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Okay, not the first pass, but the first I'm willing to show anyone.

Anyone care to offer any input on my synopsis for A Rain of Angels? It's just under 2k, single-spaced—a lot longer than a simple query, I realize. Any input greatly appreciated.


Synopsis. )
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The synopsis writing project seemed to be going well, everything falling into place nicely, until I got to this sentence:

The airship is attacked by flying monkeys...



I quickly changed "monkeys" to "beasts."

But I can't help thinking that if something sounds so ridiculous I'm forced to hide its true nature in the synopsis...maybe I need to change it in the story.

Everything looks ridiculous at this stage of the game.
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I just learned there's a vampire in one of the Twilight books named Caius.

Is nothing sacred???

Publish or perish.

On a related note (not really), I am in the throes of synopsizing Angels. Oh the torment! Oh the agony! I'm beginning to sound a whole lot like Edward Cullen, actually.

My plot, however, is not.

This first pass at the synopsis has more in common with a compost pile then a workable synopsis, but I seem to have to go through a "throw everything in" pass before I can settle down and make something workable. Once I get this out of my system I will start to refine it.

And my reward for coming up with a workable synopsis?

Writing the query letter.

Well, and hopefully getting an agent or editor interested. Look at the big picture, PJ. BIG picture.


Photobucket
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I have slimmed the abominable, overblown synopsis for Night Warrior on the OWW waaaaaaaay the hell down. It has links to the more comprehensive synopsis, but I hope this version is less intimidating.
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My comprehensive synopsis for Night Warrior has burgeoned to 4 pages in Word--and that's only through chapter 19. Obviously, I need to do some slenderizing. Synopses are always a pain, but doing them on a chapter-by-chapter basis is a good analytical tool for me on deciding and synthesizing what's important in the story: the essential elements and characters. It helps me when I do the rewrites and need to start cutting.

Of course, cutting is always a pain, too. But as necessary an evil as synopses.

I started chapter 29 today. The dance of the seven veils is getting down to the last few wisps of cloth and soon the plot will stand naked for all to see. For better or for worse.
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Brain rot of the day: I've been beta testing new publication templates at work. It's left me very little time for goofing off, which I deeply resent. And my brain has turned to mush. It didn't have far to go.

Writing business of the day: Started chapter 28. Realized that one of those added-in bits of plot from the last 6th century section may not survive into the second draft. It's tricky, though, because some of the themes tie in beautifully with the other two timelines. Must finish novel, then worry about that when I have a bit more perspective. These are the risks of being an organic writer. But I can't do it the other way.

[livejournal.com profile] handworn asked me to explain my "novel so far" process mentioned in my last post. This is what I said:

Actually, I misspoke a bit. My outline was more "where do I go from here" or "what's left to get through." I always know the end point of my novels, but being something of an organic writer, the route to that end point sometimes changes along the way. Sometimes they are small changes, sometimes larger, or sometimes small-leading-to-larger. So I've gotten into the habit of stopping every 30k words or so and mapping the new path in broad terms to see if it's still feasible. This lets me know if I've gone off on a useless digression or if I'm still on course.

I suppose the "novel so far" bit would come in the synopsis I do each time I post a new chapter to the workshop. I do a longer version, hitting the highlights, then force myself to encapsulate the entire novel-so-far into a paragraph or two. Obviously, a lot of stuff gets left out that way--and it helps me see what is essential plot and what is padding or tangents. I usually don't do anything about all that at the time because I like to have a complete first draft before I do major revisions, but it helps tremendously when it comes time for rewrites. I'll probably continue to do this as an exercise even if I stop posting to the workshop because it really clarifies things for me.

Book news of the day: I've packed two shelves of books and only managed to get rid of two books. I put three aside to "think about." Must get tough with self. Not good at getting tough with self. How I got so many damned books to begin with. My TBR pile, I suspect, will take up several boxes.

Chant of the day:

How shall I begin my song
In the blue night that is setting?
In the great night my heart will go out,
Toward me the darkness comes rattling.
In the great night my heart will go out.

-Papago Medicine Woman Chant
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"If, as you live your life, you find yourself mentally composing LJ entries about it, post this exact same sentence in your Live Journal."


But you all knew that about me anyway.

Things I thought of blogging about today: Of how some readers confuse current times with historical times and think current cultural mores are the way things have always been. 

Why I didn't blog it: Bizzy.  I may still blog it.  Or just think about it.

Goofy thought of the day:  I should start a band called the Jimi Schmendrix Experience.

Cliché du jour: I stared open-mouthed at him.

Darling du jour: n/a - Nothing really opened up my third eye.

Gratitude of the day: To those who offered to beta my novelette.  'Preciate skit!

Agony of the day:  Boiling down the two page synopsis for Shivery Bones to one page.  Oh. The. Humanity.

Refrigerator of the day:  In deference to those who have moral standards (unlike myself), I've put this behind a cut.  If [livejournal.com profile] buymeaclue wanders by, the erotic Ancient Greek pot we discussed some months back is right below the green car.

Here There Be Man Parts&

[broken link]

Moving On

Oct. 9th, 2004 01:20 pm
pjthompson: (Default)
It's been a week:

  • of recovering from the cold that laid me flat all last week. Still coughing but at least I have my energy back.

  • of packing up the office I've occupied for the last seven and a half years. It's amazing how much cr*p one can accumulate in seven years. Purging is good, they tell me. The building we're leaving is World War II era. The new building is so strangely modern and clean—don't know if I can handle that.

  • of emergency car repairs. Perhaps just bad luck this time, not vandalism. My distributor did a full collapse. And yes, since my car is old enough to have a distributor cap, at first I was deeply suspicious (too many mystery novels in my past). The mechanic said he didn't think it was sabotage this time.

  • of finally arriving at a decentish 5 page synopsis for my 586 page novel. Yes, I do enjoy having my teeth extracted through my anus—why do you ask? My synopses always suffer from what I've come to call "factulence" in their first drafts. I am so determined to get every "important" fact and plot point into 5 pages that those first drafts read more like resumes than stories. Usually one of my friends has to remind me that I am indeed trying to tell a story, then I go through several revisions of storyizing. It was deeply painful, but after four drafts I think I'm in a much better place. Is that a white light I see up ahead? Is that the voice of a loved one calling to me?

  • of presidential debates

Which, of course, allowed plenty of room for being phylumsophical. But perhaps those musings are best left for a separate post, one that is carefully labeled so those wishing to avoid it can do so.
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Here's my weekly report on The Rewrite That Will Not Die 2: The Winnowing:

Chapters completed: 21

Revised page count: 599

Revised manual word count: 147,254 (net words cut 1966)

Revised Word line count with a zero stuck on the end word count: 146,650 (net words cut 1640)


I spent most of the week battling with chapters 17 and 18. They needed more than just winnowing, they needed more rewriting. So I did. It was a hard slog. Some added text balanced out text cut and slowed the whole winnowing process down, but I feel better about these chapters now. I still don't think they're quite there, but I've gone as far as I can go with them at this juncture, from my current perspective. It's time to release them back into the wild and see if they can fly on their own.

But I feel real good about getting the page count below 600! Yowza! True, it's only 599, but the 600 mark was a real psychological barrier. Now getting this monster down to 145k seems eminently feasible, and getting it down to 140k is an outside possibility. I've got 11 chapters and an epilogue to go, so we'll see.

I didn't get any other writing work done, of course, but I did get some good creative noodling done. I thought through some problems with my Dos Lunas/JK novel (a contemporary fantasy), but still have to figure out some major elements there. (Like, for one, why did Ramona hijack the story, what does she want, and do I give in and let her have her say or tell her to shut up.)

A completely new story popped into my brain, tentatively titled, "The Mistress and the Loon." And a completely new voice started talking to me the other night. I'm not at all sure where she fits in, but she does have some interesting things to say. I also did some creative noodling on the story that refuses to let me change its working title. I suppose it would be wrong to write a story called "Barfing Angel"? Yeah, I thought so.

Now, what I really need is to finish this rewrite and the attendant synopsis, et al., and get it out the door so I can turn my energies back to other projects and crits. I'm beginning to loathe this novel—which means it's definitely time to let go.
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Finished through: Oh golly, I seem to have run out of manuscript!

Word count: 153,458  (No, I didn't cut 2000 words.  More on that below.)

Left to go: I've got to write an introduction to a scene--100 words, tops--and do a bit more chapter rearranging, but that's it for the major revisions.  I think.



I finally gave in and did the manual word count thing.  It's ridiculously easy—I'm just lazy.  But that shaved 2000 words off my total.  Yowza!  I'm going to "manualize" all my stories now.  I've got some that are close to acceptable word counts but I just can't seem to whack them down any more.  Maybe manual word count gratification is the way to go. :-)

Next I plan to go through my novel just for the sake of cleaning up the language, especially on those first 60 pages I want to send off.  I did a certain amount of that this go round, but I was concentrating on a lot of different aspects at once.  I think honing in just on the sentence-level stuff would be a good idea.  'Course, I've got to finish the last part of my synopsis, too.  The synopsis I have is pretty good, I just didn't revise it for the last five chapters or so.  Then there's the dreaded query letter.  Must resist the urge to say, "Remember me?  I think you'll find this novel is much more brilliant than the semi-brilliant novel you rejected last time.  And there's so much more of it to love!"  Must resist that at all costs!

Bigger is better, right?  Oh, Lordy...
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Usually I wait until I have some inspiration to write these journal entries, but the only inspiration for this one is to say I'm busy as @$*!.

A couple of weeks back I had a nasty respiratory thingie that knocked me on my butt and put me behind on everything. Then I was both scrambling to catch up and busy as @$*!. I've finally managed to get mostly caught up, so my condition has been downgraded to merely busy as @$*!.

Where's all this @$*! coming from?

Work has been unreal—I hold down a full time cubicle job—and it's non-stop action all the time these days. And there doesn't appear to be any let-up on the horizon there. Don't these people know I have a creative life to keep up with???

Then there is the creative life: I was on a big push to finish my latest novel. I did that a couple of weeks ago, as few days before the respiratory thing hit, had the usual post partum blues, moved on. But I had to edit it so I could post it to the OWW (did that yesterday), had a gazillion crits to catch up with, and was working on getting a couple of stories out the door. "Band of Angels" didn't grab Joe Adams at F&SF but he took longer then usual to be ungrabbed by it, so I was hoping I might get my rejection from Gordon, but alas... And speaking of alas, I sent "A Tale of Two Moons" to Asimov's. I hope not to hear back on that for at least a couple of months—that way I don't have to think about it again in the interim. Oh, and I've been trying to get the first 60 + synopsis of my second novel in shape to send out again. I've begun to hate that novel. (Sorry, Tara, but I just don't want to look at it anymore.) That should be ready to go by next week, then maybe I can swing back around to some of the other stories that need revising and sending.

Added to that, I'll be leaving for England in about 4-1/2 weeks and of course I've left everything to the last minute so I'm running around like the proverbial chicken with the head cut off. Unlike the poor chicken, I hope not to collapse and end all motor function at the end of that mad scurrying.

I've been trying to squeeze a life in here somewhere, too. In that vein, tonight I'll be seeing Secret Window with Le Depp. Ah, the ineffable! Never too busy for the ineffable Depp.

Then again, every time I think about how busy I am, I remember my friend Tara who has more stuff going on in her life than anyone I know. (You're a good girl, sweetums, and we're all proud of you.) Compared with her, my life at its busiest is a walk in the park. So I'll just take a deep breath, realize it could be worse, and say a prayer for my friends who are going through hell at the moment.

Busy as @$*! is not nearly so bad as Hell and I hope everyone returns to Middle Earth right soon.

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