pjthompson: (TheSiren)
This post is long and a mixed bag of things. If you're only interested in Hellier, you can skip everything past the picture of The Secret Commonwealth of Elves, Fauns, and Fairies.

I did a marathon watching of all ten hours of Hellier Season 2 on Friday—as after cooking two large meals that week and housecleaning, I wasn’t up for much more than viewing and eating leftovers. It’s currently available for free on Amazon Prime (as is Season 1), and in a couple of weeks will also be available for free on YouTube.

I rather wish I had watched it at a more leisurely pace because I got rather tuckered out there at the end. I’m still trying to process it (and have been rewatching it slowly for the past few days) and I might have processed it better if it had been in smaller chunks. Or maybe not.

I did manage a brief Amazon review:

Season One of Hellier was a perfect little gem of high strangeness, evoking that tumbling feel of falling into a storm of the synchronicities. That storm continues in season 2, tumbling harder and stranger. It has the authentic feel of lived experience rather than staged paranormal TV. We ride along with the participants, feeling their puzzlement and insecurities, their disbelief and belief, and watching as things shift and shift again. If you are looking for pat answers and highly manipulated content, this may not be the series for you. But if you have realized that asking questions is the most important thing, Hellier will give you that thrill of late-night discussions with friends trying to figure out the mysteries of the Universe.


My head's so full of Major Stuff that I can't talk about because, spoilers. I may post again in a couple of weeks after people have had a chance to watch. For now, I'll just say that at the end of episode 9 I used some sweetgrass oil, just in case, and drew a protective sigil on my TV screen before watching episode 10. Also, as soon as those damned tones started I got nauseated. You’ll know the tones I mean if you watch it. The same thing happened with a recent “Haunted Salem Live” sigil experiment done by Greg and Dana Newkirk. So. Mass initiation or suggestibility? I'm still not sure. And that's in the true spirit of Hellier, I think. Questions are more important than answers.



There are very mild spoilers in the following. Skip to *** if you don’t want even that.

I will say this, and with all due respect to Tyler Strand, I do believe the carving he saw on the tree was not a green man but Odin. Which suggests an entirely different focus of worship in North Carolina than in...that other place. And does nothing, of course, to negate the strangeness he experienced. And speaking as a geezer, if some odd young man showed up at my door going on about strange things in the woods, I might also have called the police. It doesn’t mean abominable practices were going on there, just that whatever or Whoever they worship, they probably figured it was none of his gods damned business.



***Okay, it’s safe now.

After viewing Hellier 2 there were many books I wanted to read and reread. I already had, and had already read, many of the ones they recommend: Passport to Magonia by Jacques Vallee, The Trickster and the Paranormal by George P. Hansen, Daimonic Reality by Patrick Harpur, The Secret Commonwealth of Elves, Fauns, and Fairies by the Reverend Robert Kirk (written in the 17th c. and widely referred to in paranormal circles), and others. I thought it might be time to reread Kirk again, since it’s really just a tract, not a long book, and it fit in with some of the research I’ve been doing lately for my current novel. Somewhere in this house I have a 1991 reprint of Kirk edited by RJ Stewart but of course I couldn't find it. I once had a very neat filing system for my books, but that was before the chaos of the last house move and the caregiving years that followed, alas.



I notice that you can even buy this Andrew Lang edition as a Kindle book now. I love living in the digital age. But since I spent beaucoup $ in the 70s xeroxing this at the UCLA Research Library, I don't think I'll spend anymore money on it. I'd forgotten that I'd filled it up with pink highlighter. It was interesting to see that I didn’t find all those passages relevant anymore, although some overlapped.

Back in the ancient days when I was a student at UCLA, they had two original copies of The Secret Commonwealth, the original 1815 imprint from his 17th c. manuscript, and the 1893 Andrew Lang one, in the open stacks of the Research Library—a holdover from the days when Thelma Moss ran a paranormal research program there. Research libraries were the only places you could find these back then.

I've thought about those books since and wondered if anyone had the sense to put them in the restricted access area of the library or if, Rev. Kirk-like, they have subsequently been kidnapped by the fairies. Or other beings of more malicious intent. Somebody I know may have mentioned their rarity to one of the librarians, who didn't seem that interested. Probably thought that someone a pedantic busybody or just another arsehole student trying to tell her what to do. I appreciated having easy access to them, but also know it's a very sharp 2-edged sword: not even the Library of Congress can protect against theft, individuals deciding their wants are more important than access to that cultural heritage for the rest of us.

Ah well.

Below are some notes and quoted passages from the current reread. Some are relevant to Hellier 2, some relevant to my current research, but I thought someone might find them interesting.

The Rev. Kirk says that females rarely have the second sight. That's a 17th century male elite conceit, I believe. If women spoke of having second sight back in that day they would likely be burned.
The Scots would have themselves, their crops, and their livestock blessed every 1st Sunday of every quarter of the year because the Fae changed their lodgings then and evil things might befall them, and seers might have terrifying encounters. The Rev got rather shirty over the fact that these same Scots were not seen the rest of the quarter in church.
The Fae often show up as doppelgangers or what Kirk calls co-walkers, "haunting him as his shadow, as is often seen and known among Men (resembling the Originall) both before and after the Originall is dead."
If invited or "earnestly required," the Fae may speak with men. Otherwise, they can't be arsed. The Rev. Kirk may not have stated it quite that way.
The Fae make "semblance to devour the Meats that it cunningly carried by, and then left the Carcase as if it expired and departed thence by a naturall and common Death." Cattle mutilations? Modern fae must be more clumsy. Or playing a different game, perhaps? Making themselves known as opposed to sneaking around and hiding? As if they need the attention now as much as they need the Meat.
"They speak but little, and that by way of whistling, clear, not rough.... Yet sometimes the Subterraneans speak more distinctly than at other times."
"They live much longer than we; yet die at last, or at least vanish from that state. 'Tis one of their tenets, that nothing perisheth, but as the sun and year everything goes in a circle, lesser or greater and is renewed and refreshed in its revolutions."
If invoked by magic means "they are ever readiest to go on hurtful errands, but seldom will be the messengers of great good to men."
A seer who invokes them by magic "is not terrified with their sight when he calls them, but seeing them in a surprise frights him extremely.... For the hideous spectacles seen among them; as the torturing of some Wight, earnest ghostly Looks, skirmishes, and the like. They do not all the harm which appearingly they have power to do; nor are they perceived to be in great pain, save that they are usually silent and sullen."
"They are a people invulnerable by our weapons...these people have not a second or so gross a body at all to be pierced; but as Air which when divided unites again; or if they feel pain by a blow they...quickly cure it."
"they are not subject to sore Sicknesses, but dwindle and decay at a certain Period, all about ane Age. Some say their continual Sadness is because of their pendulous State...as uncertain what at the last Revolution will become of them..."
"The extraordinary or second sight can be given them by the ministry of bad as well as good spirits to those that will embrace it."
The Rev goes on to talk a whole bunch of hunting for treasure, Bible stuff, cunning folk magic. Which is interesting, but nothing I need to take notes on for my writing at the moment.
pjthompson: (Default)

giant veg

You’ve heard about the giant cabbages once grown in the poor, sandy soil of Findhorn, Scotland? Some people believe that was made possible by the intercession of nature spirits who, in conjunction with the mystic, Dorothy Maclean, wanted to demonstrate to the world what was possible when humankind cooperated with the spirits who ruled the natural world. In fact, the Findhorn Foundation website still tells the story:

Dorothy discovered she was able to intuitively contact the overlighting spirits of plants – which she called angels, and then devas – who gave her instructions on how to make the most of their fledgling garden. She and Peter translated this guidance into action, and with amazing results. From the barren sandy soil of the Findhorn Bay Caravan Park grew huge plants, herbs and flowers of dozens of kinds, most famously the now-legendary 40-pound cabbages.

But where does this notion of nature spirits as guardians and helpmeets of plants come from? It’s an important question because it underlies much of the philosophy of the New Age movement. However, it turns out to be a pastiche of things taken from here and there.

Once, long ago, in a post from 2012, Dr. Beachcombing of Dr. Beachcombing’s Bizarre History Blog wondered if this popular contemporary notion of nature spirits was a survival of old folklore beliefs or merely a modern interpretation. (It’s a interesting post. You should read it.) None of his correspondents (myself included) came up with what you would call conclusive proof that this was a belief of the common folk, or that it had anything like a long history in traditional magics. In fact, it was probably a belief amongst scholarly occultists rather than something a local cunning man or woman might adhere to.

Owen Davies in Popular Magic: Cunning-folk in English History explains this divide between folk magic and philosophical magic:

In the historiography of magic a distinction has usually been made between high or learned magic and low or folk magic. Learned magic is generally defined by its sophisticated theoretical, philosophical and ceremonial structure. It can be further broken down into two main categories, demonic and natural….Natural magic was considered by many intellectuals to be a branch of the sciences, as it dealt with the occult powers within nature. In our period [15th c. onward] it was primarily influenced by neoplatonism, which held that the universe was suffused and ruled by a hierarchy of spirits. All matter was interconnected by these spiritual influences, and sympathetic relationships governed all matter. Stars and planets possessed evil and good aspects, and radiated their benign or malign influence upon the earth like ripples across water….

Low, popular, or folk magic is usually characterised as a rich medley of indigenous beliefs, practices and rituals, some of them dating back to Anglo-Saxon times, perhaps even earlier, perpetuated largely through oral transmission. The use of “low” does not necessarily indicate that this type of magic was confined to the “low” elements of society, but those who employed it had no lofty pretensions about what they were doing….

Furthermore, there were specific individuals who straddled the worlds of both learned and low magic, and who were consequently thought to have more knowledge of the occult than those around them: these people were cunning-folk.

(This is a good book. You should read it, as well.)

Eileen and Peter Caddy, the founders of the Findhorn community along with Dorothy Maclean, were influenced by Rosicrucianism, which was strongly influenced by Neoplatonism. So it’s not a far stretch to say that their beliefs—and much of New Age philosophy—come from that root stock rather than folk beliefs.

W. Y. Evans Wentz (himself highly influenced by Theosophy, another Neoplatonist offshoot) says in The Fairy Faith in Celtic Countries (1911):

In the positive doctrines of mediaeval alchemists and mystics, e.g. Paracelsus and the Rosicrucians, as well as their modern followers, the ancient metaphysical ideas of Egypt, Greece, and Rome find a new expression; and these doctrines raise the final problem—if there are any scientific grounds for believing in such pygmy nature-spirits as these remarkable thinkers of the Middle Ages claim to have studied as being actually existing in nature….

All these Elementals, who procreate after the manner of men, are said to have bodies of an elastic half-material essence, which is sufficiently ethereal not to be visible to the physical sight, and probably comparable to matter in the form of invisible gases. Mr. W. B. Yeats has given this explanation:—’Many poets, and all mystic and occult writers, in all ages and countries, have declared that behind the visible are chains on chains of conscious beings, who are not of heaven but of earth, who have no inherent form, but change according to their whim, or the mind that sees them. You cannot lift your hand without influencing and being influenced by hordes. The visible world is merely their skin….’ [From Yeats’ Irish Fairy Tales and Folk-Tales]

Wentz again three paragraphs on:

And independently of the Celtic peoples there is available very much testimony of the most reliable character from modern disciples of the mediaeval occultists, e.g. the Rosicrucians, and the Theosophists, that there exist in nature invisible spiritual beings of pygmy stature and of various forms and characters, comparable in all respects to the little people of Celtic folk-lore.

I find myself imagining some practitioner of the old folkways listening to all this and saying to his or herself, “La di da, la di da,” if not laughing outright. There is nothing inherently wrong with these high blown sentiments, with Theosophy or Rosicrucianism or New Ageism, any more than there is something wrong with the “lower,” more practically-minded folk traditions. But they are clearly different streams fed from the big, muddy river of magics, and wading in one does not necessarily tell you anything about wading in the other.

Mirrored from Better Than Dead.

pjthompson: (Default)

It’s been a crazed month what with intensive reading of novels/stories for critique and intensive revising of novels/stories for moi and work going a little bit bat****. Fortunately, there were some fun reads helping me make it through.

Books finished in August:

1. Magic Bleeds by Ilona Andrews

A great entry into the series. Major changes, though, so if you haven’t started these books yet, don’t start here. In fact, start with book one. There’s a character arc, people!

2. Sea Witch by Virginia Kantra

I enjoyed this. It has an almost traditional romantic suspense plot, except for the sealies and the demons running around, but well handled and Ms. Kantra is a good writer.

3. Draft Novel by Someone

Very nice paranormal romance. I hope to see this one on the shelves some day.

4. Amazon Ink by Lori Devoti

I thoroughly enjoyed this, really fell into the story and got towed along. That doesn’t always happen for me, so I  appreciate it when it does. I found the beginning somewhat off-putting and I almost put the book down, but decided to push forward and I’m glad I did.  It’s entertaining, good character interaction, with well thought out worldbuilding that made it seem credible to me that Amazons have survived in secret all these years. I thought the characters particularly rounded, with a nice understanding of the mistakes we make and the lessons we learn from them. I also liked that Ms. Devoti resolved the mystery of this story, gave me a feeling of completion, yet didn’t tie everything up in a neat little package. There’s room for the characters to do more growing and evolving. I hope to be able to read about that in future books.

Photobucket

Books begun in August:

1. Crows: Encounters with Wise Guys by Candace Savage
2. Magic Bleeds by Ilona Andrews
3. Sea Witch by Virginia Kantra
4. Draft Novel by Someone
5. Amazon Ink by Lori Devoti
6. The Magicians by Lev Grossman
7. No Rest for the Wicked by Kresley Cole

Continued reading this month:

1. Popular Magic: Cunning-folk in English History by Owen Davies

Mirrored from Better Than Dead.

pjthompson: (Default)

Finished in July:

1.  The Heart of Faerie Oracle by Wendy and Brian Froud

A beautifully-illustrated oracle that uses Faerie to explore relationships: to others, to oneself, to the universe. Lovely and approachable.

2.  Demon Blood by Meljean Brook

I love this series and this is a worthy entry into it. Ms. Brook has really hit her stride.

3.  The Keys to D’Espérance by Chaz Brenchley (Subterranean Press chapbook)

A short, fantastical, compelling read that leaves as many mysteries as it solves, winding around itself like the spiral staircase at the center of the story. Beautiful writing and a beautiful raveling and unraveling of a character.

4.  In a Strange City by Laura Lippman

The writing is good, the characterizations are mostly excellent, the premise was interesting, BUT I found the plot so transparent that I guessed the whodunit quite early on and much of the whydunit. As a result, the ending was flat and not particularly inspiring. The other plot element I didn’t care for centered around the main character, Tess Monaghan, doing stupid things. I realize that part of this is because Tess is a risk-taker, but she displayed such stupidity in some places (for an otherwise smart woman) that I felt it was more about authorial convenience in advancing the plot than true characterization.

It’s really a shame, because I was excited by that premise: a mystery centering around the Poe Toaster, an anonymous man who for sixty years (until 2010) left roses and cognac on the grave of Edgar Allen Poe each January 19 (Poe’s birthday).

I will probably read something else by Ms. Lippman because, as I said, the writing and characters were mostly well-handled, but I think maybe I’ll try one of her stand-alones rather than another from the the Tess Monaghan series.

Begun in July:

  1. Demon Blood by Meljean Brook
  2. Blood Noir by Laurell K. Hamilton
  3. The Keys to D’Espérance by Chaz Brenchley (chapbook)
  4. A Madness of Angels by Kate Griffin (aka Catherine Webb)

Continued Reading This Month:

  1. Serpent in the Thorns by Jeri Westerson
  2. Walkers Between the Worlds: The Western Mysteries from Shaman to Magus by Caitlin and John Matthews
  3. Popular Magic: Cunning-folk in English History by Owen Davies

Mirrored from Better Than Dead.

pjthompson: (Default)

Now that I’m halfway through the read-through of Venus in Transit I’m beginning to get that thrill of anticipation at the thought of finally being able to work on something new. There are some stories I want to get to for rewrites and for first writes, but the big subterranean beasts that have been swimming in the deeps for ages now have also made their break for the surface. Two novels seem to be vying for the attention of my forebrain, feeding me bits and pieces of themselves at odd times of day or night. My research reading seems to swing back and forth between the two subject matters, too.

One is a story involving an 18th century cunning man and the 21st century fallout from his old magic. That one even has most of a chapter one done, plus the 17k novella on which it’s based. For this I’ve been reading some fascinating stuff on JSTOR and also a book called, Popular Magic: Cunning-folk in English History by Owen Davies. I have about three more books on cunning folk lined up on my shelves, too.

The other is a very fractured and weird sort of fairy story in which Faerie hardly appears at all, and whatever fairies show themselves are neither flittery little beings of light, nor dark and sinister monsters. Or, as recently portrayed, sex mad stud muffins. Although, because I’m writing it, I imagine there will be sex. Is there not air?

These fairies are more like I imagine fairies would be if fairies do be: neither fundamentally good nor bad, just profoundly uninterested in the well-being of humanity, unless some poor hapless fool intrudes upon their space by accident or intent. Then it’s watch out mortal, you’ll pay for your trespass.

I have scads of books on fairies and fairylore. My current reading includes Meeting the Other Crowd: The Fairy Stories of Hidden Ireland by Eddie Lenihan and Carolyn Eve Green which informed a lot of my current thinking on the subject. I’ve also been playing with The Heart of Faerie Oracle by Wendy and Brian Froud, which is an absolutely gorgeous work of art. I can stare and stare at each one of those cards. There is so much rich detail in them—and gorgeous, as I say.

I ask myself if the world needs another novel of Faerie and I’m inclined to think not, there’s such a glut. But I also know that when the leviathans make a break for open waters, I’d better follow whichever is the strongest swimmer, hitch my darling coracle to their flukes and hang on for dear life, or get left adrift far out to sea. The leviathans choose me, not the other way around.

Mirrored from Better Than Dead.

pjthompson: (Default)

I hope to return to real blogging soon, but it’s been hella busy. In the meantime, here’s another one of those numbered thingies:

1. Listening to the graduate students around here make excuses to their professors as to why they haven’t completed their coursework, it strikes me that not much has changed since elementary school. They’ve just found more sophisticated, elaborate, and convoluted ways of saying, “The dog ate my homework.”

2. I’m on chapter eleven of the read-through of Venus in Transit. I should be much further along as I hadn’t intended to do any restructuring or heavy editing, but you know how it goes. A couple (or more) scenes that just had to be rewritten, language desperately needed de-clunkifying, things had to be looked up and pondered… There’s still plenty more that needs fixing, no worries, but it’s amazing to me how many of the smaller threads of plot and characterization got left untied. I’ll definitely deal with those in the next draft.

3. I’ve acquired a sudden re-fascination with cunning folk, witchery, and folk medicine, et al. lately. I’ve been reading books and scouring JSTOR for articles. (I love JSTOR. Thank goodness for institutional subscriptions.) If research interest is an indicator of which novel my right brain next wants to write, things are looking good for my proto-novel, Time in a Bottle, the idea based in part on my novella, “Sealed with a Curse.” That novella involved an 18th century cunning man, infidelity, wastrelism, and a witch’s bottle. The novel version carries forward to the 21st century descendants of some of the folks involved in that affair. And maybe time travel. Or maybe not.

4. I’m wondering if a subscription to Netflix would be worth it to me since I rarely am in the mood to watch a movie at home more than once or twice a month? I used to devour movies at a massive rate, but I lost the love somewhere along the way. The $8.99 one would definitely be sufficient, but I’m not sure I’d get my money’s worth even then.

5. Come the Singularity, I suspect I will not be allowed on the lifeboat. I suspect I will be okay with that. Utopian visions rarely turn out well for humanity at large. I have zero confidence that techo-utopians will be any better at it than every other millennial movement that has wrecked humanity in the past. I am not a Luddite. I really do enjoy living in the bright, shiny techno-age—but sweeping mass social engineering never works. That’s the lesson of history. That’s the lesson of any close study of human nature. Power corrupts, even utopian techno power—and besides, these yahoos aren’t even trying to be egalitarian. This is all about ego and rich mostly whitefolk trying to escape the filthy masses.

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