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A guy is sitting on a big hog of a motorcycle parked by the courthouse. A woman stops her car to ask him if he's going to be leaving the parking space.

He starts screaming at the top of his lungs: "You better move it along, lady! You better leave me the *bleep* alone! I'm a black man trapped in a white man's body!"


Wrong on so many levels, dude.

Putting out

Aug. 8th, 2007 12:33 pm
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Heard on the radio of the day:

(1) One of the local public radio stations is having a pledge drive, interspersing bits of NPR amidst flogging the audience for money. The morning flogger is an annoyingly perky woman who doesn't always think too hard about what she's putting out on the air. When they came back from a story about the trapped coal miners in Utah, she'd moderated her perkiness to a somber tone, speaking about the tragedy of those men being trapped and needing rescue. Still in the somber tone, she said, "And we here at Radio Station X are trapped and need rescuing, too..."

(2) During the drive time the other night, to avoid the woman who does the flogging in the evening—a dreadfully serious, lecturing creature—I turned to another public radio station, KUSC, our one classical venue in L.A. It was a blessed moment amidst the rancor of the traffic because they were playing, The Lark Ascending, one of my favorites. Transcendent. I felt so much better as the final ephemeral notes faded off. Rich Caparella, the host, is a man who understands quite well what he's putting out on the air. He has one of those dreamy creamy classical music station voices, always so calm, erudite, and mellifluous. In that dreamy creamy voice, he announced, "That was The Lark Ascending by Ralph Vaughn Williams. An anti-road rage offering. Now that it's over, feel free to go back to driving like complete idiots."

Random quote of the day:

"I don't need time. What I need is a deadline."

—Duke Ellington


This is certainly true about me. It was true in school, and one of the things my employers have always appreciated about me was that I'm good at nailing deadlines. Unfortunately, I'm not so good at nailing self-imposed deadlines. It's as if my psyche is saying, "Her? You don't really have to take her seriously."
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"See, he's saying 'hello,' " says the roommate.
"He is not. He's barking like that little yappy dog next door," says I.
"He's not! Listen. He's saying, 'her-ro.' "
"No, 'hrwow wow!' "

I suppose the wonder is not that the bird speaks plainly, but that he speaks at all.
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First platitude of the month:

"This isn't a dress rehearsal. This is life."

—Platitude Woman

Writing talk of the day: Dang. My villains were twirling their moustaches so hard yesterday I feared they'd pull them right off. When I reread yesterday's session in order to get into today's session, it was definitely a cringefest. But I won't be revising now. I pushed forward into the next chapter and did another 750. I'll probably post chapter 30 in the next day or so.
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Which subject line reminds me of the essay of the same name by Loren Eiseley from his book of essays, The Night Country (not to be confused with the novel of the same name by Stewart O'Nan). Highly recommended. Eiseley was a forerunner of scientists doing popular humanist essays, like Stephen Jay Gould. Much of Eiseley's work skirts the edge of poetry, and definitely reads like fiction. Eminently approachable and very human.

[broken picture link]

Writing business of the day:Completed the rewrite of my problematic chapter 17. It wasn't a hardcore rewrite, just the "softcore" ones I do before posting to the workshop. There's still plenty wrong and I'm not sure how I'll fix it, but that's for the rewrites. So I can officially forget about it now until the second draft. Except when it's being reviewed on OWW, that is. :-)

It's funny: I hadn't read this chapter since the end of March and thought it fairly competent. Rereading it I saw for the first time that it incorporated one of my least favorite plot devices since the history of plot devices. I couldn't believe it. Clearly, someone has snuck into my novel again and written bilge while my back was turned. I need to catch that little miscreant! So I cleaned that up some, but I'm still not happy with it.

Ouch of the day: Last night I went to a yoga class for the first time in years. I'm not saying I'm not hurting in places I didn't know I had, but overall I feel really good. I'm going back next week. I haven't been that relaxed in gobs of time and I slept straight through the night for once. That alone was worth the stretchy-stretchy, owie-owie. Besides, when I get aches and pains in conjunction with physical activity, I feel okay about it, like I earned my aches rather than just having them foisted on me.

And here's the funny part: I was absolutely terrified before I got there. Of what? I dunno. Scared they'd laugh at me or beat me with bamboo sticks or throw those star knives at me. Then I reassured myself that it probably wasn't a ninja yoga class and they don't usually beat people up. The thing is, showing up cold to a class is intimidating under the best of circumstances. Because it had been so long since I'd done anything like that and feeling like I was out of shape didn't help. But the teacher was really kind and generous and the minute I walked in and met her, I felt comfortable. I was able to keep up okay, though I had to modify my positions somewhat. But that was okay with the teacher, so it made the whole experience a very good one.

My terror at shaking myself out of my routine told me it was something I had to do or risk becoming calcified. That's always a big danger in life, refusing to ever move out of your comfort zone and turning to living stone. There's a lesson in there about art, too, but I think you can draw your own conclusions.

Vignette of the day: I'm at the car wash Sunday and a woman is complaining loudly to another woman that a cop had just stopped her on the street and implied that she was a hooker. "I guess a woman just can't wear shorts in this town!" she said in outrage.

She was wearing shorts—so short they were practically thongs, so short that both cheeks stuck out the leg holes. Accompanying these shorts, she wore high-heel, see-through slips on, the ultimate in CFM shoes; a skin tight sparkly lycra turquoise spaghetti-strap tank with a push up bra so her cheeks were not the only thing sticking out of her ensemble; her hair was streaked with every shade of blonde known to nature and unnature to go with the dark roots; and she was walking along a stretch of Lincoln Blvd. known to be a habitat for hookers.

Now, a woman has the right to dress anyway she wants and not get hassled for it. And some cops are on power trips. But. One can see how the misunderstanding might have occurred.
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Overheard "conversation" of the day:

About eight this morning I was in the antechamber off my bathroom. The bathroom itself is right over the alley behind the apartment building and I'm only on the second floor, so that alley is real close. I always keep the bathroom window open and this morning I heard car tires on the gravel, the car stopping right below my window, the door opening. Then I heard this woman's voice: "Are you f--ing kidding me? Are you f--ing kidding me? I got a f--ing flat tire from running over a f--ing bicycle thing?"

I don't know if there was anyone else in the car—no one answered her—and I wondered if she'd pulled into the alley to get away from the person who's "bicycle thing" she'd run over. A few moments later, I heard the car door close and the car pull (slowly) away from the building.

The mean streets of L.A., folks. No bicycle thing is safe.

Thing I thought of blogging about today: Tom Cruise's obvious chemical imbalance.

Why I didn't blog it: I still might, but I needed to do other stuff and Tom's not that important.

Other thing I thought of blogging about today: My frustration over my explain-o-mania—a tendency to always want to explain myself because I'm just sure I've been misunderstood.

Why I didn't blog it: It seemed too much like explaining myself. :-)

Misspeak of the day: The news dude who called the famous Leonardo da Vinci painting, "The Virgin On the Rocks."

Writing of the day: A crit and I worked on the opening of my long novelette, "Sealed With A Curse."

I've reworked that thing so many times, but something still nags at me. I have that deep sense of knowing that it isn't quite there—you know the one? But I can't put my finger on what it is. It's just not special enough.

At one point today I thought, "How would Kage Baker write this? Why can't I write it like Kage Baker?"

Answer: I'm not Kage Baker.

Other answer: I'll never write "special" stories if I'm not true to myself. I've got to grow and adapt, of course, but my voice is not going to be anyone else's voice. I have my own voice. I'm not sure it's a commercial voice, but it's the one I've got to work with. I'll never write "special" stories if I'm not true to myself.

I've lost track somewhat of what's special about this story in trying to satisfy the critiques and honing it down to a more reasonable length. The thing is, I know there are parts of it that are really good, that are special. But the entry into the story, any story, is crucial and if I can't get that right, no one's ever going to read the rest. I harp on openings in my crits all the time because I know how critical they are, but sometimes it's difficult to take my own advice.

Ya know?

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