Quarrels

Apr. 29th, 2021 02:25 pm
pjthompson: quotes (quotei)
Random quote of the day:

“Day belongs to family quarrels, but with the night he who has quarreled finds love again. For love is greater than any wind of words.”

—Antoine de Saint-Exupéry, Flight to Arras (tr. Lewis Galantière)



Disclaimer: The views expressed in this random quote of the day do not necessarily reflect the views of the poster, her immediate family, Desus and Mero, Beyoncé, or the Marine Corps Marching Band. They do, however, sometimes reflect the views of the Cottingley Fairies.
pjthompson: (Default)
Last night (this morning) about 1:30 a.m. I was reading quietly in my chair in the living room and heard a loud thumping noise from the side yard, just beside the living room/kitchen. It startled me but I dismissed it, thinking the gardener must have forgotten to latch the side yard gate again. It's been pretty windy so I figured that was the noise, and decided I wasn’t going out at 1:30 in the morning to re-latch the gate. A little while later I heard the noise again only this time louder and accompanied by a big dragging sound. The gate doesn’t make that noise no matter how windy it is.

So I turned on the kitchen light and I first thought to open the front door because it provides a view of the gate in question. I turned off the alarm and looked out but didn’t see anything. I closed the front door rather loudly hoping that if somebody was lurking they’d get the message. I was pondering what to do next when I heard another thump and drag. I wasn’t at all sure at this point if it was coming from my side yard or the neighbor’s yard (they have a very high fence I can’t see over). I don’t know if adrenaline kicked in or stupidity or what. But I went to the side door off the kitchen and turned on the side yard light. Then I open the door, looked out, didn’t see anything and decided to go down the stairs and check things out. The gate latch was perfectly secure so I looked behind me but the rest of the yard beyond the light was too dark to make anything out.

That’s when I said to myself, “Woman, if somebody is out here they’re going to hit you on the head and it'll be all over.” So I hurried (as much as my arthritic legs can hurry) back into the house. And I said to myself, “Sometimes you are not very smart.”

But I didn't hear that noise again. Either there was somebody messing over next door or in my yard and I scared them off, or it was critters and I scared them off. Whatever, I had no business going out there at 2:00 in the morning (by that time) on my own. Maybe next time I'll just settle for flicking the lights on and yelling out the back door that I'm going to call the cops.

I have to admit, though, that I am my mother's daughter. Neither one of us ever had enough sense to do the girly thing. We always charged full bore out any existential back door to investigate on our own. It's a wonder either of us survived until old age. My mother was tall (5’9”) and strong and had grown up tough with a house full of brothers and on cattle ranches. She didn’t think twice about taking on anybody at any time. And yet, she always managed to look glamorous while doing it and she liked girlie things. A glamorous Valkyrie.

There was one memorable instance when I was in high school and some teenaged boys decided to break into the tool shed at our old house in Venice. It was a summer Saturday night and the windows were open. Mom (who had been up late reading, as it happened) heard something going on (she had ears like a terrier) and charged out the back door. She was wearing baby doll pajamas and fuzzy slippers. She bore down on those boys in full Valkyrie mode. One of them managed to get away, but she wrestled the other one to the ground and held him there, yelling at me, “Call the cops! Call the cops!”

Imagine, if you will, in those days before 911 when you actually had to call the police desk to get a squad car to your door, and me, a teenaged girl on the line with a cynical police desk sergeant trying to convince him that my mother had actually wrestled a thief to the ground and was sitting on him until the police could arrive. There were no cell phones in those days so I was in the house and my mother was outside so no sounds of commotion reached his cynical ears to help verify my story, even though I left out the detail of the baby doll pajamas. He eventually, grudgingly agreed to send a car (to get me off the phone, I’m sure), but none ever arrived. (It was Saturday night and Venice was a pretty rowdy place in those days. I mean serious crime and all.)

Meanwhile, some of the den of thieves who lived across the street and were related to the boys heard from the one who got away that my mom was holding the other boy prisoner and came to his rescue. Picture this: my mother in her baby doll pajamas and fuzzy slippers wrestling with not one but two teenaged boys. Going at it pretty heavy. One of their older brothers came running up holding his hands out like a peacemaker at this point, but the teenaged boys managed to get the other one free. My mother was so mad at this point she coldcocked the peacemaker on the chin with her fist and knocked him on his ass. He didn’t retaliate, fortunately, and managed (somehow!) to calm my mother enough that she went back in the house. But she insisted I call the cops again.

For some reason, the cynical desk sergeant was even less inclined to believe my story. Even though Mom got on the line this time and did some yelling. She insisted I write a scathing letter to the Times (“You’re good at that sort of thing”), cc’ing the chief of police and our local councilman about the shocking lack of response to a poor frail lady and her teenaged daughter needing assistance with a gang of teenaged thieves and receiving none. The Times declined to print our missive, and we never got a response from the chief of police or the councilman, either (although I’m pretty positive whoever may have read that letter got a really good laugh out of it).

The den of thieves who lived across the street remained the scourge of the neighborhood and surrounding blocks, but none of them ever again tried to rob our house.

I think, however, that in future I will try turning on the lights and yelling out the door if I hear suspicious sounds. If those Valkyrie genes don’t kick in and rob me of all sense of self-preservation.



A glamorous Valkyrie
pjthompson: (Default)
I do rather sporadic genealogy research, but I’ve been doing it on and off since I was about 13 so I’ve got some lines a long way back. I generally follow one surname back as far as I can, filling in the maternal lines but concentrating on the paternal surname. It’s not that the maternal lines are unimportant. Quite the contrary, but it’s too chaotic to bounce back and forth. Once I’ve reached a dead end on one name, I circle back trace the maternal lines all the way back until they run out. Often, the best you can do is get the bare bones facts of these people’s lives, but every once in a while you come across a more substantial bit of information in the historical records.

Take, for example, a certain captain of militia ancestor of mine, Capt. James Pennock. He was a Vermonter and died at the age of 39 at the Battle of Bemis Heights in Saratoga New York in 1777. He left behind 14 children. I Apparently, he and his wife got started a few years before their marriage, too, if the marriage date I have is correct. That far back, it’s sometimes hard to tell what records are correct.

He's buried somewhere in the land around Saratoga. That battle didn’t allow for neat rows and marked graves. They just buried them where they could and in something of a panic. And I’m sorry for that, for my ancestor and all those other fallen who deserved more respect.

But I keep thinking about that poor woman trying to raise 14 kids on her own. Maybe she was relieved her husband was gone and not getting her pregnant anymore? I know she waited 27 years to remarry (to a widower), after she was safely past childbearing age. Can’t say as I blame her. She and her new husband were married 7 years until her death in 1811. I hope they were happy, peaceful years for her. I feel an unaccountable tenderness for this strong Vermonter woman. For all those hardy women of the past who bore so much and got so little credit.

As it turns out my "glorious ancestor" who died at Saratoga was a Loyalist fighting with General Burgoyne. At least before going off to die he secreted his family away from their home in Strafford, Vermont (a divided town) to Margaret's parents in Connecticut so she wouldn't be harassed by the Committee of Safety and the Sons of Liberty. The family lost everything, their farms that they had painfully eked out of raw wilderness, and some fled to Canada. Heroic Margaret stayed, and made the best life she and her children could have in the new country.

I've been musing about history a lot in the last couple of days, of who gets written about and who does not. Often, that's the men because their deeds are thought of as being more important. Capt. Pennock may have fought on the "wrong" side in the Revolutionary War, part of the brutal retreat of the Colonials from Fort Ticonderoga, pursued and harassed by General Burgoyne’s troops and his allied Indians, written about so memorably in Diana Gabaldon's An Echo In the Bone.

Burgoyne's troops fought on until the Colonials turned the tide on them. That's when James died, on the same day as General Simon Fraser. James and his brother William, it's said, were killed by the same bullet. He lost another brother that day, but his 18-year-old son survived to go back home to Strafford, VT. And how do I know all this? Because it was written about, of course.

I don't minimize James’s sacrifice—he fought for what he believed would be best for his family. James deserves to have his story told. But so do those who are left behind, like his wife, Margaret Seeley Pennock. Unless those left behind manage to get themselves scalped or otherwise made victims of war crimes, they are seldom written about. The super heroic feat of picking up the pieces after chaos and destruction and somehow going on with ordinary life are rarely the stuff of history. I know only the bare bones of Margaret's life, those details of marriage, of (prodigious) births, of death. I want to know how that woman did it, how she wrested a life for her and her 14 children after being left behind in the midst of shambles and privation. That's most equally a story history should write. And yet it rarely does. Except maybe in the pages of fiction. Because at this point, conjecture and bare bones are all I have for her.

Thank you, Margaret, for prevailing.
pjthompson: quotes (quotei)

Random quote of the day:

“He who fights with monsters might take care lest he thereby become a monster.

—Friedrich Nietzsche, Beyond Good and Evil, Aphorism 146, tr. Hollingdale

 monsters4WP@@@

Disclaimer:  The views expressed in this random quote of the day do not necessarily reflect the views of the poster, her immediate family, Siegfried and Roy, Leonard Maltin, or the Mormon Tabernacle Choir. They do, however, sometimes reflect the views of the Cottingley Fairies.

Mirrored from Better Than Dead.

pjthompson: quotes (quotei)

Random quote of the day:

“When people speak to you about a preventive war, you tell them to go and fight it. After my experience, I have come to hate war.”

—attributed to Dwight D. Eisenhower

 preventive4WP@@@

 

Disclaimer:  The views expressed in this random quote of the day do not necessarily reflect the views of the poster, her immediate family, Siegfried and Roy, Leonard Maltin, or the Mormon Tabernacle Choir. They do, however, sometimes reflect the views of the Cottingley Fairies.

 

Mirrored from Better Than Dead.

pjthompson: quotes (quotei)

Random quote of the day:

“Borders are established so there is something to fight about.”

—Karol Bunsch, quoted in Geary’s Guide to the World’s Great Aphorists

Disclaimer:  The views expressed in this random quote of the day do not necessarily reflect the views of the poster, her immediate family, Siegfried and Roy, Leonard Maltin, or the Mormon Tabernacle Choir. They do, however, sometimes reflect the views of the Cottingley Fairies.

Mirrored from Better Than Dead.

pjthompson: parker writing (dorothy)
If by chance you missed this over at Nathan Bransford's blog, Valerie Kemp has written an excellent guest blog on the subject of first chapters.

It's got me thinking of my own first chapters from my finished novels and analyzing why they succeeded or failed. Ms. Kemp makes the excellent point that a first chapter is a promise to the reader about what the rest of the book is going to be like. If it's a high-action chapter, the reader probably expects the rest of the book to be high-action. If it's leisurely and contemplative, then that projects into the reader's mind a much different book.

She makes a number of excellent points which I won't reiterate here—go read the original. But that concept up there in my previous paragraph is one of those should-be-obvious things that often gets overlooked. I know I've overlooked it many times. Sometimes I catch it in the rewrites and make good on that promise to the reader, sometimes not.

I'm thinking in particular of my third novel, Shivery Bones. The first chapter was an action-filled chase scene involving the hero, Ezra. Very in media res, and at the end a burst of unexpected magic. Which was gripping, but not reflective of the story as a whole. Oh yeah, there were actiony bits, more fights and chases, and throughout the book I like to think there were bursts of unexpected magic, but the bulk of the story was much more about the internal journeys of the hero and the heroine, Jolene. She has to learn to love and trust again after terrible tragedy and to accept the natural cycle of life, and Ezra...well, pretty much the same thing, with the added twist of realizing that true love is sometimes about sacrificing your own best interests for the sake of someone else.

None of that was in my first chapter. An early critter said something of the sort to me. "If I didn't know you wrote more contemplative books, I probably wouldn't have read on since this chapter has a lot of adrenaline going on." I ignored that criticism, thinking it beside the point. Very late in the game with this novel, after I'd sent it out many times, I realized the truth of this insight. But it took a rejection from an agent to drive that nail home: "The rest of this book wasn't what I expected from the first chapter."

I wrote a new first chapter which at least had a more contemplative and mysterious vibe to it—centering on Jolene this time rather than Ezra, then transitioning into the action chapter. I think it makes a stronger novel. Unfortunately, during the years I tried selling it with its original first chapter, the market has become saturated with certain tropes used in the story, making it a hard sell, with diminishing chances it would sell. I'd moved on to novels four, five, and six so reluctantly trunked this one.

Would it have fared any better in the market if I'd taken my early betas advice and written a new chapter one back then? Absolutely impossible to say. There are probably other flaw bombs in there that haven't yet exploded in my consciousness. But I do know that writing a new first chapter was the right thing for this book, and the right thing in terms of that implied promise to the reader.
pjthompson: quotes (quotei)
Random quote of the day:


"There are plenty of good reasons for fighting, but no good reason ever to hate without reservation, to imagine that God Almighty Himself hates with you, too."

—Kurt Vonnegut, Mother Night






Illustrated version. )


Disclaimer: The views expressed in this random quote of the day do not necessarily reflect the views of the poster, her immediate family, Siegfried and Roy, Leonard Maltin, or the Mormon Tabernacle Choir. They do, however, sometimes reflect the views of the Cottingley Fairies.

Urp

Aug. 9th, 2010 09:28 am
pjthompson: (Default)
Random quote of the day:


"Part of the secret of success in life is to eat what you like and let the food fight it out inside."

—attributed to Mark Twain



(This has been attributed to him since at least 1946, but there's no proof he actually said it.)





Illustrated version. )


Disclaimer: The views expressed in this random quote of the day do not necessarily reflect the views of the poster, her immediate family, Siegfried and Roy, Leonard Maltin, or the Mormon Tabernacle Choir. They do, however, sometimes reflect the views of the Cottingley Fairies.
pjthompson: (Default)
I've got nothing to complain about. I live a privileged life, all told, and so far my health is holding up. I have a roof over my head, more than sufficient to eat, a job to pay the bills, a second job that I mostly love except when novels refuse to finish themselves without my assistance.

I even managed to write 1000 words this morning. It fought me every step of the way (or I fought it, hard to say which). It was, in fact, a fight scene and I'm bloody sick of writing fight scenes—but it's written now. From this point on it's just writing the heart of the book, the thing that I've been aiming at for 484 pages. The thing that makes the entire enterprise stand or fall. (Mommy!)

I don't know why I should be nervous about that, especially not after the disaster of Night Warrior/The Making Blood. No, I'm sure that failure to stick a clean landing isn't playing any part in this refusal to take that final jump and finish the course. Nope, nope, couldn't be that.

I'm going to go to the post office and do some other errands, then maybe I'll come back home and try to write some more.

Spread the lolbook:

http://jimhines.livejournal.com/tag/lol

(courtesy [livejournal.com profile] nikwdhmos)
pjthompson: (Default)
What's new in the yard: The planter of amaryllis is in full bloom, but the first blooming flowers have started to fade. The pink and yellow lantana has been popping for awhile now. The Mexican poppies--a papery, pale lavender--have sprung up here and there throughout the yard. And the pink and white geranium has been joined by a maroon and pink one.

Writing talk of the day: A real good session yesterday. The final fight is well underway. A fairly good session today. I continued the fight, then spent a certain amount of time staring at the wall. But it was good staring at the wall, thinking about "If A happens, then B could happen, and lead to C..." I blocked out important elements of the rest of the fight and hope that means I can work steadily towards the conclusion now.

This late in the game I find myself second-guessing some of my decisions and that's slowed things down quite a bit. But I have to let go of the idea that everything will hang together perfectly at this point. First draft I keep repeating to myself.

A funny thing happened on the way to writing this book: I wrote two books. Two books, with a household move thrown in for good measure. I do not wish to repeat the experience.

And if Lois McMasters Bujold cannot sell a 200k ms. as one book, I haven't got a prayer because I am sooooooo not Ms. Bujold. I am not quite at 200k (SMF) yet, but so close it's not worth mentioning. When all is done, done, done, the epic will probably have to be taken apart and rearranged, and broken in two. And somewhere in there a third book will have to be written.

But not now. God no, not now.
pjthompson: (Default)
This is the first day in about two and a half weeks that there's been breathing space at work. Everyone decided they had to have their research projects done before the Christmas break, stuff they'd been sitting on for months. You know, the usual.

But starting Friday, I'm on vacation until January 3. I am so so so looking forward to it. Inevitably, I'll have to do some unpacking and rearranging on the homefront, but I am also hoping to get a good chunk of writing done. I will not promise anything so rash as finishing the novel...but it could happen. If sloth does not overtake me.

Novel talk of the day: That is to say, talk about the novel, not necessarily anything novel.

I desperarly want to get Night Warrior gone so I can concentrate on other projects, like Charged with Folly. I almost rebelled today and decided I'd work on something else, but no. No, no, no. Must. Suck-it-up. And. Finish. That's what separates the women from the girls, right?

In today's scene there were all these people yapping and yapping and yapping. They've been having a yap party all week and won't shut up no matter how much I pound the ceiling with a broom or threaten to call the cops. All the chitter chatter is because they're trying to avoid the big fight scene—they can't fool me. But today I managed to shove them all the way up to the opening of it before I had to go back to work. They have no choice but to fight now. (Although the way they've been dragging their heels, they may take a notion to discuss the air speed of a swallow carrying a coconut instead.) (I will not allow this to happen, and no smart ass better ask whether it's a European or an African swallow, either. If anyone gets thrown into the Pit of Doom, I'm doing the throwing.) (I am the author, after all, and I'm in charge.) (You hear?)
pjthompson: (Default)
Fighting, fighting, fighting with the chapter; struggling to make it right. Nothing seems to work and it's like crashing into stone. But I keep chipping away, because that's what you have to do to finish, I keep chipping. Tough because I'm at the place where there are no surprises left, just the chipping. Bit by bit I keep on—until suddenly there's an opening and I'm pushing through! The door to the summer country opens and it's straight through to the other side...
pjthompson: (Default)
Quote of the day:

"Stories are like mirrors...when they've gone dark and the glass is obscured, it's maybe for a reason. Polish them and you might not want to accept the person looking back at you as yourself. We carry these stories inside us—mirrors we can look into, or show to other people."

—Charles De Lint, Somewhere To Be Flying

Goofiness of the day: The fight scene finally got underway--well-launched, in fact. However, at one point someone lost a limb and I couldn't help typing:

"It's only a flesh wound!" he screamed. "Come back here and I'll bite off your kneecaps!"

Clearly, I had too much Python in my formative years. I'm wondering now if I should leave it in for the amusement of my local betas. But that probably wouldn't be fair. It's a serious scene. Maybe I'll do an alternate version for them on the DVD.

Writing blah-blah of the day:

The battle clichés were jumping around like a troop of pixies on a trampoline, so I won't bother enumerating them today. It's easier to write the trash to keep the scene moving and worry about refining later. Characterization also suffered muchly, I fear, as well as some of the tactile stuff. Must cram it in later.
pjthompson: (Default)
A good session with Caius and friends yesterday. Or rather, Caius and enemies, in this scene. I got over myself and worked through the fight scene that just didn't want to get written last week. But today was a slog. I had to prepare my characters for a big battle scene (and actually hoped to write the battle), but they resisted. It was like trying to push them up a steep hill and they'd gonr all slack-limbed on me—pure dead weight. I don't know why they are being so nasty, but nasty they are. Could it be because of prose like this:

Cliché du jour: At last I had proof of his villainy!

Oh. My. God. It's so horrifically bad I'm tempted to leave it in just for the shock and awe value. Then again, maybe not.

And I dreamed last night that every corner I turned in my apartment had another bookshelf I'd forgotten about and books that needed to be packed. And not your normal nicey-nicey books, but those big honking things with the crusty covers like you find in the stacks of research libraries. And the thing is, there just aren't that many corners in my apartment, so I don't know why I kept turning so many of them—but turn them I did.

My friend is coming over to help me pack on Sunday, despite her early fears that she might have to have unexpected major surgery that weekend. Another is coming over the following week, despite her fears of unexpected major surgery. I'm glad that the fear of back operations and kidney transplants didn't pan out. I am bribing them with food, so perhaps that improved their health.
pjthompson: (Default)
"A girl's got it made when men fight over her."

—promotional ad for the 1966 Ann-Margret film, Made In Paris


It's certainly been my life's ambition.

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