an elastic half-material essence, which is sufficiently ethereal not to be visible to the physical sight, and probably comparable to matter in the form of invisible gases. Mr. W. B. Yeats has given this explanation:—’Many poets, and all mystic and occult writers, in all ages and countries, have declared that behind the visible are chains on chains of conscious beings, who are not of heaven but of earth, who have no inherent form, but change according to their whim, or the mind that sees them. You cannot lift your hand without influencing and being influenced by hordes. The visible world is merely their skin….’ [From Yeats' Irish Fairy Tales and Folk-Tales]

Wentz again three paragraphs on:

And independently of the Celtic peoples there is available very much testimony of the most reliable character from modern disciples of the mediaeval occultists, e.g. the Rosicrucians, and the Theosophists, that there exist in nature invisible spiritual beings of pygmy stature and of various forms and characters, comparable in all respects to the little people of Celtic folk-lore.

Yeats’s words do somewhat remind me of the famous opening of the Reverend Robert Kirk’s Secret Commonwealth, wherein he says these beings

are said to be of a midle Nature betuixt Man and Angel, as were Dæmons thought to be of old; of intelligent fluidious Spirits, and light changable Bodies, (lyke those called Astral,) somewhat of the Nature of a condensed Cloud, and best seen in Twilight. Thes Bodies be so plyable thorough the Subtilty of the Spirits that agitate them, that they can make them appear or disappear att Pleasure. Some have Bodies or Vehicles so spungious, thin, and delecat, that they are fed by only sucking into some fine spirituous Liquors, that peirce lyke pure Air and Oyl…

Mirrored from Better Than Dead.

pjthompson: (Default)
This is a good, balanced article on the subject of the so-called Ground Zero Mosque, from the perspective of a wide range of 9/11 families. Here's an excerpt, but I urge everyone to read the entire article.

Why do I keep posting on this? Because it infuriates me that certain cynical politicians are using this issue as a political football and using the pain of these families for their own ends—whipping up a frenzy just before election season. Take a look at the comments following this article if you don't think the nutjobs are stirring and hate is seething. This is not about Islam, this is not about respect for the pain of these families, this is about politics. If even Karl Rove thinks that tactic is wrong, then really, shouldn't we take a second look at this?

I was not at all a fan of George Bush, but at least he never tried to make 9/11 about all of Islam. He blamed the terrorists, not the entire religion.

Enough said. I won't post again on this. Unless someone else makes me furious.


Mosque near ground zero divides Sept. 11 relatives
By SAMANTHA GROSS, Associated Press Writer Samantha Gross, Associated Press Writer – Fri Aug 20, 10:19 am ET

Charles Wolf, who lost his wife, Katherine, at the trade center, says emotions among family members are especially raw right now.

"This is anniversary season. It's really, really hard," the Manhattanite said. "Passions are up and this is bringing up a lot of hurt in people."

He says he worries that any decision to respond to public pressure and move the mosque would be used by extremists to paint Americans as intolerant.

"The powers of evil were piloting those airplanes," he said of the Sept. 11 attackers.

Now, with the mosque dispute, "here is where we're falling into the terrorists' trap ... trying to tear each other apart. Good people fighting other good people — does that sound like evil at work?"
pjthompson: lascaux (art)

Here’s the entire excerpt for today’s quote.  I liked it so much I thought you might like to see it in full.  The letter was quoted in Raymond Chandler Speaking.

May 25, 1957
To: Helga Greene
…To accept a mediocre form and make something like literature out of it is in itself rather an accomplishment.  They tell me—I don’t say this on my own information—that hundreds of writers today are making some sort of living from the mystery story because I made it respectable and even dignified.  But, hell, what else can you do when you write?  You do the best you can in any medium.  I was lucky, and it seems that my luck inspired others.  Steinbeck and I agreed that we should like the writer who is to be remembered and honoured after we were gone to be some unknown, perhaps far better than either of us, who did not have the luck—or perhaps the drive.  Any decent writer who thinks of himself occasionally as an artist would far rather be forgotten so that someone better might be remembered.  We are not always nice people, but essentially we have an ideal that transcends ourselves…There are, of course, cheap and venal writers, but a real writer always at the bottom of his heart, when he runs across something good, makes a silent prayer that “this guy may be better than I am”.  Any man who can write a page of living prose adds something to our life, and the man who can, as I can, is surely the last to resent someone who can do it even better.  An artist cannot deny art, nor would he want to.  A lover cannot deny love.  If you believe in an ideal, you don’t own it—it owns you, and you certainly don’t want to freeze it at your own level for mercenary reasons.

pjthompson: (Default)
Goodness! Gremlins seem to have invaded Thursday's post and inserted a number of books I didn't actually read. Here is the real, truthful, accurate list. Let the snoring commence.

ETA: The damned gremlins forgot to change the headings back to March, too.

Finished in March:

1. Fantasy in Death by J. D. Robb
2. Meeting the Other Crowd: The Fairy Stories of Hidden Ireland by Eddie Lenihan and Carolyn Eve Green

Eddie Lenihan is one of the last seanchai, the old time storytellers of Ireland, and he's been collecting stories for decades, setting onto paper the fading light of the oral tradition. This book is full of the music of Ireland, that lyrical voice of Celtic storymakers and true fairy lore: sometimes dark and threatening, sometimes funny, always walking the line between the mystical and the hardtack reality of "back in them times." I'd recommend it to anyone who loves a good story and the testimony of real people about a forgotten way of living. I've loved reading it. For excerpts,

Photobucket


3. A Hunger Like No Other by Kresley Cole

Begun in March:

1. Fantasy in Death by J. D. Robb - new
2. A Hunger Like No Other by Kresley Cole - TBR
3. The Lost by J. D. Robb, Patricia Gaffney, Mary Blayney, and Ruth Ryan Langan - TBR
4. Unquiet Dreams by Mark del Franco - TBR

Continued Reading This Month:

1. Drood by Dan Simmons
2. Women Who Run with the Wolves by Clarissa Pinkola Estes
3. Memories, Dreams, Reflections by C. G. Jung
4. The Middle Kingdom: The Faerie World of Ireland by Dermot (Diarmuid) MacManus
5. Yesterday’s Sky by Steven Forrest
pjthompson: (Default)
Random quote of the day:


"These [books] are not lumps of lifeless paper, but minds alive on the shelves."

—Gilbert Highet, The Immortal Profession: The Joys of Teaching and Learning







This has been widely quoted as "These are not books, lumps of lifeless paper, but minds alive on the shelves." You can read an excerpt of the chapter in which it was coined here.


(Thanks to [livejournal.com profile] jeffunk.)



Illustrated version. )



Disclaimer: The views expressed in this random quote of the day do not necessarily reflect the views of the poster, her immediate family, Siegfried and Roy, Leonard Maltin, or the Mormon Tabernacle Choir. They do, however, sometimes reflect the views of the Cottingley Fairies.
pjthompson: (Default)
In case you missed this over at [livejournal.com profile] writerunboxed I can highly recommend this agent's roundtable featured at Poets and Writers Magazine. It's long, but well worth the trek.

As the roundtable continues and the wine continues to flow, they get more and more candid. I thought pages 3 and 4 were especially interesting, as was the page 5 "Agents Anonymous" where they agreed to be extra frank as long as none of the comments were attributed. If you're in the agent-hunting game, this is useful information.

Excerpt from the Agents Anonymous section:

What are the dumbest mistakes that writers can make in terms of dealing with their editor or agent?
Saying bad things about them. Ever.

Sending seventeen e-mails about seventeen different things in one day. I mean, put it all together in one e-mail and think about whether you really need to be asking these questions. Think about how busy your editor is.

Going over your editor's head unnecessarily.

When they don't tell you about their next project. For example, they've written a great thriller that you sell, and then they write a horror novel. They say, "Guess what? I just wrote a horror novel." You're standing there with this horror novel and thinking, "What am I going to do with this?" They have to communicate about what they're thinking about doing next.

Be very careful about what you blog. Not just talking about the publisher once you're being published, but even before that. If I am submitting your book to publishers and an editor wants to buy it, they're probably going to Google you before they even call me. And if they find things out there that are curious or disturbing? Just know that whatever you're putting online is going to influence their perception of you.

If you take my rejection letter and post it on your Web site, there are few other agents who are going to be willing to put anything in writing to you. We look upon those writers in a bad way.
pjthompson: (Default)
Random quote of the day:


"I'm all in favor of keeping dangerous weapons out of the hands of fools. Let's start with typewriters."

—Solomon Short (excerpt from A Matter for Men by David Gerrold)


(This quote is widely attributed on the interdweeb to Frank Lloyd Wright. I guess at some point someone decided he had more wuffie than one of Mr. Gerrold's "friends." Which is why, boys and girls, I always try to verify quotes before posting them. Which is not to say I don't get caught now and again with a bogus quote, but yanno.)


Illustrated verification. )
pjthompson: (Default)
I've been rattling around in old writing/junk files and found this excerpt. Some of you may remember it from a memorable X-Files in which Mulder may have met up with someone from a past life...


Paracelsus by Robert Browning
(excerpted from Part I, 591-606)

For me, I estimate their works and them
So rightly, that at times I almost dream
I too have spent a life the sages' way,
And tread once more familiar paths. Perchance
I perished in an arrogant self-reliance
Ages ago; and in that act, a prayer
For one more chance went up so earnest, so
Instinct with better light let in by death,
That life was blotted out—not so completely
But scattered wrecks enough of it remain,
Dim memories, as now, when once more seems
The goal in sight again.

1835

That's where they cut if for the episode, but here's what the rest of that stanza says:

The goal in sight again. All which, indeed,
Is foolish, and only means--the flesh I wear,
The earth I tread, are not more clear to me
Than my belief, explained to you or no.


(BTW, Jussi Björling, who died in the early sixties, was an awesome tenor. Largely forgotten now, and I discovered him by accident myself. Such is the ephemera of performance art. Or art in general, I guess, but especially performance art. )
pjthompson: (Default)
I'm sending this one out especially for [livejournal.com profile] hominysnark but I do believe the rest of you will find it amusing, too.

Apparently, Warner Brothers threatened to sue the Marx Brothers because they were going to release A Night In Casablanca. They said the title of the movie infringed on their copyright for Casablanca. Groucho wrote a response which is—how you say?—Grouchoesque.

Here's an excerpt:

Apparently there is more than one way of conquering a city and holding it as your own. For example, up to the time that we contemplated making this picture, I had no idea that the city of Casablanca belonged exclusively to Warner Brothers. However, it was only a few days after our announcement appeared that we received your long, ominous legal document warning us not to use the name Casablanca.

It seems that in 1471, Ferdinand Balboa Warner, your great-great-grandfather, while looking for a shortcut to the city of Burbank, had stumbled on the shores of Africa and, raising his alpenstock (which he later turned in for a hundred shares of common), named it Casablanca.

I just don’t understand your attitude. Even if you plan on releasing your picture, I am sure that the average movie fan could learn in time to distinguish between Ingrid Bergman and Harpo. I don’t know whether I could, but I certainly would like to try.



You can read the whole thing here (and I urge you to do so, because it is, as stated above, completely Grouchoesque):

http://www.chillingeffects.org/resource.cgi?ResourceID=31

I first read about this here:

http://www.spurgeonworld.com/blog/archives/2006/07/groucho_marx_co.html
pjthompson: (Default)
Subtitle: Adventures of a Con Virgin

Yeah, I'd never been to a convention before, but I really had no excuse not to go to this one, since it was only about five miles from where I live. I'm good at making excuses not to do things if my native bashfulness gets the better of me. But my local friends threatened me with dire consequences if I didn't go this time, so I will be proudly waving my ID badge in their faces and chanting "neener, neener" when I see them next.

Read a wee bit more. )

The Jones

Dec. 8th, 2004 04:34 pm
pjthompson: (Default)
Because it's haiku and I have the poetry jones real bad:

Here's a current events one:

LiveJournal Haiku!
Your name:pjthompson
Your haiku:agree that slash is the
way back to work this morning. 
i pulled up to
Username:
Created by Grahame


Here's a writerly one:

LiveJournal Haiku!
Your name:pjthompson
Your haiku:of plot overview
but i couldn't write about it
it was hard not to
Username:
Created by Grahame


And here's an arty one, taken from that post where we excerpted a current work:

LiveJournal Haiku!
Your name:pjthompson
Your haiku:watched.  on top of
the past it's richer more real
to the widow's walk
Username:
Created by Grahame
pjthompson: (Default)
[This post refers to the name of my non-defunct Livejournal blog.]

I've been unhappy with the old name of my journal for a long time now: A Bump On A Blog. Blech. It was one of those spur of the moment things you regret long after. But I couldn't think of what else I wanted to call it and was mostly too distracted to worry about it. I'm not sure the new name is any better. I wanted to avoid pretentious if I could, but I may have reduced the concept to absurdity. I'll have to let it settle and see, but it is something I like to remind myself of now and then when I need to bring myself back to center. It's sort of a breathing exercise for the mind.

Making the change this week was inspired by a poem that I love muchas by Marie Howe called "What the Living Do." She wrote it to her brother who had died of AIDS. It always brings me back to center when the day-to-day irritants get to be too much. It reminds me that each moment of life is important. Not just the rhapsodic moments when the prose flows like warm honey; not just the pulse-thrumming moments of love; not just the day you get the prize and the whole world seems to breathe a big, "Huzzah!" Every moment is luminous with possibility, even the ones that irritate and enrage, because they're all what the living do, all part of the pulse of life, the collective experience of a life. That for which the dead yearn and can't have.

My journal is rarely that high-falutin, but it's still good to have that reminder. And yes, I am mindful of the fact that there are people right now living lives of quiet desperation who would be hard pressed to find luminosity in any moment of their lives. But the possibility for change and transformation is there in every moment of every life—that I firmly believe.

Oh, and I'm keeping the pink-on-pink design. [Didn't] I love color. It also reminds me that I'm alive.

If you want to read the full text of Ms. Howe's poem, it's here with a couple of others from her book, What the Living Do:

http://www.cs.arizona.edu/~kece/Personal/Poems/howe.html

In the meantime, here's a highly excerpted version to show you what I mean:

What the Living Do

Johnny, the kitchen sink has been clogged for days, some utensil
probably fell down there.
And the Drano won't work but smells dangerous, and the crusty
dishes have piled up
waiting for the plumber I still haven't called. This is the everyday we
spoke of....
****
But there are moments, walking, when I catch a glimpse of myself in
the window glass,
say, the window of the corner video store, and I'm gripped by a
cherishing so deep

for my own blowing hair, chapped face, and unbuttoned coat that I'm
speechless:
I am living, I remember you.

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