pjthompson: parker writing (dorothy)
This is an excerpt from my novel, Carmina, which I hope someday will be finished. Like the people in this story, however, I seem to be wandering in Faery and despair of ever finding my way out. First draft, and I wanted to suggest archaic speech without actually using too much of it.

*

A band of travelers through Faery come upon a man sitting beside a wandering path through the woods.

 

He held his head in his hands as if in despair. He was dressed in nothing but a nightshirt and a pair of highly embroidered red mules with leather soles. They looked comfortable but considerably the worse for wear. At the sound of their approach, he jumped to his feet with an excited and expectant look upon his face and cried out a great rush of speech that some of them had trouble understanding.

“Is he speaking English?” asked Bobo.

“Yes,” Jeremy answered, “a 17th century version with a thick Highland Scots accent. He says his name is Reverend Robert Kirk and he came here in 1692. I’m from 18th century London, so his accent is not such a stretch for me.

“Do you wish me to speak like an Englishman?” the Reverend asked in a peeved but more moderated accent.

Bobo gave an embarrassed laugh. “No offense. My American ears aren’t accustomed to the Scottish accent.”

The Reverend scratched the stubble on his head. “American? Are you from one of the colonies, then?”

“Things have changed somewhat in the world since you…departed,” Jeremy explained. “The colonies broke away from the English crown in 1776 and formed a new country, alternately called America and the United States of America.”

“Is it?” The Reverend looked quite startled, holding his hand over his heart as if it pained him. He seemed to rally and straightened his shoulders. “No blame can attend anyone for wanting to break away from the English crown.”

“What can we do for you?” asked Jeremy.

“I should dearly love a pair of breeks—or what passes for them in your time. Some smallclothes would also be appreciated.”

“Smallclothes?” asked Bobo.

“Underwear,” Carmina explained.

“Aye, indeed,” said the Reverend. “Under wear. I should be grateful for more sturdy shoes, as well, but do not wish to impose.”

They looked pointedly at Ramannes [an Elfin lord].

He sighed impatiently, but waved his hand and produced a pair of men’s drawers and some gabardine trousers which he handed to the Reverend. In his other hand was a pair of brown work boots and socks like Jeremy wore, which he also handed off.

“The pants have a thing called a zipper,” Jeremy explained. He turned away from Carmina and unzipped and zipped his pants several times to demonstrates. “Takes a little getting used to but it’s quite efficient. Only—” He laughed self-consciously. “Make sure you have your…personal bits out of the way of the zipper teeth. It can be quite painful.”

The Reverend raised his chin to look down his nose as much as he was able, considering how much shorter he was than Jeremy. “I shall endeavor to take care.”

He stepped back into the trees. They heard huffing and puffing and an occasional mutter of Noo jist haud on! or Keep the heid! Eventually he stepped back onto the path, his nightshirt tucked into the trousers and the trousers tucked into the work boots.

He held the mules in his hand. “I do not wish to discard these, worn as they may be, for they have personal meaning to me.”

Otto, who had been silent through all this conversation, looking more and more anxious as it went on, asked earnestly, “Did you go to sleep and awaken in this place?”

“Nae, not quite.”

“Tell us, please,” said Otto. “I wish very much to know how it was for you.”

“Well. I was home. At the manse. In Aberfoyle.” The Reverend drew in a large breath, his eyes losing their focus on the people around him. “It was a brisk night, but none sae bad, being May. The air was filled with that ineffable essence of spring that fills the heart with quiet joy. The knowe—” He stopped a moment to moisten his lips and looked away down the road. “The hill near my manse in Aberfoyle was covered in bluebells, a fair mad host of them crowding the knowe, seeming to have sprung up overnight.

“Sae beautiful they were when I looked out my window at twilight with the last of the sun on their tops, a sweet indigo glow. They called to me but I didna go then for I had other things which needed attending and as it was my habit to visit the hill at night before bed, I waited.

“It was two days away from the new moon and dark as pitch when I slipped into my mules for the walk, and took a wee lantern as I ascended the hill path. I was not afraid of the dark, mind, but sensible of not wanting to stumble and do myself some injury.”

His laugh was bitter. “Aye, wouldna have wanted to do myself an injury. But I had no mind of harm as I walked. The lantern made a beautiful glow on the bluebells and the trunks of the pines, and the air, as I said, was brisk but sweet. I couldna seem to draw enough of it into my lungs. I wanted more and more and more, sae sweet it was, and the bluebells danced in the light and up the path.

“Further up the knowe I heard a song thrush calling—my first of the year. ‘Here! Here!’ it seemed to say. ‘This way! This way! Night is calling! Only a fool would tarry!’ It quite led me on in joy.

“Behind me an owl called, hollow and haunting, but I thought nothing of it. The song thrush grew louder, pulling me onward and upward. The sweet perfume of the bluebells was overwhelming. Which should have struck me as odd, because their fragrance is usually reserved for the sunlight.

“But I carried on. I carried on.”

The Reverend rubbed his hand over his mouth, but still didn’t look at any of them, his eyes miles and centuries away. “I had gone quite further than I intended, quite further than my usual habit on these nightly walks. No matter how far up the knowe I traveled, the song thrush seemed just as far away. I stopped beside a stately old pine and leaned on it to catch my breath. The bark was rough against my hand, slightly damp and chill from the night air. The sharp pine scent mixed with the sweetness of the bluebells, but it was not a disharmonious mingling. It quite filled my head.

“Then suddenly, the song thrush was in the branches above my head, uncommonly loud. ‘Come along! Come along!’ it seemed to say.

“I blinked my eyes and there before me on the path lay a man in a nightshirt upon the ground, his lantern beside him, the candle inside quite extinguished sae I couldna see his face. But the light of my own lantern illuminated his mules, one of which was off his foot and tumbled into the path. It bore the same white and gold unicorn my wife had embroidered upon them.

“‘Come along! Come along!’ repeated the song thrush, and the pine tree upon which I leaned turned liquid. My hand sunk into it, and my person followed…into this place of eternal twilight.”

He turned to them then, eyes haunted. “I see by your clothes and your manners that some considerable span of time has passed between then and now.”

“Um, yes.” Jeremy scratched his chin. He knew this would be hard for Kirk to take in. “We ourselves came here from the Year of Our Lord Nineteen Hundred and Forty-Two.”

“19—” The Reverend choked, clutched his chest, and sat quite precipitously upon the ground.

Carmina kneeled beside him. “Are you all right, Reverend?”

“Not at all,” he wheezed.

She laid her hand upon his shoulder and his breathing eased a bit.

“Such a little time to me,” he said, “a matter of days. But I know well the ways of Faery and reckoned it must be longer. I thought perhaps one hundred years, though I hoped not sae much. But nearly three? Am I thus sae far from everything I knew?”

“I’m afraid so,” Carmina said gently. “Have you wandered in the woods all this time?”

“Not quite all this time. I heard laughter, wicked and cruel, quite sae soon as I came through to this place, and I knew then what had befallen me and where I had gone. The seelie wights brought me here. I tried to will myself back through that same pine, but it remained stubbornly solid. I reckoned then that the man I spied upon the ground of the pathway must be a changeling for myself, put there by the seelie wights sae none would know I lived still.

“I pictured in my mind my dwelling place and came there—not in body but in spirit. I saw my young wife…” He clutched his heart again and gave a great sigh. “She sat beside my coffin and lamented greatly. She was great with child, nae more than a month away, perhaps, of bringing forth my child. I could see that it would be another son. I wanted to tell her what had come to pass, to not be sae afraid nor downcast, but couldna break through her great sadness. It was the sturdiest of walls, preventing her from hearing me.

“But my cousin Graham was in the next room. He had a touch of the Sight, as I had myself, though not sae strong. I appeared to him and told him that when it came time to baptize my son, I would appear and he must throw his iron dagger over my head to free me or I would be doomed to stay in Faery ever more.”

The Reverend balled his fists. “But the clot-heid was sae startled when I appeared he failed to throw the knife. And I was gone forever, unable to look upon my family again, unable to do anything but wander these forests.”

He looked up with tears in his eyes. “And I have not seen another soul until now. I would hear voices betimes, or more of that wicked laughter, and direct myself towards it, but never caught it up, and then the sounds faded. I knew neither hunger nor thirst, just endless wandering through twisted forests.”

Ramannes, who had listened in silence until then, said coldly, “You peered too closely into what was none of your business. What else did you expect would happen?”

The Reverend nodded. “Aye. I should have known better, but the desire for mysteries was greater than my caution. To pierce the Veil and see the Other while still in the life of a man…that was my pursuit. And my folly.”

 
pjthompson: (Default)
Currently reading:



(Subtitle: The life and mysterious death of Scottish churchman and scholar Robert Kirk and his influential treatise on fairy folklore.)

*

I have two novels that are fighting it out for my attention, one about goddesses and one about Faery with a substantial appearance by the Rev. Robert Kirk of The Secret Commonwealth fame who has been after me for years to tell a version of his story. They have been team tagging me for months, first one then the other.

But both novels are wrapped in a cloud of ennui and exhaustion that is summer seasonal affective disorder, with a side of pandemic miasma. My health hasn’t been great the last few months, most especially the last two weeks, so that is adding to the funk. Nothing serious, I don’t think, but chronic. Which means that any progress I make on these two novels is sporadic at best.

I am so not alone in this. I know many creators who are facing similar struggles, but I do feel that I’ve slipped my mooring and am drifting in circles, becalmed in a Sargasso Sea.

I get occasional signs from the universe that it isn’t done with me yet, and the Sargasso, beneath its floating mat of seaweed, is a fertile region of biodiversity for many species. But I wonder if I have another novel in me? And if I do, is it only one? Will I be able to finish both of these projects? I don’t know the answer to that.

All I can do is to keep chipping away at the marble, hoping that the form within will eventually reveal itself and come to life: a real flesh and blood woman. Or man. I have no preferences. Only a forlorn hope. And two metaphors, neither of which I can choose between.
pjthompson: (Default)
What with being sick on and off for about three weeks, then trying to make up for a year and a half of household neglect in two weeks (impossible), I haven't done any creative work in over a month and it was really weighing on my psyche today. So I forced myself to open my Rev. Kirk file and DO something.

I only got about 500 words, but at least I'm crawling forward again. I think I can feel the road beneath my feet once more and know that it really, truly is still there.

Tomorrow my oldest friend is coming over and we will be doing crafts all day. I haven't seen her since February 2020. I cannot tell you how happy it will make me to see her.
pjthompson: (TheSiren)
This post is long and a mixed bag of things. If you're only interested in Hellier, you can skip everything past the picture of The Secret Commonwealth of Elves, Fauns, and Fairies.

I did a marathon watching of all ten hours of Hellier Season 2 on Friday—as after cooking two large meals that week and housecleaning, I wasn’t up for much more than viewing and eating leftovers. It’s currently available for free on Amazon Prime (as is Season 1), and in a couple of weeks will also be available for free on YouTube.

I rather wish I had watched it at a more leisurely pace because I got rather tuckered out there at the end. I’m still trying to process it (and have been rewatching it slowly for the past few days) and I might have processed it better if it had been in smaller chunks. Or maybe not.

I did manage a brief Amazon review:

Season One of Hellier was a perfect little gem of high strangeness, evoking that tumbling feel of falling into a storm of the synchronicities. That storm continues in season 2, tumbling harder and stranger. It has the authentic feel of lived experience rather than staged paranormal TV. We ride along with the participants, feeling their puzzlement and insecurities, their disbelief and belief, and watching as things shift and shift again. If you are looking for pat answers and highly manipulated content, this may not be the series for you. But if you have realized that asking questions is the most important thing, Hellier will give you that thrill of late-night discussions with friends trying to figure out the mysteries of the Universe.


My head's so full of Major Stuff that I can't talk about because, spoilers. I may post again in a couple of weeks after people have had a chance to watch. For now, I'll just say that at the end of episode 9 I used some sweetgrass oil, just in case, and drew a protective sigil on my TV screen before watching episode 10. Also, as soon as those damned tones started I got nauseated. You’ll know the tones I mean if you watch it. The same thing happened with a recent “Haunted Salem Live” sigil experiment done by Greg and Dana Newkirk. So. Mass initiation or suggestibility? I'm still not sure. And that's in the true spirit of Hellier, I think. Questions are more important than answers.



There are very mild spoilers in the following. Skip to *** if you don’t want even that.

I will say this, and with all due respect to Tyler Strand, I do believe the carving he saw on the tree was not a green man but Odin. Which suggests an entirely different focus of worship in North Carolina than in...that other place. And does nothing, of course, to negate the strangeness he experienced. And speaking as a geezer, if some odd young man showed up at my door going on about strange things in the woods, I might also have called the police. It doesn’t mean abominable practices were going on there, just that whatever or Whoever they worship, they probably figured it was none of his gods damned business.



***Okay, it’s safe now.

After viewing Hellier 2 there were many books I wanted to read and reread. I already had, and had already read, many of the ones they recommend: Passport to Magonia by Jacques Vallee, The Trickster and the Paranormal by George P. Hansen, Daimonic Reality by Patrick Harpur, The Secret Commonwealth of Elves, Fauns, and Fairies by the Reverend Robert Kirk (written in the 17th c. and widely referred to in paranormal circles), and others. I thought it might be time to reread Kirk again, since it’s really just a tract, not a long book, and it fit in with some of the research I’ve been doing lately for my current novel. Somewhere in this house I have a 1991 reprint of Kirk edited by RJ Stewart but of course I couldn't find it. I once had a very neat filing system for my books, but that was before the chaos of the last house move and the caregiving years that followed, alas.



I notice that you can even buy this Andrew Lang edition as a Kindle book now. I love living in the digital age. But since I spent beaucoup $ in the 70s xeroxing this at the UCLA Research Library, I don't think I'll spend anymore money on it. I'd forgotten that I'd filled it up with pink highlighter. It was interesting to see that I didn’t find all those passages relevant anymore, although some overlapped.

Back in the ancient days when I was a student at UCLA, they had two original copies of The Secret Commonwealth, the original 1815 imprint from his 17th c. manuscript, and the 1893 Andrew Lang one, in the open stacks of the Research Library—a holdover from the days when Thelma Moss ran a paranormal research program there. Research libraries were the only places you could find these back then.

I've thought about those books since and wondered if anyone had the sense to put them in the restricted access area of the library or if, Rev. Kirk-like, they have subsequently been kidnapped by the fairies. Or other beings of more malicious intent. Somebody I know may have mentioned their rarity to one of the librarians, who didn't seem that interested. Probably thought that someone a pedantic busybody or just another arsehole student trying to tell her what to do. I appreciated having easy access to them, but also know it's a very sharp 2-edged sword: not even the Library of Congress can protect against theft, individuals deciding their wants are more important than access to that cultural heritage for the rest of us.

Ah well.

Below are some notes and quoted passages from the current reread. Some are relevant to Hellier 2, some relevant to my current research, but I thought someone might find them interesting.

The Rev. Kirk says that females rarely have the second sight. That's a 17th century male elite conceit, I believe. If women spoke of having second sight back in that day they would likely be burned.
The Scots would have themselves, their crops, and their livestock blessed every 1st Sunday of every quarter of the year because the Fae changed their lodgings then and evil things might befall them, and seers might have terrifying encounters. The Rev got rather shirty over the fact that these same Scots were not seen the rest of the quarter in church.
The Fae often show up as doppelgangers or what Kirk calls co-walkers, "haunting him as his shadow, as is often seen and known among Men (resembling the Originall) both before and after the Originall is dead."
If invited or "earnestly required," the Fae may speak with men. Otherwise, they can't be arsed. The Rev. Kirk may not have stated it quite that way.
The Fae make "semblance to devour the Meats that it cunningly carried by, and then left the Carcase as if it expired and departed thence by a naturall and common Death." Cattle mutilations? Modern fae must be more clumsy. Or playing a different game, perhaps? Making themselves known as opposed to sneaking around and hiding? As if they need the attention now as much as they need the Meat.
"They speak but little, and that by way of whistling, clear, not rough.... Yet sometimes the Subterraneans speak more distinctly than at other times."
"They live much longer than we; yet die at last, or at least vanish from that state. 'Tis one of their tenets, that nothing perisheth, but as the sun and year everything goes in a circle, lesser or greater and is renewed and refreshed in its revolutions."
If invoked by magic means "they are ever readiest to go on hurtful errands, but seldom will be the messengers of great good to men."
A seer who invokes them by magic "is not terrified with their sight when he calls them, but seeing them in a surprise frights him extremely.... For the hideous spectacles seen among them; as the torturing of some Wight, earnest ghostly Looks, skirmishes, and the like. They do not all the harm which appearingly they have power to do; nor are they perceived to be in great pain, save that they are usually silent and sullen."
"They are a people invulnerable by our weapons...these people have not a second or so gross a body at all to be pierced; but as Air which when divided unites again; or if they feel pain by a blow they...quickly cure it."
"they are not subject to sore Sicknesses, but dwindle and decay at a certain Period, all about ane Age. Some say their continual Sadness is because of their pendulous State...as uncertain what at the last Revolution will become of them..."
"The extraordinary or second sight can be given them by the ministry of bad as well as good spirits to those that will embrace it."
The Rev goes on to talk a whole bunch of hunting for treasure, Bible stuff, cunning folk magic. Which is interesting, but nothing I need to take notes on for my writing at the moment.
pjthompson: (reading)

On the nature of nature spirits, where the idea might have come from of tiny invisible beings responsible for the growth of plants, et al.

W. Y. Evans Wentz, The Fairy Faith in Celtic Countries:

In the positive doctrines of mediaeval alchemists and mystics, e.g. Paracelsus and the Rosicrucians, as well as their modern followers, the ancient metaphysical ideas of Egypt, Greece, and Rome find a new expression; and these doctrines raise the final problem—if there are any scientific grounds for believing in such pygmy nature-spirits as these remarkable thinkers of the Middle Ages claim to have studied as being actually existing in nature….

These mediaeval metaphysicians, inheritors of pre-Platonic, Platonic, and neo-Platonic teachings, purposely obscured their doctrines under a covering of alchemical terms, so as to safeguard themselves against persecution, open discussion of occultism not being safe during the Middle Ages, as it was among the ancients and happily is now again in our own generation….

All these Elementals, who procreate after the manner of men, are said to have bodies of an elastic half-material essence, which is sufficiently ethereal not to be visible to the physical sight, and probably comparable to matter in the form of invisible gases. Mr. W. B. Yeats has given this explanation:—’Many poets, and all mystic and occult writers, in all ages and countries, have declared that behind the visible are chains on chains of conscious beings, who are not of heaven but of earth, who have no inherent form, but change according to their whim, or the mind that sees them. You cannot lift your hand without influencing and being influenced by hordes. The visible world is merely their skin….’ [From Yeats' Irish Fairy Tales and Folk-Tales]

Wentz again three paragraphs on:

And independently of the Celtic peoples there is available very much testimony of the most reliable character from modern disciples of the mediaeval occultists, e.g. the Rosicrucians, and the Theosophists, that there exist in nature invisible spiritual beings of pygmy stature and of various forms and characters, comparable in all respects to the little people of Celtic folk-lore.

Yeats’s words do somewhat remind me of the famous opening of the Reverend Robert Kirk’s Secret Commonwealth, wherein he says these beings

are said to be of a midle Nature betuixt Man and Angel, as were Dæmons thought to be of old; of intelligent fluidious Spirits, and light changable Bodies, (lyke those called Astral,) somewhat of the Nature of a condensed Cloud, and best seen in Twilight. Thes Bodies be so plyable thorough the Subtilty of the Spirits that agitate them, that they can make them appear or disappear att Pleasure. Some have Bodies or Vehicles so spungious, thin, and delecat, that they are fed by only sucking into some fine spirituous Liquors, that peirce lyke pure Air and Oyl…

Mirrored from Better Than Dead.

pjthompson: (Default)
Things that made me happy: getting books in the mail


I love getting books under any circumstance, but when I get them in the mail it feels like I'm getting a present! Sometimes literally, but even if I've bought them myself.

Yesterday afternoon I got the last two books in my Christmas gift certificate orgy. People know I like getting book certificates so they tend to give them to me. Which makes me very happy. I got $80 worth this year between Barnes and Noble and Amazon, and the book glut commenced. I tend to spend every last penny, plus some of my own money. Which means I often buy used books as well as expensive or more esoteric books I might not necessarily buy otherwise. I think I did really well for myself this year.

(Ha! Jimmy Durante singing "Make Someone Happy" just followed Coldplay on iTunes.)

This year's book haul. )

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