pjthompson: (tarot)

A recent conversation with[personal profile] green_knight prompted me to pick up this book by Corrine Kenner again and at least do the first exercise in Part II.

Part I is titled, “Tarot 101,” and it really is that. If you’re not familiar with tarot and want to learn, you could definitely use this section as a primer. I got bogged down, though, because it was repetitive for me, so I skipped it. I’m not saying I couldn’t learn more about tarot—I most certainly can—but I didn’t think this would help me that much. Corinne Kenner states in her introduction that she’s fine with people skipping around. Ms. Kenner uses the classic Rider Waite Smith deck (RWS),* but it’s one of the few decks I’ve tried that doesn’t really work for me, so I used my favorite Crow Tarot instead.

Anyway, the first chapter in Part II, “The Writer’s Tarot,” is “Character Creation,” and the first exercise is on using the cards to pick and flesh out a cast of characters. This would probably work best for a new idea, a new story, but I’m almost 20k into the current novel. Still, there are some unknown variables in my story. I’m a pantser, you see: I write from the seat of my pants rather than from an outline, so I don’t really know all that will happen in my stories before I write them. However, I thought it might be interesting to do this exercise and see what I got.

I have to confess that character stuff is generally the thing I need least help on. They seem to arrive fully formed in my psyche with their motivations already in play. My job is to build the story around them. Usually, I spend a certain amount of time filling in backstory (sometimes an excessive amount of time) to explain to myself how they got to be the way they are and to clean up any historical stuff. In the current WIP, I’ve got two characters acting like protagonists, a third who swings back and forth between protagging and antagging, and a fourth who is a significant supporting player (a foil). Three of these characters appeared in an earlier work so I know them well and it’s easy to write for them. But again, I thought this would be worth a shot—if for no other reason than straightening out the protagging and the antagging. I still don’t know who the real antagonist is. So far it has been a Thing, but I’ve always known that would resolve itself into a person/being who is driving the Thing.

How this works

In the first exercise, you deal yourself a starting spread, one card each for protagonist(s); antagonist(s); protagonist’s foil (Dr. Watson, Sancho Panza, et al.); antagonist’s foil (Capt. Hook’s Mr. Smee, Mini Me, et al.); and supporting character (characters who pop up and have important but not continuing roles like a foil). Then you read the card for each and make notes about what the card suggests for that character(s). At first, I used the booklet that came with the Crow Tarot but duh, this process works much better with the card meanings Ms. Kenner has included in the book. The largest section of the book (pgs. 122-323) are tarot meanings based on RWS and slanted towards the writing process. Once I used that, things seemed to fall into place and I did get some insights into the complex character dynamic I’ve got going here. Each exercise also includes a Writing Practice and/or writing prompts.

Other exercises in the character section:

  •  “Personality Plus” - rounding out characters, including a group of questions to ask. You can draw cards to answer these questions (and the ones following), as many as you like.
  • “Character Building” – filling in the background
  •  “Casting Call” – for a larger work like a novel or screenplay
  • “Typecasting” – playing with archetypes
  •  “Minor Characters”
  •  “The Private Lives of Public Personalities” – psychological underpinnings
  • “Hopes and Fears”
  • “A Note About Names”
  • “Dialogues and Interviews”
  • “Fill in the Blanks”
  • “Compare Notes”
There are also sections on Storylines and Plot, Setting and Description, Breaking Writer’s Block, and something called “The Tarot Card Writing Coach,” as well as other things. I haven’t explored any of these or anything beyond that first character exercise yet. I’m not sure how much I will use this book for the current WIP which is kicking along rather well now, but if I get stuck, I can see this might be helpful for getting unstuck again. And inevitably in my pantser process of novel writing I hit a wall about midpoint where I have to stop and consider what has been and where I might possibly be going. Perhaps this book will help with that as well. It remains to be seen.

I’d be willing to share the results of my exercise in another post if anyone is interested.


*And yes, I know many of the decks I use are based on RWS, but the actual classic deck doesn't work for me.

Insights

Mar. 29th, 2018 10:01 am
pjthompson: quotes (quotei)

Random quote of the day:

“Insight is a breakthrough, requiring much intellectual dismantling and dislocation. It begins with a mental interim, with the cultivation of a feeling for the unfamiliar, unparalleled, incredible. It is in being involved with a phenomenon, being intimately engaged to it, courting it, as it were, that after much perplexity and embarrassment we come upon insight—upon a way of seeing the phenomenon from within.”

—Abraham J. Heschel, The Prophets

Disclaimer: The views expressed in this random quote of the day do not necessarily reflect the views of the poster, her immediate family, Lucy and Ethel, Justin Bieber, or the Kardashian Klan. They do, however, sometimes reflect the views of the Cottingley Fairies.

Mirrored from Better Than Dead.

Insight

Dec. 9th, 2015 10:20 am
pjthompson: quotes (quotei)

Random quote of the day:

“[Age] makes you more aware of other people’s lives. You see more from the inside: the troubles, the sorrow, and the unfairness. And then when you accept that life is good, no matter how unlucky you are, you get a firmer insight into it.”

—William Maxwell, The Paris Review, Fall 1982, No. 85

age4WP@@@ 

Disclaimer: The views expressed in this random quote of the day do not necessarily reflect the views of the poster, her immediate family, Siegfried and Roy, Leonard Maltin, or the Mormon Tabernacle Choir. They do, however, sometimes reflect the views of the Cottingley Fairies.

Mirrored from Better Than Dead.

pjthompson: (Default)

1st. madron sign

Back in 2004, two friends and I visited the Cornish peninsula. Tintagel was definitely a high point—the actual rock and castle itself, if not the village. But there was another place that left just as big an imprint on my soul—maybe even bigger. Not as dramatic as Tintagel, much quieter, but no less magic: St. Madron’s Holy Well in Cornwall.

It’s inland from Penzance only a few miles, but a whole different world from the bustling tourist centers along the coast. It wasn’t featured prominently in my Green Guide, but I’d read about the well elsewhere and it figured high on my wish list. My companions indulged me in this, and I think they were glad they did. We were an Episcopalian, an agnostic, one leaning strongly towards pagan, and all of us were all moved by this place. It’s been holy since pagan times, taken over by the Christians, and still remains holy to both. There are a couple of small churches nearby, St. Madron’s which we didn’t get to visit, and St. Grada—small, lovely, peaceful. But the well itself (and the ruined chapel channeling it) exist a mile north and a whole ‘nother universe apart.

2burning blossoms

It’s a half-mile, so they say, from the church to the gate leading to the well, and a quarter mile in to the ruined chapel. Pastures surround the location, and the gate opens onto a tree-lined path. On this spring day, the trees burned with blossoms. We progressed through dappled shade along the rough path, delicate wildflowers in white and pink and yellow leading the way. Maybe it’s the screen of trees that shuts off all noise except the chirping of birds, the occasional movement of wild things in the overgrown brush on either side, but it’s like stepping into another world, so different from the one we know—centuries older, maybe a millennium or two. We hushed in response, the sound of our quiet passage seeming unnaturally loud. We could hear the wheels of our own thoughts spinning in our heads.

7madron stream

It hadn’t rained for several days, but the path was still damp, quite muddy in spots, sunken beneath water in places. Sometimes we had to scramble over rough stiles, crudely cut blocks of gray stone. One to step up, a flat one to scramble over, one to step down.

10holy well

The waters of the wellspring, I learned later, is somewhere out in the marshy land beyond the chapel, but they say its water brings healing and also gives mystical insight into the future. Puritan fanatics tried to smash the well housing in the chapel during the Civil War, but it still burbles on with fresh, pure, clean water. We were there on a Saturday, the end of April, but the waters are supposed to be their most potent on the first three Sundays in May. Maybe we got some residual from the build up to May, who knows?

5madron rag offerings

After the second stile and down a bit, there’s a stand of trees where people who’ve been cured by the well leave an offering—traditionally rags tied to the trees, but we saw all sorts of things. We left our offerings before the fact. All I had on me was a crimson velveteen scrunchie for my hair, one I was particularly partial to. I must say it looked lovely wrapped around the broken end of a branch.

6my red velvet offering_box

A real presence exists in that place, a sense that something potent moves through those trees. I didn’t feel at all silly looking back on that crimson scrunchie. It felt damned good, an elevation of the spirits. No guarantees of anything, no promises made, but for me a sense that I was making a wordless promise; I gave up something to the spirit of the place.

I’m not exactly sure why that particular bend in the stream became the location of the rag offerings because it’s around the path and down a ways from the actual well site. But I do know that the stream forked at this point, and in pagan beliefs, at any rate, forks in rivers are magical places. As are forked trees—ymp trees, they’re called, where the branches split in a Y low enough on the trunk for a human to walk or climb through easily. There were some of those in that grove, too. Forks represent transition points, places where the energy (or magic) changes directions and, some believe, gives a surge of power.

8path to chapel

The chapel itself is a ruin, a roofless box of ancient stone, steeped in age and covered in moss. An altar, on this day hosting a crude cross woven of branches, sits at one end of the enclosure.

11interior, altar

The interior housing for the well is another, smaller box on the opposite side, with a catch basin for the waters before they flow out and into the stream. A cold, absolutely clear, surprisingly gentle stream for such a volume of water—and again, the sense of presence was palpable. Even if you don’t go in for the mystical stuff, the thought that for thousands of years humans have come to this spot for prayer and offerings is awe-inspiring. Maybe that’s all the presence is at Madron, those innumerable human lives and energies intersecting with this place. Whatever it is, it’s potent. We sat on the rough stones for longest time, drinking it in, letting the peace invade our souls and smooth out the jangles. I was healed, although I hadn’t been aware of being sick.

I snapped a few pictures, but it seemed a futile (and maybe sacrilegious?) endeavor, and none of them came out all that well. I couldn’t escape the realization that no film, no picture could capture the enveloping green peace of this place, surrounded by trees, accompanied by the trill of songbirds, the plash of water on stones, the gurgle of it running in a channel, the fresh smell of greenness all around. At best, these photos may jog memories years hence, opening the door to the soul memory left behind by St. Madron’s Well.

13cross on altar

Mirrored from Better Than Dead.

Ponder

Oct. 28th, 2014 10:25 am
pjthompson: quotes (quotei)

Random quote of the day:

“The words of the writer act as a catalyst in the mind of the reader, inspiring new insights, associations, and perceptions, sometimes even epiphanies.”

—Nicholas Carr, The Shallows

 epiphany4WP@@@

Disclaimer: The views expressed in this random quote of the day do not necessarily reflect the views of the poster, her immediate family, Siegfried and Roy, Leonard Maltin, or the Mormon Tabernacle Choir. They do, however, sometimes reflect the views of the Cottingley Fairies.

Mirrored from Better Than Dead.

pjthompson: quotes (quotei)

Random quote of the day:

“I early arrived at the insight that when no answer comes from within to the problems and complexities of life, they ultimately mean very little. Outward circumstances are no substitute for inner experience.”

—Carl Jung, Memories, Dreams, Reflections

 InnerOuter4WP@@@

Disclaimer: The views expressed in this random quote of the day do not necessarily reflect the views of the poster, her immediate family, Siegfried and Roy, Leonard Maltin, or the Mormon Tabernacle Choir. They do, however, sometimes reflect the views of the Cottingley Fairies.

Mirrored from Better Than Dead.

pjthompson: (Default)
YOU REUSED THIS FOR FOLKLORE, HENCE THE PRIVATE. HENCE NO UPDATING LINK.

This may be the last bit of travelogue I feel inspired to write as I'm starting to "regularize" and get back into the routine. Then again, every time I think that, I new one of these bubbles to the surface.

And I did so want to talk about another high point on this trip, one that equals Tintagel in the imprint it left on my soul—maybe even surpasses it. Not as dramatic as Tintagel, much quieter, but no less magic: St. Madron's Holy Well in Cornwall. It's inland from Penzance only a few miles, but a whole different world from the bustling tourist centers along the coast. It wasn't featured prominently in my Green Guide, but I'd read about the well elsewhere and it was high on my wish list. My companions indulged me in this, and I think they were glad they did: an Episcopalian, an agnostic, and a wibbly-wobbly sort who's agnostic leaning towards pagan--we were all moved by this place. It's been holy since pagan times, taken over by the Christians, and still remains holy to both Christian and pagan. There are a couple of small churches nearby, one a St. Madron's church which we didn't get a chance to visit, and one called St. Grada—small, lovely, peaceful. But the well itself (and the ruined baptistry surrounding it) exist a mile north and a whole 'nother universe apart.

It's a half-mile, so they say, from the church to the gate leading to the well, and a quarter mile in to the ruined baptistry. Pastures surround the location, and the gate opens onto a tree-lined path. We progressed through dappled shade along the rough path, delicate wildflowers in white and pink and yellow leading the way. Maybe it's the screen of trees that shuts off all noise except the chirping of birds, the occasional movement of wild things in the overgrown brush on either side, but it's like stepping into another world, so different from the one we know—centuries older, maybe a millennium or two. We hushed in response, the sound of our quiet passage seeming unnaturally loud. We could hear the wheels of our own thoughts spinning in our heads.

It hadn't rained for several days, but the path was still damp, quite muddy in spots, sunken beneath water in places. Sometimes we had to scramble over rough stiles that crossed over the path of the winding stream. These were crudely cut blocks of gray stone--one to step up, a flat one to scramble over, one to step down--that we found at many of the countryside sites we visited in Cornwall.

The waters of the well, so they say, bring healing and also give mystical insight into the future. Puritan fanatics tried to smash it during the Civil War, but it still burbles on with fresh, pure, clean water. We were there on a Saturday, the end of April, but the waters are supposed to be their most potent on the first three Sundays in May. Maybe we got some residual from the build up to May, who knows?

After the second stile and down a bit, there's a stand of trees where people who've been cured by the well leave an offering—traditionally rags tied to the trees, but we saw all sorts of things. We left our offerings before the fact. All I had on me was a crimson velveteen scrunchie for my hair, one I was particularly partial to. I must say it looked lovely wrapped around the broken end of a branch.

There was a real presence in that place, a sense that something potent moved through those trees. And it didn't feel at all silly looking back on that crimson scrunchie! It felt damned good, a real uplift of the spirits, elated even. No guarantees of anything, no promises made, but for me a sense that I was making some kind of wordless promise; I was giving up something to the spirit of the place.

I'm not exactly sure why that particular bend in the stream became the location of the rag well offerings because it is around the path and down a bit from the actual well site. But I do know that the stream forked at this point, and in pagan beliefs, at any rate, forks in rivers are magical places. As are forked trees—ymp trees, they're called, where the branches split in a Y low enough on the trunk for a human to walk or climb through easily. There were some of those in that grove, too. Forks represent transition points, places where the energy (or magic) changes directions and, some believe, give a surge of power.

The actual well is enclosed by a roofless box of ancient stone, the ruins of the baptistry, steeped in age, covered in moss. An altar, strewn with wilted wildflowers, sits at the other end of the enclosure. The well itself is in another, smaller box, a catch basin for the waters before they flow out and into the stream. A cold, absolutely clear, surprisingly gentle stream for such a volume of water—and again, there was such a sense of presence there. Even if you don't go in for the mystical stuff, the thought that for thousands of years humans have been coming to this spot for prayer and offerings is simply mind-boggling. Maybe that's all the presence is at Madron, those innumerable human lives and energies that have intersected with this place—but whatever it is, it's potent. We just sat on the rough stone benches there for longest time, drinking it in, letting the peace invade our souls and smooth out the jangles. I was healed, although I hadn't been aware of being sick.

I snapped a few pictures, but it seemed a pretty futile (and maybe sacrilegious?) endeavor. I couldn't escape the realization that no film, no picture could ever capture the enveloping green peace of this place, surrounded by trees, accompanied by the trill of songbirds, the plash of water on stones, the gurgle of it running in a channel, the fresh smell of greenness all around. At best, these photos may jog some memories years hence, open the door to the soul memory left behind by St. Madron's Well.

You can see our pictures of the place by CLICKING HERE.

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