pjthompson: (all things weird)
I just realized I forgot to go public with Epiode 14. See below.


This is the only spooky Christmas story I have. As it’s a bummer I will understand if you don’t read it.

Background: I've had two fathers. There was my "biodad" who contributed the DNA to make me. I loved him, but we had a troubled relationship. And there was my step dad Tom, the father of my heart. Tom was a gift from the Universe for both my mom and me. He was the love of her life, and for me the only parent who gave me unconditional love, who made me believe that maybe the world wasn't such a crapper after all. A gift, and not one that every person gets in their life. I feel incredibly lucky to have known him.

In December 1992 I gathered some of my loved ones together for our annual Christmas dinner: my two BFFs and ex-roommates, Lynn and Carl (now married to one another for 43 years), my mom, and Tom. These were nice gatherings, everyone enjoyed everyone's company, and I really got into putting on a big show by cooking a special meal.

So right in the middle of all this—it may have been during after dinner chat, before the obscene dessert, I can't be sure anymore—when everyone was telling stories and laughing, the world—or at least my part of it—came to a standstill. I've tried to describe this sensation before and that's as close as I can come to it. I was sitting there in that room, but I was outside of it, too. I could see everyone talking, but I couldn't hear them anymore. Though I saw all this movement, inside of me everything had gone completely still, the kind of silence and stillness I've never felt before or since. I heard a voice, not just in my head but in my soul, if that makes any sense at all. My impression is that it was deep, but I can't be sure anymore and I can't be sure whether it was male or female, but it was a voice of great conviction. It said, "This is the last Christmas you will all spend together like this." With those words came the utter conviction that one of us would die before the next Christmas. I didn't know who, but I suspected it was one of my parents. Then it was like the bubble burst and I was back in the room just as before, only trying hard to pretend nothing had happened, to deny what had happened, because I didn’t want to spoil the evening and because I knew everyone would just try to convince me I’d imagined it when I knew I hadn’t.

This experience was not created by too much wine at dinner. In fact, after that experience I was cold sober. As much as I put it down to excess imagination or bad brain chemistry or alcohol or whatever, I also had a deep conviction that it wasn't any of those things. I didn't tell anyone—I felt foolish just contemplating it. But I had this sense of the clock ticking, of waiting. That sense only grew over the months.

I felt desperate in that waiting place, helpless, unable to do anything, and still I had that reluctance to talk about it because of the fear of looking foolish. I began reading up on spiritual matters and found that the experience I'd had was not unknown. It had happened to other people. This wasn't especially comforting (except to know I wasn't alone) because these types of experiences tended to be portentous. I'd had premonitions before—sometimes trivial, sometimes not—but just enough that my friends jokingly called me "Spooky."

My parents decided to go to DC on vacation and I began to focus all my worry on that trip, sure something would happen to them back there. But they came through fine. I'd put so much energy into worrying about that trip that the knot in my stomach began to uncoil. Autumn arrived and I really began to feel silly. Here I'd been worrying myself sick for months over something that was probably the result of mixing my liquor and I finally relaxed enough to tell Lynn about the whole thing. We had a good laugh about it over dinner one night. Two days later, just after dinner, my father collapsed with an aortal aneurysm. Ironically, that isn't what killed him. They repaired the aneurysm, but Tom's heart—that wonderful, giving, loving heart—was so scarred and damaged by a lifetime of smoking that it just stopped beating. They revived him three times but in the end they couldn't save him.

We got the word in the wee hours of the next morning. It was hard to take in at the time, but the nurse attending us all night in the waiting room—a big bear of a Jamaican man and one of the most compassionate souls I've ever met—said that if Tom had lived, his life would have been greatly diminished. He'd have been an invalid, and that would have been a living death to Tom, who had always been active. "Maybe his soul decided not to go through that," said the nurse, "not to put you guys through that." Oddly, these words gave some comfort in the weeks to follow, the months and years of learning to live with it.

On the drive home from the hospital I asked the Universe politely but firmly to never, ever, EVER send me a premonition again. What the hell good are they if you can’t do anything to change the events??? I was done with them and with the horrible waiting to see if they came true. I haven't had one since. I don’t miss them.

All Weird Things Index

Musings

Feb. 15th, 2020 03:14 pm
pjthompson: (musings)
Some ignoramus has posted a video on YouTube showing Frank Sinatra with Nat King Cole actually singing the song, “L.O.V.E.” This is the wonderful and classy Nat King Cole:


*

Two hours without WiFi and I was hyperventilating. Fortunately, it was a simple fix, but I may have an addiction problem.
*

Tommy. His eyes were actually a soulful gray, not blue. He was in his forties and had done his soldiering during World War I. He became a special police officer during World War II so the younger men could go and fight.



*

I found an old keepsake box buried amongst a lot of, well, junk. Some genuine keepsakes inside the box, but also some very old story rejection letters from some of the top magazines, stuff I sent out when I was probably barely out of high school. All form letters, of course. I decided my nostalgia did not stretch to holding on to those any longer. I Kondo'd their a*ses.
*

That feeling when something seemingly minor turns dark and deep and symbolic…



*

I WILL NOT JOIN FACEBERG, no matter how many paranormal and Outlander live events they host. I WILL NOT become part of the evil empire! I WILL NOT! (Although I did succumb a little bit and joined Instagram. Mostly as a lurker.)
*

What to do with all these calendars that people gave me because they didn't know what else to give me? I only need one and that's the one with kitties that I bought myself.
*

Sometimes I look at my house and pity the person who, when I die, will have to clean out and dispose of ALL THESE BOOKS. But mostly I pity the books.
*

Zero results from the Iowa Caucus are just about right if you consider Iowa's relative importance to reflecting the diversity of the United States. They give such outsized importance to Iowa and New Hampshire. Nothing against either of those states but they're hardly representative of the rest of the country. Yet because somebody gets defeated in either Iowa or New Hampshire often they're eliminated from the race.
*

I get nonsense phrases stuck in my head sometimes. When I was doing research for the WIP on Nazi occult matters recently, the nonsense phrase in my cranial echo chamber was, "Otto Rahn on the Autobahn." Research earworms. I have a weird brain. Fortunately, "Otto Rahn on the Autobahn" made me laugh.
*

Ray Bradbury famously said about writing, "Jump off a cliff and build your wings on the way down." I'm at that stage of my current WIP where I'm wondering if I've jumped off the wrong goddamned cliff.
*

I’ve been reading Last Mountain Dancer by Chuck Kinder on and off for about a month. It’s both an interesting and irritating book so I'm not sure I'd wholeheartedly recommend it. I keep reading because it's about West Virginia where Kinder was born and raised and when he talks about that place, the book sings. Then he goes off into the woods talking about his extramarital affairs and his bad boy ways and it gets boring. (I am so done with middle-aged male angst.)

But yeah, when he talks about what a remarkable and strange place West Virginia is on so many levels it’s worth the read. He goes into many legends, those arising from the tragedies of Matewan and the coal mine bosses, as well as Mothman and other less well-known oddities. It turns out his mother was born and raised in Point Pleasant, WV, home of Mothman, and that her maiden name was Parsons—which will have some meaning to those who follow Hellier.
*

I was watching a show on Hadrian's Wall and Vindolanda where they've discovered lots of messages to and from soldiers. In one of them the soldier refers to the tribes they were trying to keep north of the wall as "Britunculi": "nasty little Britains.” My people!
*

Hellier has made me way too map conscious. Every time I see something weird about a place I always have to find out where it is in relation to Point Pleasant or Somerset or Hellier or whatever. And it's kind of amazing how much weirdness connects up.

I say this knowing full well how much the human mind longs for linkages and synchronicities.
*

Lewis Black: "Trump is good for comedy the way a stroke is good for a nap."
*

Patrick Stewart was on Colbert the other week talking about when he was younger he and Ben Kingsley were here in LA doing Shakespeare, along with some other actors of the RSC. He said he and Ben went to Hollywood because they were excited to see the hand- and footprints at the Chinese theater (Sir Pat recently joined the famous hand- and footprints there). But the whole time he's talking I was remembering being a young undergraduate at UCLA where Sir Pat and Sir Ben were doing those Shakespeare performances. During the day when they were not rehearsing or going to Hollywood all of the actors from the RSC would come to classrooms where Shakespeare and theater were being taught, talk to the students, and give impromptu performances. I was lucky enough to be in two such classes. One was Shakespeare, the other on Modern Theatre. I snuck into a third class taught in the theater department and held in an auditorium, but the other two were small English department classrooms. I was lucky enough to sit no more than 6-10 feet away from Sir Pat and Sir Ben while they answered questions and did impromptu performances. Utterly thrilling, even though neither of them was famous at that time. They were just masterful actors doing amazing performances up close and personal. Sir Ben still had his hair back then. Sir Pat did not. But his voice was that rich dark chocolate even back then. PRESENCE, both of them, and I never forgot.
*

There's hope, I think, even thought the GOP did not have the guts to do the right thing. During the impeachment trial I called my doctor's office and the answering service picked up. As she took my message I heard the impeachment trial playing in the background. America is listening. We won't forget. I hope they still remember next November.

Musings

Oct. 15th, 2019 02:23 pm
pjthompson: (musings)
I can claim no service for myself, but my dad was a Marine for 30 years. He fought through the Pacific campaign in WW II and the Inchon Basin in Korea. Tough, bloody campaigns. He was one of the kindest, most thoughtful, and gentlest men I've ever known. That wasn't necessarily the case when he was on duty. That was Business, and a different thing altogether. But we rarely saw that side of him, and never directed at us, only at fools.

I remember one time when my apartment was broken into and Mom and Dad came over to wait with me until the police arrived. When the LAPD showed up, Dad (who never forgot a face of anyone he served with) said to one of the cops, "You were once one of my Marines, weren't you?" The cop acknowledged that Tom had been his gunney sergeant many years before. Mom, who only knew gentle Tom, said, "But I bet he was much nicer than those guys usually are." The policeman looked a little embarrassed, but then he smiled and said, "M'am, in my experience, gunneys are never nice." My dad laughed so hard.

But it proved a point. Being a badass when it's required to get you through a tough situation is appropriate and will help keep you and those around you alive. But it doesn't mean you have to carry that badassery with you everywhere you go or use it as an excuse to lash out. There was still room in Tom's soul to be kind, thoughtful, and gentle.

*
This reminds me so much of Temple Church which we visited in Cornwall. It was also built by the Templars. It's not just the style of the church—which I understand was a pretty standard Templar construction (they built them all over), but the peaceful little green valley that it was built into. They chose their spots well.


Full URL: https://www.undiscoveredscotland.co.uk/temple/temple/index.html


Temple Church, Cornwall

I'm not a Christian, but this was a genuinely holy spot. There was peace that surpasseth all. Some churches are like that, usually in quiet, out of the way spots. Others are merely hollow shells.

*
Don't let anybody tell you any different: trolls exist in both sexes. From a female POV it may just seem like they're all male, and maybe the preponderance are (I have no objective evidence to prove it one way or another), but trolls definitely swing both ways.

*
I have good taste. I know because Pinterest is always telling me so.

*
It's rare when something lives up to its hype, but in the case of Fleabag, it absolutely does. A wonderful series, completely unique.

*
This time of year I'm always so glad that I stopped following the Dodgers years ago.

*
D*mino's: Pizza that tastes like it was made really, really fast.

*
Donald Trump apparently believes that betraying our Kurdish allies and unleashing ISIS on the Middle East again will distract people from his impeachment. His usual bait-and-switch but it may backfire on him badly. Unfortunately, it also is going to kill a lot of innocent people.

*
Crone

I thought I understood
but it was yet
another posture,
something not
comprehended
until skin ripples
on bones
and toes curl
walking the walk.

*
From "Demolition Man," The New Yorker, Dec. 24 & 31, 2007:


*
I think everybody goes through a clueless twat phase in their life. Some of us do it in our teens and twenties, some much later in life, but in the old days, the cluelessness was viewed by a handful of people who just shook their heads in disbelief and moved on. With the advent of the internet and so many people longing to be "influencers," that cluelessness is often on display for the whole world to see and has the potential of haunting you for the rest of your life.

*
I think Trump's Syria move may be an attempt to have a safe haven in Turkey when he flees the U.S. legal system. A back-up plan to Russia.
pjthompson: quotes (quotei)

Random quote of the day:

“Hollywood is a place where they’ll pay you a thousand dollars for a kiss and fifty cents for your soul.”

—Marilyn Monroe, My Story

 

 A personal memory

Every time I’ve visited Marilyn’s grave—and given that I worked in Westwood when I was younger, it’s been quite often—there are fresh flowers and the imprint of red lips on the stone. Westwood Memorial Cemetery persists in cleaning them off, but fans persist in leaving them, and even after Joe DiMaggio stopped having roses delivered weekly to Marilyn’s grave (for some twenty years), the fans also kept up that tradition. I last visited her in 1993. Although we buried my dad, Tom, at the veteran’s cemetery in Riverside, his memorial service was held at Westwood. I stepped out for air at one point and wandered the grounds, eventually going over to say hello to Marilyn. The flowers and red lips were in place, as always. As I turned back to the memorial chapel I saw my dad standing outside in the Marine Corps dress blues we’d buried him in—looking sad, his hat in his hands. He glanced up, our eyes met, he acknowledged me with a nod, then he was gone.

 marilyn4WP@@@

 

Disclaimer:  The views expressed in this random quote of the day do not necessarily reflect the views of the poster, her immediate family, Siegfried and Roy, Leonard Maltin, or the Mormon Tabernacle Choir. They do, however, sometimes reflect the views of the Cottingley Fairies.

 

Mirrored from Better Than Dead.

pjthompson: (Default)
I was tagged by [livejournal.com profile] mnfaure and was so very, very tempted just to update this entry from a few years back and pretend it was new. That wouldn't be sporting, would it? But that list is much more interesting. I've been squeezing my brain to come up with some more things. I'm really quite a boring individual and if I'm ever asked to do this again, I'm definitely using a previous post.

1. Although I'm right-handed, I'm quasi-ambidextrous in that I'm always doing things left-handedly. I wear my watch like a lefty on my right wrist, for instance, and, weirdest of all, I taught myself to use the mouse upside down. It seemed natural to me to go UP when I wanted the cursor to go DOWN.

2. I am related by marriage to the Old West desperadoes, the Dalton Gang. One of the siblings of one of my ancestors married one of the Dalton boys.

3. I once asked Danny Elfman if his mother was named Rosemary. We were at Madame Wongs, he was in Oingo Boingo at the time and between shows, I was drunk, someone dared me. I've been humiliated in retrospect ever since, but at the time I knew no shame. Hussy! (Hmm. Maybe I should have posted this to [livejournal.com profile] postsecret instead of here.)

4. There are three degrees of separation between me and Marilyn Monroe. 1) My friend, Stephan, had a writing partner I knew as 2) Bobby Miller. I later found out his real name was Arthur Miller, Jr., and 3) Marilyn Monroe was once married to Arthur Miller, Sr., therefore Bobby's stepmother.

5. I've been to the top of the Leaning Tower of Pisa. It has an open-air ramp winding all the way around the outside, always going up (naturally). When I got to the top, an Italian film crew was filming a commercial.

6. I've had my purse snatched three times, and my old apartment which I shared with roommates, was robbed four times. I am hypervigilant and distrustful as a result.

7. I have roughly 400 books in my To Be Read pile (really, three small bookshelves), and that's not even counting most of my nonfiction and the one or two boxes still packed in the garage. Can you say "sickness"?

8. My biological father was a lot older than my mother. Added to that, I was a late in life baby for my mom. As a consequence, the timeframe on my father goes back much further than most people my age. Dad was born in the year 1900, lied about his age (by one year) in order to join the Army, and fought in World War I. This also means my half-brother (now deceased), fathered by Dad in his mid-twenties, was two years younger than my mother. It also means that all but one of my nieces and nephews are older than me.

9. On another genealogical note: two creeps from history share a common ancestor with me—the genocidal maniac and incompetent general George Armstrong Custer, and the obscure, crazy, Nazi-sympathizing poet, Ezra Pound. I sure hope it doesn't run in the family. Why couldn't it have been somebody cool???

10. The house I grew up in was in the middle of the city (Venice, part of Los Angeles), but had open fields on both sides, which was quite lovely. However, this house no longer exists. Developers bought the entire block and turned it into a public storage facility. This makes me very sad.
pjthompson: (Default)
Who died today at age 80. I didn't follow his columns, really. I'm chiefly familiar with his writing on the experience of the U.S. Marines in Korea. The Coldest War, his memoir of the freezing hardship they endured in the Incheon Basin, was the last book I gave to my father, a thirty year Leatherneck and also one of those freezing young Marines of the 1st Division. Dad read the book in the last year of his life and couldn't put it down. "It's so real, like being there again," he said. Which is maybe the finest tribute any writer can have, I think.

The Associated Press obituary said, "The Times praised his 1990 memoir on Korea, 'The Coldest War,' as 'a superb personal memoir of the way it was. ... What distinguishes Mr. Brady's book is its clarity and modesty; there is no heroic flag-waving here.'"

My dad said so, too, only not in such fancy words.
pjthompson: (Default)
Ghost Hunters of the day: I can't believe that goofy Brian is now a father. My only thought was, "I hope the mom isn't the psycho he was involved with in earlier episodes." (Not that it's any of my business.)

And what's up with the show being over for the summer? They were on all of six weeks, I think. Both of the episodes from last night—the Manson murders and the Chaplin studios in Hollywood—could easily have been hour episodes on their own so I don't see why they were truncated. The Manson stuff was truly creepy.

It was also interesting to see Chris Fleming of Dead Famous on the show (as seen on the Biography Channel). IMO, Chris is somewhere between Most Haunted and Ghost Hunters on the credibility scale. He combines tech with mediumship, though no mediumship was evident on the Ghost Hunters episode. I just have a very hard time buying "channeling" and orbs. I notice that Grant, Jason, and Chris will be appearing at a ghost hunt on the Queen Mary in December? Two hundred thirty dollars a head, if you wanted to attend. A little rich for my blood.

Interesting fact of the day: Today my biological father would have been 107 years old. I was born in the last quarter of his actual life, but it still amazes me that he was so old when I showed up, and that the anniversary of his life was so very long ago. It's like I was living with ghosts since the day I was born. Rest in peace, dad.

Random quote of the day:

"The life of the dead consists in being present in the minds of the living."

—Cicero

I swear to God this came out of the quote file after I wrote the two entries above. Sometimes the synchronicity of this file floors me.

Picture of the day:

I decided to illustrate this quote with this image.

Here is the photographer's story about that day.
pjthompson: (Default)
—Emily Dickinson


I don't remember a time when I wasn't storytelling. Before I could write, I preyed upon my playmates for an audience. I actually had some of them convinced (for about an hour, anyway, until I admitted it was a story) that the repaired patch of floor in my bedroom closet which resembled a trapdoor led to an alternate universe: Candyland. I told them about how the trapdoor only opened in deepest night, but when you went through it was daylight on the other side and quite tropical, the branches of the trees laden with Juicy Fruit and Sweet Tarts, the vines literally cherry and licorice Vines, the paving stones of the path through the forest made of Chiclets. So it appears that I was doomed to be a genre writer from an early age—and I learned an important lesson that day in not disappointing an audience after weaving a good tale.

I suppose I got the storytelling gene from my biological father, who was a consummate yarn-spinner. He had that old-fashioned power, that around-the-campfire fascination essence, which drew people (especially kids) to pause in what they were doing and Listen. I'm not half the storyteller he was, but I clearly inherited or learned some of my fundamentals there.

Dad had a penchant for adventure stories in which he was the star—so many stories of an event-filled life. I know that at least a couple of them were not real-life because after he died I found out that they couldn't have happened the way he related them. The first time I found that out it totally rocked my world. These were stories I'd come to believe in as much as I believed in the power of a red rose to smell sweet. Undermining these stories meant I had nothing to hold on to, would never be able to know what of my dad's life was truth and what was something he made up.

After a time, I came to understand that if my father's stories didn't literally happen the way he told them, they were nonetheless true for him, as true as he could make them. He was writing fiction of the heart, without writing it down.

I make a much clearer distinction between fiction and real life, and I write my fiction down. But I also try to write fiction of the heart, as true as I can make it to the internal realities of my characters, and life as I have experienced it in my own fractured way. It's a distant echo of my father's power of storytelling, but like his stories, as real as I can make something that never happened.

Random quote of the day:

"The greater part of our happiness or misery depends on our dispositions and not our circumstances."

—Martha Washington
pjthompson: (Default)
No, not the firecrackers or the flags or the barbecue. The watching of Le Independence Day!

Every year I get suckered into watching that movie. I think, "I'll just drop in long enough to watch my favorite part, then move on to something else." But I usually wind up watching the whole thing. Last night was no exception, although I read while watching most of it. (It's not like the movie requires one's full attention at all times.) What I like about it is the sheer aw shucks unpretentious, unapologetic popcorn appeal of it. It doesn't pretend to be anything else but what it is.

What's my favorite part? Watching L.A. get blown up, of course. I enjoy watching New York explode equally well, but there's something about watching that ugly bank tower in downtown L.A. turn into smithereens that—in the immortal words of Laurell K. Hamilton—"flat out does it for me."

When I watched ID with a real live L.A. audience in a theater, one of the biggest laugh lines for that audience was when the space ship first comes in over town and the earth shakes. Viveca Fox's character wakes up bleary-eyed and says, "That's not even a 4-pointer. Go back to sleep." That was such an L.A. moment. I've said similar things myself.

The great irony of the movie for me, though, is that Wil Smith's character is stationed at El Toro Marine Air Station and that some key scenes happen there. Almost at the same time as ID was released, the Pentagon decided to close El Toro—it didn't survive the previous round of base closings. And the folks in Orange County have been fighting over that prime real estate ever since. Condos vs. private airfield vs. park, round and round and round. But the air base is long gone.

I visited El Toro once with my dad, The Marine. A sleepy little place, like a little town out in the country. Well, except for the big honking aeroplanes.

So, off to mom's for the rest of the 4th ritual. No firecrackers, but some BBQ, and undoubtedly some flags. She was married to a 30-year Marine, after all.

Rainy Day

Dec. 5th, 2004 12:16 pm
pjthompson: (Default)
Yeah—real cold for California. Here at the beach it's been consistently in the low 40s (Fahrenheit) at night for a couple of weeks now, 60s during the day. Ten or twenty degrees colder inland. I realize that's practically balmy if you're a resident of, say, Buffalo. But I don't live there. I live here—and it's damned cold for California.

And today it's raining. I usually love the rain. Usually it fills me with energy, gets my creative juices flowing. I know that's the opposite of most folks, but I've long ago accepted my contrariness. So.

Today is not a particularly high energy day for me. It's my dad's birthday. He's been dead eleven years now and today I miss him.

It's usually easier to have pure emotions for dead people—their inconvenient mortal selves aren't hanging around to remind you of all those things that got on your nerves, the past hurts inflicted on both sides, the complicated layers of emotions. When they're dead it's just the essence of what they were that walks the corridors of your heart, all the dross cleansed away, all the extenuating circumstances no longer relevant. You can love them, or hate them, without mitigation.

But I can truly say that even when my dad was alive, the emotions I had for him had a kind of purity. I loved him, he loved me—unconditionally. Beginning and end of story. Considering that many people go their whole lives not having that kind of relationship, I consider him a gift. And he continues to be a gift even after death. He was my Real Dad, although he contributed no DNA to making me.

I loved my read dad, too, the biological one—but way too many complications there, even after his death. Perhaps we'll be able to patch it up on the Other Side—if there is Another Side. Usually it's easier to think of the Other Side when I think about my dad, my Real Dad. Other times, I'm not so sure.

What Does It Mean

It does not know it glitters
It does not know it flies
It does not know it is this not that.

And, more and more often, agape,
with my Gauloise dying out,
Over a glass of red wine,
I muse on the meaning of being this not that.

Just as long ago, when I was twenty,
But then there was a hope I would be everything,
Perhaps even a butterfly or a thrush, by magic.
Now I see dusty district roads
And a town where the postmaster gets drunk every day
Melancholy with remaining identical to himself.

If only the stars contained me.
If only everything kept happening in such a way
That the so-called world opposed the so-called flesh.
Were I at least not contradictory. Alas.

—Czeslaw Milosz

Waiting

Feb. 21st, 2004 02:12 pm
pjthompson: (Default)
So, I was sitting in the waiting room of a hospital last week—waiting. My mother had surgery of a minor sort and the percentages were low that anything would go wrong, but life has taught me that you can't always trust the percentages. Added to that, I'm deeply phobic about anesthesia (harkening back to a hospital experience when I was six) and anytime I or my loved ones go under, I get real anxious. Although my mom is healthy as a horse, she ain't no spring chicken—so I was nervous as a cat on a hot tin roof. Animal metaphors aside, I had a bad tummy ache and couldn't concentrate on the stash of F&SF's I'd decide to catch up on. She came through fine, though, and the knot inside my gut started to uncoil when the handsome young doctor came out to tell me so.

My worry wasn't all melodrama, I don't think. Nobody likes waiting rooms, but having once spent a long, hard night in one they hold a peculiar echo for me, layers piled on layers of experience. Even if these experiences are not in the forefront of my consciousness, they always work on me. I really don't like waiting rooms.

My father, really my step-dad, Tom, died ten years ago last October. I've had two fathers. There was my "biodad" who contributed the DNA to make me. I loved him, but we had a troubled relationship—still do although he's been dead nearly twenty-five years. And there was Tom, the father of my heart. Tom was a gift from the Universe for both my mom and me. He was the love of her life, and for me the only parent who gave unconditional love, who made me believe that maybe the world wasn't such a crapper after all. A gift, and not one that every person gets in their life. I feel incredibly lucky to have known him.

In December 1992, ten months before Tom died, I gathered some of my loved ones together for our annual Christmas dinner: my two ex-roommates, Lynn and Carl (now married to one another), my mom, and Tom. These were nice gatherings, everyone enjoyed everyone's company, and I really got into putting on a good show with the food.

So right in the middle of all this—it may have been during after dinner chat, before the obscene dessert, I can't be sure anymore—when everyone was telling stories and laughing, the world came to a standstill. I've tried to describe this sensation before and that's as close as I can come to it. I was sitting there in that room, but I was outside of it, too. I could see everyone talking, but I couldn't hear them anymore. Though I saw all this movement, inside of me everything had gone completely still, the kind of silence and stillness I've never felt before or since. I heard a voice. My impression is that it was deep, but I can't be sure anymore and I can't be sure whether it was male or female, but it was a voice of great conviction. It said, "This is the last Christmas you will all spend together like this." With those words came the utter conviction that one of us would die before the next Christmas. I didn't know who, but I suspected it was one of my parents. Then it was like the bubble burst and I was back in the room just as before, only trying hard to pretend nothing had happened, to deny what had happened.

Now, I hear you thinking: PJ had too much cooking sherry, too much wine with dinner, too many aperitifs. I did drink that night, but I was not drunk, and after that experience, cold sober. Yeah, I know how much that scenario sounds like a bad piece of fiction, and I do write fantasy...but this happened to me. As much as I put it down to excess imagination or bad brain chemistry or alcohol or whatever, I also had a deep conviction that it wasn't any of those things. I didn't tell anyone—God, I felt so foolish just contemplating it! But I had this sense of the clock ticking, of waiting. That sense only grew over the months.

I felt desperation in that waiting place, helpless, unable to do anything but wait, and still I had that reluctance to talk about it because of the fear of looking foolish. I began reading up on spiritual matters and found that the experience I'd had was not unknown. It had happened to other people. This wasn't especially comforting (except to know I wasn't alone) because these types of experiences tended to be portentous. I'd had premonitions before—sometimes trivial, sometimes not--but just enough that my friends jokingly called me "Spooky."

My parents decided to go back east on vacation and I began to focus all my worry on that trip, sure something would happen to them back there. But they came through fine. I'd put so much energy into worrying about that trip that the knot in my stomach began to uncoil. Autumn arrived and I really began to feel silly. Here I'd been worrying myself sick for months over something that was probably the result of mixing my liquor and I finally relaxed enough to tell Lynn about the whole thing. We had a good laugh about it over dinner one night. Two days later, just after dinner, my father collapsed with an aortal aneurysm.

Ironically, that isn't what killed him. They repaired the aneurysm, but Tom's heart—that wonderful, giving, loving heart—was so scarred and damaged by life that it just stopped beating. They revived him three times but in the end they couldn't save him.

We got the word in the wee hours of the next morning. It was hard to take in at the time, but the nurse attending us in the waiting room—a big bear of a Jamaican man and one of the most compassionate souls I've met—said that if Tom had lived, his life would have been greatly diminished. He'd have been an invalid, and that would have been a living death to Tom, who had always been active. "Maybe his soul decided not to go through that," said the nurse, "not to put you guys through that." Oddly, these words gave some tiny measure of comfort in the weeks of decimating grief to follow, the months and years of learning to live with the scar.

On the drive home from the hospital I asked the Universe politely but firmly to never, ever, EVER send me a premonition again. I was done with them and with the horrible waiting to see if they came true. I haven't had one since.

I really hate waiting rooms. In the larger sense, all of life is a waiting room. We're all going to leave it, one way or another. It's the not knowing how and when that makes us antsy. I've gone through my materialist phase where I figured there was nothing after this life; I've gone through my spiritual phase where I was convinced something more came after. I still think there is an after, but life has a way of wearing down the sharp edges of conviction. I'm not freaked out by death. I don't want to die, but fear of my own mortality really doesn't dominate my consciousness. I'm more afraid of the death of loved ones. Having lost several of them, I feel I've done my share of grieving and don't want anymore. Unfortunately, life rarely asks for our opinion on that score.

So, when I die it's either going to be the Big Fat Nothingness and I won't know or care about anything else ever again, so why worry? Or, I'll get to see all the people I love again. Seeing those loved ones—all sins forgiven, all grievances put aside—has got to be worth the price of admission. Maybe I'll know for sure when the waiting's done.
pjthompson: (Default)
Last night I drove east on Washington Boulevard near the Culver City-L.A. border and passed a mini-mall on the corner of Washington and Rosabell. Normally, the marquee outside this mini-mall holds a white plastic neon-lit rectangle prominently featuring the name of a cut-rate dental office. Last night, the front and back panels of this rectangle had been removed, leaving only a framework with vertical bars of neon lights spaced like the bars in a cell door. They were lit, pumping out bright white light, a neon prison. Perfectly framed behind this prison of light was the full moon. She looked a sad, weary sister behind that artificial brightness. Once she'd been the brightest light in the night sky, now she'd been overwhelmed by the human need for attention-getting.

I found myself thinking how much I related to that forlorn moon.

I must explain that I was extremely sleep-deprived yesterday. Boyfriend of Ms. 207 upstairs was on an real rip-snortin' tear Thursday night-early Friday morning. The two of them, but mostly him, woke me up every half hour between 11 p.m. and 1:30 a.m. I have to get up at 6 for work, so you can imagine I was a wee bit tired. It was one of those situations where just as I drifted back to sleep, another noise eruption broke out and I'd be awake again. It culminated with them having loud, raucous, bed-thumping, screaming vocalization sex at 1:30. Before that, just before one, Boyfriend had cranked up the stereo and was singing at the top of his lungs (off-key). I guess he was anticipating the loud, raucous sex to come. But one good thing about that loud, raucous sex (from my POV, anyway) is that once it occurred I knew I'd probably get some sleep because, well, the darling young things would most likely be going to sleep themselves soon after. Indeed, that's what happened.

So, there I was exhausted and blue Friday evening, feeling a kinship with the dimmed moon imprisoned by the human need for exhibitionism. It had been an ugly, busy week at work, too, and I'd been ill with some stomach virus early in the week. I'm in the culmination phase of my novel, writing the finale chapters, and although that's going pretty well and I see the dim light at the end of the tunnel, the latest chapter I posted on the writing workshop (27-28 out of 32+epilogue) did not do particularly well. I got only one critique in over a week. I'd been doing well on the workshop before this current posting, had good luck with my posts for the last two years, but natural attrition has caused some critters to drop away, and at a certain point nobody new is going to sign on for critiques of the advanced chapters of a novel. My friend Jon says not to take it personally, and he's absolutely right, but it's hard not to take it personally. Finally, two friends took pity on me and there were two more posted critiques waiting for me Friday morning, but I was already in a massive funk by then. Aided, I'm sure, by only 4-1/2 to 5 hours sleep. I was on the point of pulling everything off the workshop and slinking into a hole somewhere to hide.

But I've learned not to make significant decisions when I'm depressed and sleep-deprived. I'm still in a bit of a funk, but the questions I'm asking myself today are somewhat different. Like: why the hell do I even bother to write?

You know, there are head answers to that question, and there are soul answers to that question. You could probably generate some of the head answers yourself:

o I write because it's a great means of self-expression.
o I write to explore universal truths.
o I write because it's a fun exercise of my imagination.
o I write to see my dreams and fantasies come alive on the page.

Etc., etc., fill in the blanks. All of those head answers--and whatever other ones I or you could come up with—are true, as far as they go. But they are all, essentially, irrelevant—they don't, at least for me, get to the heart of things. Because there's only one true answer, the soul answer: I write because I have no choice.

I would write even if no one was reading (and most times I think no one truly is). I believe there are writers who can say, "Enough," and move on to something else, but I'm not one of them. I've tried, and was utterly miserable each time. It was like having a writhing itch I couldn't reach, and it didn't go away until I started writing again. Once I even stopped writing for four or five years: the longest, most miserable years of my life. I said "Uncle" that time and never went to that place again, because I realized there is something in this particular form of artistic expression that I must do. It's my essence, ingrained in the whorls of my soul.

Trust me, I know how melodramatic that sounds. But it's also true. There's no rule guaranteeing that the truth isn't also melodramatic. Or maybe I've just never learned to express it in better terms. At any rate, if I ask my soul why I write maybe I can try to be honest:

o I write because I want someone to pat me on the head and say, "Good girl."

That's fairly honest, but only partially true. I wrote in a vacuum for years and it still did the trick for me. It's only recently that the need for attention has become part of the equation. And I can easily foresee a time when I might go back into the vacuum because this need to be noticed may never be fulfilled. I'll write anyway. I have to.

o I write because my father was a consummate storyteller. I never pleased him otherwise, and although he's been dead for over twenty years, I'm still trying to please him.

Okay, a bit more honest. That was certainly a strong component in why I originally chose this art form. I do visual art, too, always have, but it's never filled me up like writing—and I'm sure the Freudian answer would be: Daddy. But at a certain point I realized I was no longer writing to please Daddy. I woke up one day and knew I had crossed that Rubicon; moved into a new world, a new way of doing things, left the old rules behind. I do this for me now, and that's a good evolution. I lost my dad when I was fairly young and before I'd had a chance to truly differentiate myself from my parents. I think I've achieved that now—and that's always a healthy thing.

o I write because it's the only thing that patches the holes in my soul.

Yeah, that's a true reason. I've had my dark times, my New Moon phases, I will again, but the work is always the remedy, even if the work is sometimes the cause of the darkness. I always turn back to it—for me, not for anyone else—and it always does the trick, like nothing else can.

So I guess I'm like the full moon after all. I may be trapped sometimes in a prison of artificial light, made weak by the need for attention-getting—but last night in my exhaustion and depression, I forgot the other lesson of the full moon. That once I moved further down the street, the moon was still there, no longer behind those bars. And if I travel out of the city and its wash of artificial light, away from the distractions and visual noise, the moon still shines, alone in a dark sky.

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