pjthompson: (Default)

Eighty years ago on this day, William Butler Yeats transitioned from the earthly realm to wherever mystic poets go when they die. He was in the south of France at the Hôtel Idéal Séjour in Roquebrune Cap Martin, kept company by both his wife George and his last mistress, Edith Shackleton Heald. His friends had taken up a collection to help him move there.

Yeats completed Cuchulain Comforted in the last fifteen days of his life, a poem Seamus Heaney referred to as “one of the greatest ever death-bed utterances.” He completed his last play, The Death of Cuchulain, just before New Years’ day. And he handed over the manuscript of two poems, Are You Content? and The Spirit Medium to his mistress as he lay dying.

He asked George to bury him at the local cemetery in Roquebrune and expressed a wish that after a year’s time she arrange to have him dug up and his body moved to Sligo. Unfortunately, due to an unfortunate combination of misconstrued burial instructions and the beginning of World War II, the poet’s wishes were not carried out as planned. Somehow, he wound up in a pauper’s grave with many other bodies. Because he wore a leather truss for a hernia, they thought they might be able to identify his body, and so in 1948 the attempt was made. And this is where things get even more muddled. An English gentleman, Alfred Hollis, who wore a surgical steel corset for his spine died two weeks after Yeats and was interred in the same plot. A body wearing a medical device was exhumed by French authorities. This body was conveyed with great honor to Galway harbor. Friends and family measured and examined the bones and insisted it was Yeats. But who is in Yeats’ tomb? To this day some say an Englishman resides in it—but both the Yeats and Hollis families found the whole thing so painful they decided to leave things as they were.

I would refer you to this fine article from The Irish Times, written on the 75th anniversary of Yeats’ death and from which I gleaned this information—and so much more. A great read.

You can read the entire Cuchulain Comforted here.

They sang, but had nor human tunes nor words,
Though all was done in common as before;
They had changed their throats and had the throats of birds.


 

pjthompson: (lilith)

Eighty years ago on this day, William Butler Yeats transitioned from the earthly realm to wherever mystic poets go when they die. He was in the south of France at the Hôtel Idéal Séjour in Roquebrune Cap Martin, kept company by both his wife George and his last mistress, Edith Shackleton Heald. His friends had taken up a collection to help him move there.

Yeats completed Cuchulain Comforted in the last fifteen days of his life, a poem Seamus Heaney referred to as “one of the greatest ever death-bed utterances.” He completed his last play, The Death of Cuchulain, just before New Years’ day. And he handed over the manuscript of two poems, Are You Content? and The Spirit Medium to his mistress as he lay dying.

He asked George to bury him at the local cemetery in Roquebrune and expressed a wish that after a year’s time she arrange to have him dug up and his body moved to Sligo. Unfortunately, due to an unfortunate combination of misconstrued burial instructions and the beginning of World War II, the poet’s wishes were not carried out as planned. Somehow, he wound up in a pauper’s grave with many other bodies. Because he wore a leather truss for a hernia, they thought they might be able to identify his body, and so in 1948 the attempt was made. And this is where things get even more muddled. An English gentleman, Alfred Hollis, who wore a surgical steel corset for his spine died two weeks after Yeats and was interred in the same plot. A body wearing a medical device was exhumed by French authorities. This body was conveyed with great honor to Galway harbor. Friends and family measured and examined the bones and insisted it was Yeats. But who is in Yeats’ tomb? To this day some say an Englishman resides in it—but both the Yeats and Hollis families found the whole thing so painful they decided to leave things as they were.

I would refer you to this fine article from The Irish Times, written on the 75th anniversary of Yeats’ death and from which I gleaned this information—and so much more. A great read.

You can read the entire Cuchulain Comforted here.

They sang, but had nor human tunes nor words,
Though all was done in common as before;
They had changed their throats and had the throats of birds.

 

Mirrored from Better Than Dead.

pjthompson: (bigfoot)


  1. Let me thread you a story… (1-16)

  2. Sam Hotchkiss is the caretaker down to Shady Groves Cemetery. Sam says as how he likes his job, walking through the quiet and peace,

  3. making sure the residents are happy. Most enjoy the peace as much as Sam. Any that don’t tend not to stay in Shady Groves.

  4. They get up and wander ‘round town and sometimes have to be dealt with by Madame Nimby and her son Rupert.

  5. Others just wander the streets taking in the sights, seeing what old friends and family are up to.

  6. Wanderin’ gets old after awhile—and takes a passel of energy. When they dissipate enough of that restless mojo they go back

  7. to Shady Groves and their sod beds, wrap their grass blankets back around themselves, and rest eternal.

  8. Sam takes particular care of the children there. He feels bad they got cut off so young and didn’t have a chance to live long and prosper.

  9. He likes to leave marbles by their graves so they can have a game now and then. Used to leave stuffed animals, too,

  10. but they tended to get soggy when it rained and the kids didn’t care for ‘em much after that.

  11. Electronic games don’t work for similar reasons. ‘Sides, it’s difficult for the kids to maintain corporeal fingers long enough to swipe and tap.

  12. They do enjoy a nice game of hide n’ seek, sometimes with Sam, sometimes with each other.

  13. Ain’t rightly fair when they play with Sam, though. If he gets too close to finding them, they can just go invisible.

  14. That trick don’t work with each other—spirits can always see other spirits—but Sam is a mere mortal, after all.

  15. Them kids laugh and laugh when Sam seeks and seeks and never finds. “Play fair, you kids!” he’ll call out to them.

  16. But mostly he’s laughing when he says it. Can’t blame kids for having a good time.



This tale can also be found on Twitter @downportalville.
You can read about us from the beginning at: http://bit.ly/2k1j8B7
pjthompson: quotes (quotei)

Random quote of the day:

“Death must be so beautiful. To lie in the soft brown earth, with the grasses waving above one’s head, and listen to silence. To have no yesterday, and no to-morrow. To forget time, to forgive life, to be at peace.”

—Sylvia Plath, The Bell Jar

graves4WP@@@

Disclaimer: The views expressed in this random quote of the day do not necessarily reflect the views of the poster, her immediate family, Siegfried and Roy, Leonard Maltin, or the Mormon Tabernacle Choir. They do, however, sometimes reflect the views of the Cottingley Fairies.

Mirrored from Better Than Dead.

pjthompson: quotes (quotei)

Random quote of the day:

“Hollywood is a place where they’ll pay you a thousand dollars for a kiss and fifty cents for your soul.”

—Marilyn Monroe, My Story

 

 A personal memory

Every time I’ve visited Marilyn’s grave—and given that I worked in Westwood when I was younger, it’s been quite often—there are fresh flowers and the imprint of red lips on the stone. Westwood Memorial Cemetery persists in cleaning them off, but fans persist in leaving them, and even after Joe DiMaggio stopped having roses delivered weekly to Marilyn’s grave (for some twenty years), the fans also kept up that tradition. I last visited her in 1993. Although we buried my dad, Tom, at the veteran’s cemetery in Riverside, his memorial service was held at Westwood. I stepped out for air at one point and wandered the grounds, eventually going over to say hello to Marilyn. The flowers and red lips were in place, as always. As I turned back to the memorial chapel I saw my dad standing outside in the Marine Corps dress blues we’d buried him in—looking sad, his hat in his hands. He glanced up, our eyes met, he acknowledged me with a nod, then he was gone.

 marilyn4WP@@@

 

Disclaimer:  The views expressed in this random quote of the day do not necessarily reflect the views of the poster, her immediate family, Siegfried and Roy, Leonard Maltin, or the Mormon Tabernacle Choir. They do, however, sometimes reflect the views of the Cottingley Fairies.

 

Mirrored from Better Than Dead.

pjthompson: quotes (quotei)

Random quote of the day:

“The growing good of the world is partly dependent on unhistoric acts; and that things are not so ill with you and me as they might have been, is half owing to the number who lived faithfully a hidden life, and rest in unvisited tombs.”

—George Eliot, Middlemarch

(Thanks to sartorias for this quote.)

churchyard4WP@@@

Disclaimer: The views expressed in this random quote of the day do not necessarily reflect the views of the poster, her immediate family, Siegfried and Roy, Leonard Maltin, or the Mormon Tabernacle Choir. They do, however, sometimes reflect the views of the Cottingley Fairies.

Mirrored from Better Than Dead.

pjthompson: (mysteries)
Those of you who have been reading this blog for awhile may remember this story, but as it's mysterious and happened to me, I thought it worth posting again.

In June of 2005 I decided to visit Woodlawn Cemetery on 14th and Pico in Santa Monica, California. Not a huge cemetery, surrounded by urban blight on three of its four sides and a junior college on the fourth, but a beautiful place inside the grounds. A number of old, gnarled, and interesting trees are scattered throughout the graveyard, and since it was established in the nineteenth century it has a wide range of dates on the headstones.

I've liked walking through cemeteries since I was quite young (morbid child that I am), and I'd been to Woodlawn often back in the day. I also used it in one of my novels (Shivery Bones), dredged up from memory. I decided to return to see if my memory had gotten things right, and also to take some pictures with my (then) new camera. Because the sun was so bright, the sky so blue, the trees so plentiful, I got lots of shadow-and-light shots. The headstones held many poignant stories, too—heartbreak and mysteries, brief lives, some nearly a century old. I doubt anyone knows the story behind the words on those stones anymore, probably not even the folks who keep the cemetery records.

One story that has always intrigued me centers around two small markers over by the western fence:

Photobucket

No dates, no other graves nearby, just these two little headstones. My imagination has always roamed a great deal over what story might lie behind the starkness of these two little markers.

The next night as I went through the pictures, I discovered another little mystery. I like to view all the pictures in super blow up, quadrant by quadrant. Partly that's because sometimes a piece of a photo will be more interesting than the entire shot; partly because I like to look for anomalies. My favorite shot of the set was a shadow and light picture of a child's grave. And that was the beginning of the mystery:

Photobucket

The small mystery. )

Renewal

Apr. 7th, 2010 12:35 pm
pjthompson: (Default)
Absolutely gorgeous pictures of springtime in Greenmount Cemetery, Maryland from the [livejournal.com profile] satin_glimmer over at the [livejournal.com profile] mourning_souls community.

Death and the renewal of the earth, poetry in pictures.
pjthompson: (Default)
I just learned there's a vampire in one of the Twilight books named Caius.

Is nothing sacred???

Publish or perish.

On a related note (not really), I am in the throes of synopsizing Angels. Oh the torment! Oh the agony! I'm beginning to sound a whole lot like Edward Cullen, actually.

My plot, however, is not.

This first pass at the synopsis has more in common with a compost pile then a workable synopsis, but I seem to have to go through a "throw everything in" pass before I can settle down and make something workable. Once I get this out of my system I will start to refine it.

And my reward for coming up with a workable synopsis?

Writing the query letter.

Well, and hopefully getting an agent or editor interested. Look at the big picture, PJ. BIG picture.


Photobucket
pjthompson: (mysteries)
Those of you who have been reading this journal for a long time may remember this story. I recently posted a shortened and amended version to [livejournal.com profile] mourning_souls because I was way too excited to find a community that shares my love of photographing cemeteries. Who knew? There's apparently a community for every interest, no matter how disconcerting.

And the other interesting thing? In the process of posting, I added to the mystery by discovering something I hadn't noticed before. But I'll save that for the end of the post...

✟✟✟✟✟


I thought I'd share a small mystery I encountered in a local, urban cemetery.

Back in June of 2005, I wound up at Woodlawn Cemetery up on 14th and Pico in Santa Monica, California. I hadn't been there in while, but I used to like to walk through the place. Not a huge cemetery, surrounded by urban blight on three of its four sides and a junior college on the fourth. But it's a beautiful place, lots of old and gnarled and interesting trees, and since it was established in 1847 it has a wide range of dates for the headstones.

Because the sun was so bright, the sky so blue, and the trees so plentiful, I got lots of shadow and light shots. Lots of poignant stories in the headstones, too. Mysteries that are nearly a century old. I doubt anyone knows the story behind them anymore, probably not even the folks that keep the cemetery records.

The next night when I was going through the pictures, I discovered another little mystery. I like to view all the pictures in super blow up, quadrant by quadrant. Partly that's because sometimes a piece of a photo will be more interesting than the entire shot; partly because I like to look for anomalies. My favorite shot was a shadow and light shot of a child's grave. And that was the beginning of the mystery:


Photobucket

The small mystery. )

Revenge

Jul. 8th, 2008 10:10 am
pjthompson: (Default)
Random quote of the day:


"Before you embark on a journey of revenge, dig two graves."

—Confucius




Illustrated version. )


Actually, this one is unsourced. Confucius is another of those "quote machines" and any time there's anything vaguely Asian, his name gets slapped onto it. Perhaps he did say this, or perhaps it's just a "Chinese proverb."
pjthompson: (Default)
Something silly for a Friday evening.

As much as I love history and archaeology, I think I might like to do something similar to the Archeoblog guy. Maybe my head resting on a porcelain copy of a toilet seat (à la Motel of the Mysteries), a brass bowling trophy at my feet.

Or maybe I'll be cremated.
pjthompson: (Default)
Random quote of the day:


Photo Sharing and Video Hosting at Photobucket


And then there's this:

Photo Sharing and Video Hosting at Photobucket


For which I have an almost irresistible urge to label: No one should put Oscar in a corner.

Let's pretend I resisted that urge, shall we?

(The things you find while looking for an illustration for quotes!)

Quietude

Feb. 17th, 2006 03:53 pm
pjthompson: (Default)
When we were in Bodmin we went to a restaurant called La Providence. It was a slow night and the chef, a native who'd gone to London and done the restaurant business there for several years before returning home, came out to talk with us. He suggested several places he thought we'd enjoy visiting. One place he mentioned was the Temple Church out on Bodmin Moor. Actually, the church is St. Catherine's at Temple, a small village, but everyone calls it the Temple Church. It was founded by the Knights Templar, abandoned in the Eighteenth Century, restored in the late 19th, and sits now in a small, green valley. We decided to visit it before leaving Cornwall for the cottage we'd rented in Somerset.

Of all the sweet little churches we visited on our trip, this was by far my favorite. So much love surrounded it, from the villagers who lovingly kept it up, to the peace of the churchyard. It's a tiny cruciform structure, but has lovely stained glass windows. They look plain from the outside but blaze with color inside the church—because they were designed not for folks to appreciate from outside, but to enhance worship on the inside.

It had no pews—just simple wooden chairs before the altar, and an ancient stone baptismal font crowded against one wall with a glorious stained glass window above. St. Francis? A saint with birds flying all around him and the words beneath, He prayeth well who loveth well/Both man and bird and beast.

So much spirit there, so much sense of something beyond the human occupants of the place, so much peace and quietude. Truly a place that renewed the spirit.

The Temple Church )

Tricksy

Jun. 20th, 2005 04:23 pm
pjthompson: (Default)
Surreality of the day: Learning a former boss of mine was targeted for assassination by Al Qaida. He was a jerk, but that seems extreme. I guess that's why they call those Al Qaida fellows extremists.

Exciting news of the day: My friend's husband was asked to be a judge at the Venice Film Festival in September. She gets to go to Italy!

Synchronicity of the day: I talked to my other friend today and she told me she did her annual summer solstice walk Saturday. She and her group walk from Pasadena, over the Santa Monica Mountains, and to the beach at Santa Monica—done every Saturday before the solstice if not the solstice itself. They do this in the spirit of pilgrimage, a way of breaking themselves out of the ordinary and commonplace, in the spirit of commitment. At the precise moment I was walking around Woodlawn taking pictures, she and her group were walking past Woodlawn on their way to the beach. Neither of us knew the other was there.

Things I thought of blogging about today: About how much problem and reluctance I've had lately in getting my chapters started because I've got the "end-of-the-book-but-not-near-enough-to-the-end" sluggishness thing going now.

Why I didn't blog it: Although I felt like I'd have a problem, I had no idea how to start, could feel the resistance building in me to start chapter 23 today...I had no problem starting chapter 23. The first line popped right up and I was off. I wound up writing 1500 words—which is a pretty big daily bump for me. The Muse was being tricksy.

Typo of note: To hit the kind is not nothing.

Cliché du jour: as grim as death

Darling du jour: n/a - Nothing really lit my pipe today.
pjthompson: (Default)
So yesterday was a gorgeous day—as was today. Sky so blue you could ride it all the way to Heaven if you had the right kind of boat. I went for a late lunch-early dinner at my favorite cafe, then decided to go for a drive. I wound up driving by Woodlawn Cemetery up on 14th and Pico in Santa Monica.

I hadn't been there in years, but I used to like to walk through the place when I was a tweenie and early teen. Not a huge cemetery, surrounded by urban blight on three of its four sides and a junior college on the fourth. But it's a beautiful place, lots of old and gnarled and interesting trees, and since it was established in 1847 it has a wide range of dates for the headstones. I wasn't a morbid kid, but the place always made me feel peaceful. So I pulled over and decided to do a walk through.

Those of you who read my novel, Shivery Bones, may remember the scene in the cemetery. It was called Woodhaven in the book, on 13th and Pico. It wasn't Woodlawn, exactly, but I'd have to say it was inspired by Woodlawn. Part of my reason for deciding to go there yesterday was to see how my memories stacked up; how the place I created in my book fit the place that is. It didn't exactly, but I think someone could see the inspiration there.

I also wanted to take pictures, but I felt kind of funny about it. Once I was in the place, though, a cop car sped through from one end to the other, a kid did wheelies on his bike along one of the avenues and around the graves, and—because this is L.A.—they were filming a fricking movie there. It looked like an indy or a student film. I think the latter since I saw them arrive in a van and set up. No fricking great trailers choking the road; no Kraft Services.

So I took pictures. Because the sun was so bright, the sky so blue, and the trees so plentiful, I got lots of very evocative shadow and light shots. Lots of poignant stories there in the headstones, too. Mysteries that are nearly a century old. I doubt anyone knows the story behind them anymore, probably not even the folks that keep the cemetery records. But I wandered around and wondered and let my imagination roam.

And when I left I felt just as peaceful as I did in the old days.

When I told my mother about it this afternoon, she told me that my surrogate grandmother was buried there. I had no idea. They didn't let me go to the funeral when I was a kid because they figured I'd be too upset, so I never knew where she was. Maybe I'll go back and take her some flowers.

And last night when I was processing the pictures (I don't recommend processing 95 in one evening), I discovered another little mystery. I like to view all the pictures in super blow up, quadrant by quadrant. Partly that's because sometimes a piece of a photo will be much more interesting than the entire shot; partly because I like to look for anomalies. My favorite shot was a shadow and light shot of a child's grave. And that was the beginning of the mystery:

Donald Laverty

Image hosted by Photobucket.com

In super enlargement, I noticed there was a marble beside this grave, just the other side of the slice of diagonal shadow in the upper right of the picture. Here's the close up (and if anyone can tell me why Graphic Converter has started to digitalize every picture I process with it, I'd be happy to hear it):

Image hosted by Photobucket.com

This marble appealed to my romantic soul and I thought, "I wonder if some little kid or somebody left a marble for the little boy to play with." Then I moved on. And I came to this odd mystery—two tiny graves over by the fence:

Image hosted by Photobucket.com

No dates, no other graves nearby, just these two little headstones. My imagination roamed a lot over that one.

I also did a close up of each headstone:

Image hosted by Photobucket.com

Image hosted by Photobucket.com

When I was doing the super enlargement of the Brother headstone, I found another marble. This one wasn't as easy to spot because it was pushed down into the mud:

Image hosted by Photobucket.com

So I wondered if someone was going through the cemetery and leaving marbles for all the little kids. I didn't see one near the Baby headstone, but it was much more covered in leaves so it could have been hidden. I didn't move any leaves and stuff when I took pictures because I wanted them to be as I found them. But I still wonder about those marbles, who might be leaving them.

I don't know if anyone's leaving them, of course. Could be coincidence and just my imagination roaming again, but I could certainly understand the impetus to do a little ritual like that. These little graves are sad. They never had a chance to play. Someone with a romantic soul may have wanted to give them something to play with.

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